{"id":897713,"date":"2026-09-16T09:08:12","date_gmt":"2026-09-16T09:08:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/897713\/"},"modified":"2026-09-16T09:08:12","modified_gmt":"2026-09-16T09:08:12","slug":"three-london-designers-rethink-the-materials-that-shape-our-homes","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/897713\/","title":{"rendered":"three london designers rethink the materials that shape our homes"},"content":{"rendered":"<p>\u00a0<\/p>\n<p>MAX LAMB PUSHES CERAMIC BEYOND TABLEWARE<\/p>\n<p>\u00a0<\/p>\n<p>Master of unconventional materials, designer <a href=\"https:\/\/www.designboom.com\/tag\/max-lamb\/\" rel=\"nofollow noopener\" target=\"_blank\">Max Lamb\u2019s<\/a> latest collection, \u201cCrockery\u201d, rethinks the familiar notion of ceramic, being a fragile and delicate material, with a series of chairs crafted from stoneware. The designer collaborated with 1882 Ltd, a ceramics manufacturer based in England\u2019s historic pottery region of Stoke-on-Trent, to develop a collection of dining chairs made entirely of clay. Here, earthenware moves beyond the realms of tableware and into furniture, supporting the presence of the human body.<\/p>\n<p>\u00a0<\/p>\n<p>\u201cCrockery\u201d is a collective undertaking, with 23 potters involved in the production of each chair, every stage of the meticulous process requires a fine balance of specialist knowledge and collaboration. From preparing and releasing the molds to drying and firing, the process is shared across a community of makers. This ethos of collective production is central to Lamb\u2019s work, as material experimentation thrives under the culture of making. The resulting chairs occupy a space between sculpture and furniture, bringing craft into the domestic environment in unexpected forms. Lamb\u2019s chairs celebrate not only the possibilities of ceramic, but the people, processes and shared knowledge involved in the production of design.\u00a0<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1207314 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"bethan laura wood, max lamb and andu masebo rethink the material language of home - 4\" width=\"818\" height=\"627\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2026\/09\/bethan-laura-wood-max-lamb-andu-masebo-material-language-contemporary-home-designboom-10.jpg\"  data- loading=\"lazy\"\/><br \/>Max Lamb\u2019s \u2018Crockery\u2019 collection transforms stoneware into sculptural seating | image: courtesy of Gallery Fumi<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>ANDU MASEBO BRINGS AUTOMOTIVE MATERIALS INDOORS<\/p>\n<p>\u00a0<\/p>\n<p>Meanwhile, Andu Masebo\u2019s Tubular Chair begins with another act of reappropriation: materials normally found on a car are reimagined in the context of the home. Sourced from London\u2019s mechanic and exhaust workshops, stainless steel tubes normally used for car exhaust systems are transformed into chairs with voluptuous, curving frames, while recycled chip rubber becomes a soft, tactile seat.<\/p>\n<p>\u00a0<\/p>\n<p>Working closely with exhaust manufacturers, Masebo adapted the limitations of their machinery into an opportunity for invention, bending and joining two sections of tube to create the chair\u2019s distinctive silhouette. The finished seat embraces its industrial origins, down to the deliberately exposed welded joins, which are celebrated rather than concealed.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1207315 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"bethan laura wood, max lamb and andu masebo rethink the material language of home - 5\" width=\"818\" height=\"1022\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2026\/09\/bethan-laura-wood-max-lamb-andu-masebo-material-language-contemporary-home-designboom-103.jpg\"  data- loading=\"lazy\"\/><br \/>Andu Masebo reimagines automotive materials through his Tubular Chair<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>LEAVING DOMESTIC CONVENTION AT THE DOOR<\/p>\n<p>\u00a0<\/p>\n<p>Across the distinct work of each designer, there is a shared refusal to follow the prescribed language of domestic furniture. Materials are recontextualized and familiar forms are disrupted in objects that question our assumptions about what the home should be made from. There is a sense of liberation to be found in approaching the home as a place for experimentation, humor and surprise. In this version of domesticity, convention can be left at the door.<\/p>\n<p>\u00a0<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1207317 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"bethan laura wood, max lamb and andu masebo rethink the material language of home - 6\" width=\"818\" height=\"818\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2026\/09\/Creative-Andu-Masebo_Product_Atelier100_Zetteler_PhotoCredit-YeshenVenema_1.jpg\"  data- loading=\"lazy\"\/><br \/>Andu Masebo\u2019s design combines stainless steel exhaust tubing with recycled chip rubber | image: Yeshen Venema<\/p>\n","protected":false},"excerpt":{"rendered":"\u00a0 MAX LAMB PUSHES CERAMIC BEYOND TABLEWARE \u00a0 Master of unconventional materials, designer Max Lamb\u2019s latest collection, \u201cCrockery\u201d,&hellip;\n","protected":false},"author":2,"featured_media":897714,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[49,48,31392,63764,105236,999,156360,3489,61],"class_list":["post-897713","post","type-post","status-publish","format-standard","has-post-thumbnail","category-technology","tag-ca","tag-canada","tag-ceramic-art-and-design","tag-chair-design","tag-furniture-design","tag-materials","tag-max-lamb","tag-recycling","tag-technology"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/897713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=897713"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/897713\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/897714"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=897713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=897713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=897713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}