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\n\tMORE GALLERY GLOOM.\u00a0Dovetailing nicely with the above,\u00a0Hypebeast<\/a>\u00a0has published a story called \u201cThe Slow Death of the Contemporary Art Gallery.\u201d \u201cThe contemporary art gallery as we know it is dying. In cities like New York and Los Angeles, dedicated spaces that once buzzed with foot traffic and formal openings are now struggling with rising rents and changing expectations,\u201d it reads. \u201cThe old model, where a gallery does everything for its artists, feels like it\u2019s falling apart.\u201d Collectors are reportedly increasingly focusing on\u00a0\u201cred-chip\u201d\u00a0artists\u2014a rising group whose appeal is driven more by viral buzz and cultural relevance than by traditional institutional backing. These artists are gaining traction for two key reasons: their work tends to be more accessible and affordable, and it offers fresh, diverse cultural viewpoints that resonate with a global audience. But,\u00a0Hypebeastnotes, \u201cArt isn\u2019t disappearing. It\u2019s just moving, becoming more accessible and less tied to one physical location.\u201d How much the model changes will dictate how successful galleries remain,\u00a0Hypebeast\u00a0proposes.<\/p>\n \n\tThe Digest<\/p>\n \n\tA\u00a0Guardian\u00a0reporter who was almost murdered finds comfort in the Renaissance influences in\u00a0Jenny Saville\u2019s work, currently on show at the\u00a0National Portrait Gallery. [Guardian<\/a>]<\/p>\n \n\tFour years on from the\u00a0Taliban\u00a0takeover, subjugated Afghan women are starting to assert themselves through art. [The Art Newspaper<\/a>]<\/p>\n \n\tIn a soon-to-be aired episode of\u00a0Fake Or Fortune?\u00a0on the BBC, an art collector causes a stir when he turns down \u00a3300,000 for a \u201clost masterpiece painting\u201d by Canadian Impressionist\u00a0Helen McNicoll<\/a>.\u00a0[Daily Mail<\/a>]<\/p>\n \n\tAs the UK gears up to receive the 950-year-old\u00a0Bayeux Tapestry, here\u2019s everything you need to know about the 230-foot-long embroidery. [Artnet<\/a>]<\/p>\n \n\tThe Kicker<\/p>\n