The Mad Color Science Behind Rian Johnson’s New Camera App
You shouldn’t ever take a photo of your midterm election ballot — it’s illegal in some states —…
‘Whalefall’ Production Designer Ramsey Avery Interview
The first person swallowed by the rogue sperm whale in “Whalefall” wasn’t grieving diver Jay Gardiner (Austin Abrams),…
Why ‘The Devils’ Sets Are So Unusual
Ken Russell‘s “The Devils” begins with a title card that stresses that what we’re about to see is…
‘Pan’s Labyrinth’ restoration team on converting to 3D and Atmos
‘Pan’s Labyrinth’ restoration team on converting to 3D and Atmos
You will be redirected back to your…
Rare ‘Star Wars: Attack of the Clones’ 70mm IMAX footage preserved
When George Lucas‘ “Star Wars Episode II: Attack of the Clones” was given an IMAX 70mm release in…
‘Leviticus’ Is an Australian Gothic — Costume Design Interview
‘Leviticus’ Is an Australian Gothic — Costume Design Interview
You will be redirected back to your article in…
Making ‘The Invite’ Apartment — Production Design Interview
Unless you’re mired in the billionaire sociopathy of a “Succession,” all living spaces say something about the people…
‘Saturday Night Live’ Hair and Makeup Quick Turnaround — Interview
The turnaround on “Saturday Night Live” is famously brutal. Technically, the production staff have Sunday and Monday off,…
‘Euphoria’ Season 3 Prologues in Episodes 6 and 7: Behind the Scenes
Since the first season of Sam Levinson‘s HBO series “Euphoria,” one of the show’s most pleasurable recurring motifs…
Inside the Silver Slipper Strip Club
When “Euphoria” creator Sam Levinson introduced the new season at its Hollywood premiere, he acknowledged the influence of…
How ‘The Bride!’ Uses IMAX Like No Other Film
When Maggie Gyllenhaal started prep on “The Lost Daughter,” one of the first things she and cinematographer Hélène…
Baz Luhrmann Toolkit: ‘EPiC: Elvis Presley in Concert’
Baz Luhrmann Toolkit: ‘EPiC: Elvis Presley in Concert’
You will be redirected back to your article in…