Grave Monolith – Grave Monolith Review
I wouldn’t say that I’m the type of person who usually needs to be in a particular setting…
Yer Metal Is Olde: Morbid Angel – Gateways to Annihilation
Of all the elder statesmen of death metal, Morbid Angel was a band I never really understood. Sure,…
Golgothan – Offering Review | Angry Metal Guy
Golgothan hails from Lafayette, Louisiana, and they ply their brand of brutal death metal with murderous verve. After…
Chelsea Wolfe – The Dark Review
Long sharing an affiliation with the broader metal community, Chelsea Wolfe has carved out an eclectic, compelling career…
Valkyrie’s Fire – Out of Darkness Review
Most of my AMG time recently has gone to tech issues , but I’ve been wanting to write…
Fog Wall – Gloomweaver Review
Drawing from metal’s perennial fantasy touchstone—Lord of the Rings—with the genre’s new favorite fantasy—the Fromsoftware game catalog—Fog Wall…
Tyraels Ascension – Grave Seeker Review
Do I like metalcore? I’ve always struggled a bit with this question. That’s a terrible way to start…
Into to the Obscure: Cianide – Death, Doom and Destruction
We all have our dark and privileged metal secrets we selfishly keep to ourselves, only sharing with a…
Fuming Mouth – The Ringing Bell Review
An age-old challenge for critical houses like ours is that, while they simultaneously represent a cohesive vision, each…
Serpent Lord – The Once Forgotten Ways of Old Review
After reviewing Crotaline in April and Dimmu Borgir’s Grand Serpent Rising earlier this month, 2026 is shaping up…
Fires in the Distance – Circadian Promise Review
Not many bands can craft as characteristic an aura as Fires in the Distance. Their dreamy melodicism yet…
Stuck in the Filter: March 2026’s Angry Misses
Rain has started to leak into the ducts as Spring gets wetter and wetter. While I’m away, vacationing…