{"id":931158,"date":"2026-10-13T06:24:09","date_gmt":"2026-10-13T06:24:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/931158\/"},"modified":"2026-10-13T06:24:09","modified_gmt":"2026-10-13T06:24:09","slug":"deafheaven-at-work-in-the-fields-of-the-bomb-ep-album-review","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/931158\/","title":{"rendered":"Deafheaven: At Work in the Fields of the Bomb EP Album Review"},"content":{"rendered":"<p>Can I interest you in some pure, uncut black metal? At Work in the Fields of the Bomb, the new EP that <a href=\"https:\/\/pitchfork.com\/artists\/30011-deafheaven\/\" rel=\"nofollow noopener\" target=\"_blank\">Deafheaven<\/a> surprise-released last week, greets us with a towering ice shelf of blastbeats, atmospheric tremolo picking, and, in an unprecedented move for Deafheaven, choral synths perched boldly high in the mix. Were it not for that last element, the opening seconds of \u201cHunter\u201d would sound at home on any Deafheaven album besides 2021\u2019s shoegaze-by-numbers outlier, <a href=\"https:\/\/pitchfork.com\/reviews\/albums\/deafheaven-infinite-granite\/\" rel=\"nofollow noopener\" target=\"_blank\">Infinite Granite<\/a>. Those gothic, imperious synths, though, are as alien to the band\u2019s existing palette as they are foundational to a specific era and subset of black metal. Whether canny homage or sincere artistic choice, this fresh accessory complements the band\u2019s darkest offering to date, preserving their commitment to bold melodic splashes while allowing the guitars and bass to supply the rhythmic churn this heavier material demands.<\/p>\n<p>In the past, Deafheaven swore allegiance to their noisy, lo-fi Californian forbears Weakling and <a href=\"https:\/\/pitchfork.com\/artists\/5778-leviathan\/\" rel=\"nofollow noopener\" target=\"_blank\">Leviathan<\/a>, as well as the moody 2000s European bands that reimagined black metal as a vehicle for heart rather than hate, like <a href=\"https:\/\/pitchfork.com\/artists\/5913-alcest\/\" rel=\"nofollow noopener\" target=\"_blank\">Alcest<\/a> and ColdWorld\u2014all of whom departed sufficiently from the genre\u2019s roots to garner derision from traditionalists. At Work in the Fields of the Bomb has a full-bodied sheen that separates it from the truest (or, in the parlance, \u201ctrvest\u201d) early-\u201990s Norwegian black metal, but it sounds a hell of a lot like the stuff that directly followed those dimly lit, mythologized teenage recordings.<\/p>\n<p data-testid=\"ListenerScoreNoScoreText\" class=\"BaseText-fEwdHD ListenerScoreThresholdText-lArxz cqNFjT hsExIe\">No score yet, be the first to add.<\/p>\n<p>In three tracks\u2014two tentpoles separated by an ambient interlude\u2014the EP blatantly evokes a period in the mid-\u201990s when, across Europe, guys in corpse paint started playing around with Korg workstations. \u201cSymphonic black metal\u201d eventually became a much cheesier enterprise, but the ur-texts of the genre married raw furor and cold, artificial grandiosity in a way that remains revolutionary. On At Work in the Fields of the Bomb, I hear the theatrical spite of Greek bands like Rotting Christ and Necromantia, the harrowing atmosphere of Austria\u2019s Abigor, and above all, the austere frostiness of In the Nightside Eclipse, the 1994 debut by Norwegian OGs <a href=\"https:\/\/pitchfork.com\/artists\/1394-emperor\/\" rel=\"nofollow noopener\" target=\"_blank\">Emperor<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"Can I interest you in some pure, uncut black metal? At Work in the Fields of the Bomb,&hellip;\n","protected":false},"author":2,"featured_media":931159,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[342,49,48,75,341,343],"class_list":["post-931158","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-albums","tag-ca","tag-canada","tag-entertainment","tag-music","tag-web"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/931158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=931158"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/931158\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/931159"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=931158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=931158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=931158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}