FilmConvert has released a new camera pack for the Nikon ZR, extending full support to both FilmConvert Nitrate and CineMatch. The update adds a camera profile tailored to the ZR sensor, giving filmmakers a more accurate starting point for color grading and an easier workflow when matching the ZR with other cameras.
If you have never used these tools before, FilmConvert Nitrate is a film emulation plugin that simulates the look of real film stocks by applying camera-specific color profiles. CineMatch, on the other hand, focuses on matching cameras by compensating for differences in sensor behavior and color science. This helps create a unified look across mixed-camera projects.
The FilmConvert Nitrate plugin is available for Premiere Pro, After Effects, DaVinci Resolve, and Final Cut Pro. CineMatch works with Premiere Pro, After Effects, and Final Cut Pro.
Image credit: FilmConvert
The Nikon ZR is now fully supported in both plugins, and users can download the new camera pack directly inside FilmConvert. As someone who works mostly in post production, this is great news for me. Matching footage from multiple cameras can sometimes be a daunting task so I am always delighted to see FilmConvert keeping up with their camera support. There is a lot of buzz around the Nikon ZR, and I will certainly be seeing plenty of footage that was shot with it as the camera makes its way out to the masses.
About the Nikon ZR
The Nikon ZR has been one of the most discussed cameras of the year. It is Nikon’s first model to use RED imaging technology after the acquisition. The camera combines the Z mount with RED RAW workflows. It also offers a mix of codecs and capabilities that we do not often see from large camera manufacturers. It will be interesting to see who uses this camera and how.
If you want to learn more about the Nikon ZR, I suggest checking out some of our previous articles about the camera. We have covered it a lot over the past few months, and here are some noteworthy CineD links.
Nikon ZR. Source: Nikon / RED
Check out this article if you are looking for solid, hard facts about the camera’s capabilities. CineD breaks down all the headline features of this camera that are generating all the buzz.
Credit: CineD
Nikon ZR Review and Mini-Doc with DZOFILM Vespid 2 Lenses – “Born Cinematic” or Maybe Not?
In this article, CineD’s Johnnie Behiri runs the Nikon ZR through its paces with an in-depth and detailed look at the camera’s features, design, and image quality alongside the DZO Vespid 2 lenses. SPOILER ALERT: He praises the camera for its footage when using the R3D NE RAW files, but notes that it’s a bit small in the hand.
The Nikon ZR in our CineD studio. Image credit: CineD
Nikon ZR Lab Test – Rolling Shutter, Dynamic Range, and Exposure Latitude
CineD puts a lot of care into scientifically testing the Nikon ZR to produce real-world facts about what our readers can expect in terms of performance. If you are a nerd like me, this is the kind of breakdown you look for before you let hype draw you into making a purchase. I highly recommend this read.
Getting the FilmConvert Update
FilmConvert makes adding camera profiles a complete breeze. You can download the camera pack by heading to your camera list in the plugin, selecting the camera’s name, and clicking Download Profile. Just be sure to update your plugin to the latest version and restart your NLE too.
Price and availability
All available camera packs are included with both the FilmConvert Nitrate and CineMatch plugins, including the Nikon ZR camera pack. Both plugins retail for $149, but you can get 10% off using this link.
For more information on the Nikon ZR camera pack, visit the FilmConvert website.
Do you use FilmConvert or CineMatch in your grading workflow? Are you planning on picking up a Nikon ZR? What are your thoughts on this buzzworthy camera? Share your experience in the comments below.