{"id":96510,"date":"2025-08-25T18:52:07","date_gmt":"2025-08-25T18:52:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/ca\/96510\/"},"modified":"2025-08-25T18:52:07","modified_gmt":"2025-08-25T18:52:07","slug":"dealers-living-like-collectors-egypts-tourism-and-more-morning-links","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ca\/96510\/","title":{"rendered":"Dealers Living Like Collectors, Egypt&#8217;s Tourism and More: Morning Links"},"content":{"rendered":"<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tGood Morning!<\/p>\n<p>Art adviser Ralph DeLuca has a theory about the wave of closures, lawsuits, and bankruptcies.<\/p>\n<p>Artsy\u2019s Maxwell Raab argues that the market\u2019s struggles present a chance to reshape the industry for the better.<\/p>\n<p>What does a cow\u2019s tooth reveal about the history of Stonehenge?<\/p>\n<p>\t\tThe Headlines\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tTHE DEATH OF GUILT, GREED &amp; VIRTUE SIGNALING?\u00a0Art adviser\u00a0Ralph DeLuca\u00a0has shared his two cents on the \u201cart market cool-off\u201d in\u00a0<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D593ff2acc32ba546e7d8745cbf58bbe36faa129cadeda4e89afd5ac054dd3ded1a1d1bff69f44608d4d2f93567421169a29fa08373c49c35&amp;data=05%7C02%7Chjacobs%40artnews.com%7C30b3ea7448b24322992808dde3d8529f%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638917240468038378%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=4midl3kx6Nh4arU8Ja72Rv92q0kZhgdLdmI3PNmoO9I%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">Cultured<\/a>\u00a0, writing from his \u201cvintage villa in LA.\u201d \u201cThose of you who know me\u2014or follow me on social media\u2014are aware that I don\u2019t spend my summers in the Hamptons or Aspen like my clients, or globetrotting all over Europe like an A-list celebrity,\u201d he writes.\u00a0DeLuca can\u2019t help but wonders if recent gallery closures, bankruptcies, lawsuits, and \u201cmarket implosions\u201d are being driven by figures in the trade \u201cfeeling pressure to live like their clients and other ultra-wealthy players in the art world.\u201d Growing up \u201clower middle-class,\u201d DeLuca emphasizes that he is not part of that grasping cohort: \u201cI have never lived that way and strive to live below my means as much as I can while still enjoying life. Frankly, clients don\u2019t want their vendors\u2014yes, that\u2019s what we are\u2014living like they do, especially as people who are working on commission.\u201d\u00a0He also suggests that art leaning heavily into \u201cidentity politics\u2014art as a message, art as a virtue signal\u201d no longer resonates with collectors, who are increasingly motivated by \u201cpassion and connoisseurship\u201d over \u201cguilt, greed, and virtue signaling.\u201d In today\u2019s \u201cless overtly \u2018woke\u2019 political climate,\u201d he asks, \u201care collectors simply feeling less desire to support certain voices or align with the cultural moment?\u201d<\/p>\n<p>\t\tRelated Articles<\/p>\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2025\/08\/1756147927_656_GettyImages-2207404144.jpg\" data-lazy-src=\"https:\/\/www.newsbeep.com\/ca\/wp-content\/uploads\/2025\/08\/1756147927_656_GettyImages-2207404144.jpg\" alt=\"People standing before a tall, classically styled museum building with columns.\" data-lazy- data-lazy- height=\"\" width=\"\"\/><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tBRIGHT SIDE OF THE ART MARKET.\u00a0Artsy\u2019s\u00a0Maxwell Raab\u00a0has also\u00a0<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D593ff2acc32ba54690797d7cdf010e357ab37a24ee758a3c95b544a9a60e142f0731bf343b466aa7f943e1d18b5391aac34f95c461e2d9c6&amp;data=05%7C02%7Chjacobs%40artnews.com%7C30b3ea7448b24322992808dde3d8529f%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638917240468055500%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=dlqLoRQzhQmDJe0ioqn%2BwCUVVd%2B5wLjtoX9KUTRV37w%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">weighed in<\/a>\u00a0on the \u201cart market cool-off.\u201d Unlike many writers, Raab is looking on the bright side. He argues that the current discussions about gallery closures and the market\u2019s struggles \u201cmay be less about decline than about how those in the art world choose to look forward.\u201d \u201cLike the industry at large, the U.S. market is in a recognized\u00a0downturn\u00a0. Top-level auction and dealer sales have declined for consecutive years, as pockets of collector demand have cooled: \u2018Some people who bought 200 works a year now buy 40,\u2019\u201d\u00a0CLEARING\u2019s\u00a0Babin\u00a0said. \u201cThat\u2019s an 80 percent drop, but it\u2019s still substantial. There was a lot of fluff.\u201d Still, Raab writes, \u201creality is more nuanced.\u201d \u201cThe art world has an enormous capacity for reinvention,\u201d\u00a0ADAA\u00a0director\u00a0Kinsay Robb\u00a0said. \u201cWe\u2019re all creative. We\u2019re representing creatives. We\u2019re creative in our own ways. This is an opportunity for some exciting change to take shape.\u201d<\/p>\n<p>\t\tThe Digest\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tSotheby\u2019s has secured the collection of Chicago patron\u00a0Cindy Pritzker, highlighted by a Vincent van Gogh, while Christie\u2019s won the even larger estate of\u00a0Patricia and Robert Weis, which includes works by Rothko, Mondrian, Picasso, and Matisse, reports Katya Kazakina. [<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D593ff2acc32ba546764fea4e773b68267682c02fb406e1eb06759a02c03c9d4433cccad232feea3c3a9bc39c0eaa35a58d76c84a9524895a&amp;data=05%7C02%7Chjacobs%40artnews.com%7C30b3ea7448b24322992808dde3d8529f%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638917240468088556%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=Wk4EpAXKBIzaS05qkkOn3d%2Fpa0yKDI3W%2FH0l7mF009s%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">Artnet News<\/a>]<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tPeople Inc.\u00a0announced Friday that it has sold the monumental sculpture titled\u00a0Plantoir, by\u00a0Claes Oldenburg and Coosje van Bruggen, which adorned the company\u2019s campus, but said it was not at liberty to disclose where the artwork will go, or the price paid. [<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D593ff2acc32ba54680283298fdbd8fd80c7cae39ced6a47c0551cc897be25944188d25551bd6e4964af55c0a13102a64a5477a7b0334b66d&amp;data=05%7C02%7Chjacobs%40artnews.com%7C30b3ea7448b24322992808dde3d8529f%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638917240468105219%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=CDSUW9hnvH2YHb%2BAJyBNIr%2BN8j1Y9vCLRfKmskT5LVo%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">Des Moines Register<\/a>]<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tA cow\u2019s tooth buried alongside\u00a0Stonehenge\u00a0has thrown light on how the ancient stone circle in Wiltshire, UK was formed. [<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D593ff2acc32ba546a6a61dd69e8dc5e850eb1b98f2e683ce090a32929fbdbac357bd317b4496c4e7f37f28b755e8fe44a814b4a273fe6e5a&amp;data=05%7C02%7Chjacobs%40artnews.com%7C30b3ea7448b24322992808dde3d8529f%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638917240468122583%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=vF%2BwIn%2BqzlJi7shQZfCLDGaSJ8DutzxfEqZN52on2pU%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">The Art Newspaper<\/a>]<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tARTnews\u00a0Top 200 Collector\u00a0Francesca Thyssen-Bornemisza\u00a0and\u00a0Stella Rollig, the director of the\u00a0Galerie Belvedere, have been awarded state orders by Ukrainian President\u00a0Volodymyr Zelenskyy\u00a0for their contribution to the traveling exhibition \u201cIn the Eye of the Storm: Modernism in Ukraine, 1900\u20131930s.\u201d [<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D593ff2acc32ba546f4a215f3d6c55fcad16daab969e6ffed0ef911a27bb9127f6ea3998764cdedc699903125873574d04dbb3f98ed076fbb&amp;data=05%7C02%7Chjacobs%40artnews.com%7C30b3ea7448b24322992808dde3d8529f%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638917240468140614%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=c3UsnnfequDyDVW%2Fln1qEMHN0nrfeHHT8%2Bw0ioYsQNU%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">NAMU<\/a>]<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tIn finally opening the\u00a0Grand Egyptian Museum, the Egyptian government is making changes to enhance the visitor experience around the pyramids, but local vendors and tour guides say the modifications threaten the livelihoods of neaby communities rooted in generations-old tourism practices. [<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D593ff2acc32ba546db0efcab6c5fd8543ce02f9c35da57419ac9afd20cabe2bb990a216c7771fe7598b219e060f03449d2a847b542f96947&amp;data=05%7C02%7Chjacobs%40artnews.com%7C30b3ea7448b24322992808dde3d8529f%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638917240468158421%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=vvQowwUkDX6OULF2Bz8HFBN7tSn3pXLn40z1XZihCI8%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">Smithsonian Magazine<\/a>]<\/p>\n<p>\t\tThe Kicker\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tTHIS MORNING\u2019S FINAL HYPOTENEWS.\u00a0The interplay between repetition and variation is central to how we perceive structure, rhythm, and depth across mediums, American theoristSamuel Jay Keyser\u00a0writes for\u00a0<a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fclick.email.artnews.com%2F%3Fqs%3D593ff2acc32ba5467c78fa1caf911cd26a9493d8e772e692acfdfbcb2bff428e75cbaaf9d8c6e1a1d81100feeb3bc11547283abd74da6275&amp;data=05%7C02%7Chjacobs%40artnews.com%7C30b3ea7448b24322992808dde3d8529f%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638917240468175433%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=FB6ITevbE53YW5CfpgWWdqpPKHl5l%2B7KA%2BhWTkPw9ME%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">MIT Press Reader<\/a>. \u201cArt critics regularly bring to a painting history, culture, schools of painting, and so on. But what\u2019s often left out is how the act of viewing shapes mental structures in the brain\u2014how certain arrangements of forms can trigger deep perceptual satisfaction,\u201d Keyser notes. If we look at\u00a0Gustave Caillebotte\u2019s\u00a0Paris Street, Rainy Day\u00a0(1877), for example, not as a recognizable street scene but as an arrangement of geometric objects, \u201cthe first thing that pops out is the extent to which triangles dominate the canvas. The foreground and midground contain five umbrellas. The umbrellas are themselves rounded distortions of a triangle. But notice that the umbrellas are made up of smaller triangles within a triangle. Here is a painting that luxuriates in representations that reflect the similarity between two like shapes while also preserving the differences.\u201d The work, he writes, is \u201cchock-full of visual rhymes. The triangle motif does not end with the umbrellas. Notice the three figures to the left. They make up the points of a triangle.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Good Morning! Art adviser Ralph DeLuca has a theory about the wave of closures, lawsuits, and bankruptcies. Artsy\u2019s&hellip;\n","protected":false},"author":2,"featured_media":53431,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[76,354,355,49,48,356,75,9591],"class_list":["post-96510","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-ca","tag-canada","tag-design","tag-entertainment","tag-morning-links"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/96510","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/comments?post=96510"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/posts\/96510\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media\/53431"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/media?parent=96510"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/categories?post=96510"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ca\/wp-json\/wp\/v2\/tags?post=96510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}