The 2026 Billboard Latin Music Awards brought a wide-ranging lineup of Latin music’s biggest stars and rising voices to the James L. Knight Center in Miami on Thursday (Oct. 22). The live ceremony, airing on Telemundo and Peacock, will feature performances spanning música Mexicana, reggaetón, salsa, pop, tropical music, cumbia and more.
Carlos Rivera, Ozuna, Manuel Turizo, Ivy Queen, Wisin, Pablo Alborán, Tito Double P, Santos Bravos and Xavi were among the artists to perform during the awards gala. The night also includes performances by Elvis Crespo, Erick Brian, Ha*Ash, Jessi Uribe, Kapo, Melymel, Nanpa Básico, Nella, Paola Jara, Víctor Manuelle, Yahritza y Su Esencia and more.
Plus, Mexican pop idol Cristian Castro is receiving the Billboard Lifetime Achievement Award, salsa legend Rubén Blades will be honored with the Billboard Icon Award; Spanish superstar Rosalía with the Billboard Hall of Fame Award, and Mexican-American powerhouse Fuerza Regida will be celebrated with the Billboard Vanguard Award.
The ceremony followed a packed week of Billboard Latin Music Week programming in Miami Beach at the Faena Forum and Faena Theater, where many of the artists performing at the awards joined conversations, showcases and industry events spotlighting Latin music’s global impact. It also comes as Latin music continues to expand across borders, sounds and generations, with established icons sharing the stage with a new wave of artists shaping what comes next.
Below is the full lineup of performances for the 2026 Billboard Latin Music Awards. The list will be updated throughout the ceremony.
Elvis Crespo & Victor Manuelle Kick Off the Ceremony With Joyous Track Permeire “La Gozadera”
Against a backdrop of colorful tropical plants, Elvis Crespo and Víctor Manuelle kicked off the ceremony with the joyful premiere of “La Gozadera.” Dressed in white with touches of red, Crespo brought vibrant salsa energy and an unmistakable tropical pulse to the stage, joined by dozens of musicians radiating pure joy.
Xavi Brings a Tejano-Style “Nadie Te Extraña” to the Stage
Xavi arrived seated onstage for “Nadie Te Extraña,” surrounded by a red, graffiti-covered set splashed with his name and the song’s title. Wearing a leather vest, glasses and his signature large ruby medallion, he delivered the Tex-Mex-leaning track backed by an accordionist, a tololoche player, guitarist and trumpet player. With his signature unruly hair and the lyric “te quiero, pero de lejos,” Xavi belts, bringing a stylish, playful edge to the performance.
Nanpa Básico and Nella Find Hope Among the Ruins With Mercedes Sosa’s “Todo Cambia”
Nanpa Básico and Nella delivered a poignant, bittersweet performance of “Todo Cambia ” — originally sung by Argentine folk legend Mercedes Sosa — framed by images of the devastation caused by earthquakes in Colombia and Venezuela. Nella appeared beside shattered concrete blocks and damaged buildings, dressed in a striking matte gown beneath a rosy sky. Nanpa Básico joined her in a cowboy hat and Western-inspired look, adding a rugged contrast to the song’s tender emotion.
As the duet unfolded, the stage began to transform. Green plants emerged from the rubble, turning a scene of loss into one of renewal. The performance captured the song’s central message: everything changes, even grief, and hope can grow from the ruins.
Fuerza Regida Turns “Pues Ya Ni Pedo” Into a Dozen Chuyín-Filled Spectacle
Fuerza Regida brought a surreal, theatrical showcase to “Pues Ya Ni Pedo,” with Moisés López taking the lead as frontman. The group appeared surrounded by a dozen Chuyíns, including dancers in white straitjackets and towering masked figures swaggering across an asylum-inspired set.
A tuba and tololoche anchored the música mexicana arrangement as the Chuyíns moved around the stage in coordinated chaos. By the finale, the masked figures removed their oversized heads to reveal Fuerza Regida’s band members underneath, giving the performance its final surprise.
Kapo Brings Afro-Rosa Sunshine to the Stage With “Reina (Kriminal)”
Kapo brought smooth tropical energy to the Billboard Latin Music Awards with “Reina (Kriminal),” performing from atop a rock in a matte browns vest beneath a palm tree strung with coconuts. Backed by a full drum and percussion section, the Colombian artist leaned into the song’s breezy Latin Afrobeat sound as a dozen dancers filled the stage with fluid choreography. The performance reflected Kapo’s breakout year: he is a two-time finalist at the 2026 Billboard Latin Music Awards, while “Reina (Kriminal)” peaked at No. 6 on the Billboard Colombia Hot 100. Kapo’s tropical, colorful world turned the stage into a warm-weather escape.
Pututi, Nesty & Erick Brian Elevate Cuban Reparto to the World Stage
Pututi, Nesty and Erick Brian brought the energy of a Cuban hood to the Billboard Latin Music Awards with a medley of “Efímero” and “El Doctorado,” the latter a cover of Tony Dize’s classic. Backed by a DJ, a sound system set and about a dozen dancers, the artists delivered a performance rooted in reparto — the Cuban movement gaining momentum across the global Latin scene.
Dressed in denim and surrounded by the look and feel of the streets they represent, the performers spotlighted reparto’s communal spirit and distinctive pulse. The set moved from the familiar romantic melody of “El Doctorado” into the newer, more kinetic sound of reparto, underscoring how the genre is reshaping classic songs while creating space for a new generation of Cuban artists.
Pablo Alborán & Riza Bring “Deditos Cruzados” to Life
Pablo Alborán and Riza performed their dreamy collaboration “Deditos Cruzados” on a cozy, living-room-inspired set featuring area rugs, table lamps, keyboards and hanging fabrics. Conceived during Billboard Latin Music Week 2025 and released Oct. 1, the soulful track — with Middle Eastern influences and lyrics about longing — turned last year’s live songwriting session into a full-circle awards-show moment.
Tito Double P Sets Dramatic, Last Supper-Like Table for “Nadie”
If anyone created a dramatic scene at the ceremony, it was definitely Tito Double P. He channeled the energy of the Last Supper with his musician apostles (on tololoche, bajo quinto, trombone and requinto) while performing “Nadie” at an elegant dining table. As the performance intensified and the woman on the lavish table drew closer to him, the set erupted in flames, while a female dancer emerged, surrounded by fire, giving the regional Mexican number a dramatic, almost infernal vibe.
Manuel Turizo Brings Colombian Tropical Flavor to “Cómo Fuera”
Manuel Turizo brought a vibrant Colombian twist to “Cómo Fuera,” performing the track with the tropical, pambiche-inspired feel of V2. Surrounded by male and female dancers, suspended sound systems and energetic choreography, Turizo leaned into a cool urban look that reflected his roots. With the lyric “qué rico yo me enamoro,” he turned the stage into a colorful, flirtatious dance floor.
Carlos Rivera, Yahritza y Su Esencia, Paola Jara, Jessi Uribe & Pablo Alborán Honor Juan Gabriel
Carlos Rivera, Yahritza y Su Esencia, Paola Jara, Jessi Uribe and Pablo Alborán paid tribute to Juan Gabriel in a moving medley marking the 10th anniversary of the Mexican icon’s death. Rivera opened with “Me Nace del Corazón,” surrounded by vintage frames, portraits of Juanga and a live mariachi ensemble. Yahritza followed with an emotional rendition, her instruments adorned with red roses as the visuals shifted to reflect each performance. Dressed in a warm brown look, she delivered the song with striking vulnerability.
Paola Jara and Jessi Uribe then took the stage in glittering charro-inspired outfits for “Así Fue,” prompting the audience to rise for the dramatic performance. The iconic trumpet lines and mariachi arrangement gave the classic a grand, cinematic quality. Pablo Alborán closed the tribute with “Ya Lo Sé Que Tú Te Vas,” singing beneath later images of Juan Gabriel projected onscreen and navigating the song’s demanding high notes with emotion. Together, the artists created a heartfelt celebration of Juanga’s enduring songwriting and influence.
Wisin & Ivy Queen Turn “Hasta Abajo” Into a Puerto Rican Perreo University
Reggaeton legends Wisin and Ivy Queen transformed “Hasta Abajo” — an iconic perreo anthem and veritable universidad del perreo — into a full-blown old-school classroom. Set inside a library, the performance began with students studying at their desks before everyone rose to dance. Ivy Queen commanded the room in a bold academic-inspired leather jacket, while Wisin sported a patch-covered look. With its school-uniform styling, throwback energy and dramatic ensemble choreography, the performance felt like a Puerto Rican twist on RBD — only with a much heavier dose of perreo.
Ozuna Brings Reggaetón & High-Energy Choreography With a Career-Spanning Medley
Ozuna’s performance started inside a recording studio, where he sang early breakout hit “Una Aventura” before stepping into a larger set filled with dancers in coordinated outfits and Jamiroquai-inspired furry hats. As “Tu Marido No Te Quiere” began, the dancers rose from their chairs and surrounded the Puerto Rican star, shifting from sensual choreography to sharp urban movements. Wearing dark shades and a sleek black look and cornrows, Ozuna reminded the crowd why he remains one of reggaetón’s defining OG artists. He closed by addressing his upcoming: “Puerto Rico, los veo en El Choli en Diciembre.”
Cristian Castro & Ha*Ash Create a Rhinestone Wedding Scene With “Antes Que Te Cases”
A dreamy wedding-inspired set, low-lying smoke and live instrumentation framed Cristian Castro and Ha*Ash’s performance of “Antes Que Te Cases.” Castro wore a rhinestone-studded black suit, while the Ha*Ash completed the look with matching white leather outfit and Mexican cowboy boots. Backed by two female vocalists, three guitars and a keyboard, they delivered the romantic track with impressive live vocals and expressive vibrato, singing, “Antes de que te cases, voy a robar tus besos sin permiso.” The performance came as Castro received the Billboard Lifetime Achievement Award.
Nanpa Básico & Melymel Turn Up the Riddim With “Mamá No Llores”
The energy shifted when Nanpa Básico revealed a rougher, dancehall-leaning side with “Mamá No Llores,” joined by Melymel. Framed by a desert-like backdrop lined with leafless trees, Nanpa brought a cowboy-inspired edge to the performance, while drums, trumpet, two trombones and keyboards supplied the reggae-inflected riddim. Together, the artists gave the set a rugged, rootsy feel that expanded the emotional range Nanpa had shown earlier in the evening.
SANTOS BRAVOS Bring High-Voltage Dance Pop With “Kawasaki”
Amid flashing lights and a lit crowd singing along, SANTOS BRAVOS delivered a high-voltage performance of “Kawasaki.” The five-member Latin pop group didn’t need an elaborate set: Their synchronized dancing, playful charm and easy stage presence carried the performance. Dressed in baggy, stylish looks, the group brought a polished K-pop-inspired energy to the stage while making the song feel like an instant fan favorite.
La Nueva Ola de Cumbia Close the Show With Carnival Energy
La Nueva Ola de Cumbia closed the ceremony with a vibrant, high-energy cumbia performance filled with carnival spirit. A massive moon hung over the stage as the group and its dancers moved through the set in metallic silver outfits, creating a lively festival atmosphere. The frontwoman added a superhero-inspired touch with a sheer mask, bringing a bold visual finish to the night’s final performance.