{"id":138282,"date":"2025-11-13T21:32:12","date_gmt":"2025-11-13T21:32:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/138282\/"},"modified":"2025-11-13T21:32:12","modified_gmt":"2025-11-13T21:32:12","slug":"the-soapy-thrills-of-david-attenboroughs-kingdom-prove-irresistible-the-irish-times","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/138282\/","title":{"rendered":"The soapy thrills of David Attenborough\u2019s Kingdom prove irresistible \u2013 The Irish Times"},"content":{"rendered":"<p class=\"c-paragraph paywall \">Kingdom (BBC One, Sunday) opens on the sprawling savannah of Nsefu, in the heart of Zambia\u2019s South Luangwa National Park. \u201cFor five years,\u201d a familiar voice tells us, \u201cwe\u2019ve been following the remarkable story of four rival families, all striving to make this place a home.\u201d<\/p>\n<p class=\"c-paragraph paywall \">I say \u201cfamiliar\u201d, but this is none other than the voice of God himself, <a href=\"https:\/\/www.irishtimes.com\/tags\/david-attenborough\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/david-attenborough\/\">David Frederick Attenborough<\/a>, narrating the latest big-ticket nature documentary for the <a href=\"https:\/\/www.irishtimes.com\/tags\/bbc\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/bbc\/\">BBC\u2019s<\/a> natural-history unit.<\/p>\n<p class=\"c-paragraph paywall \">Compared with the Planet series \u2013 Planet Earth, Blue Planet, Frozen Planet \u2013 a show like Kingdom may seem smaller fare. There is no globe-hopping here: our gaze remains upon the squabbles within and between four factions of wildlife in a single, if seemingly vast and abundant, location.<\/p>\n<p class=\"c-paragraph paywall \">But any fear that this will lack its predecessors\u2019 scope is quickly banished, as Attenborough and co offer a deep dive into an ecosystem with more than enough drama to fill a series.<\/p>\n<p class=\"c-paragraph paywall \">After a brief introduction we\u2019re treated to an aerial tour of the various regions of Nsefu, in a manner that doesn\u2019t so much gesture towards Game of Thrones\u2019 opening titles as beat you over the head with them. We meet a lion pride, a wild-dog pack, a hyena clan and a leopard &#8230; family. (Our spotted friends drew the short straw when all the cooler-sounding collective nouns were given out.)<\/p>\n<p class=\"c-paragraph paywall \">We are given pleasingly anthropomorphic introductions to the dramatis personae: Olimba, the leopard matriarch, and her headstrong cubs, Mutima and Moyo; Storm, the alpha female of the roving wild-dog pack now returning to the area for the first time in many years; Tandala, the hyena matriarch, who seeks to hide her food from the rest of her clan during pregnancy; and lastly a stately lioness overseeing her own faction, who must assert dominance both within her own family and against these other threats, and bears the only slightly less euphonic name of Rita.<\/p>\n<p class=\"c-paragraph paywall \">Where Kingdom excels is in giving you a sense of the complex hierarchies at play. One leopard may take on a wild dog, for example, but cringe in submission against a three- or four-strong pack. A single hyena, meanwhile, holds little fear of even two leopards, but two or more can be run off a kill by a lion.<\/p>\n<p class=\"c-paragraph paywall \">The swelling strings, the glorious camerawork and the sheer craft of capturing such incredible footage cannot be overstated. This is nature film-making at its best. But it is in the field of narrative storytelling that Kingdom excels. So propulsive are its soapy thrills that you can\u2019t help getting wrapped up on a human level. <\/p>\n<p class=\"c-paragraph paywall \">When the boisterous leopard Oyo picks a fight with a mud-bathing hippo, my heart is in my mouth. When he and his mother track a hyena standing over a kill, I begin to worry that their spotted camouflage makes sense in the dappled sunlight of dense woodlands but makes them look exposed and vaguely preposterous on the savannah, like American army officers wearing desert khaki at the Pentagon.<\/p>\n<p class=\"c-paragraph paywall \">How come hyenas are so big \u2013 did I know this before? <\/p>\n<p class=\"c-paragraph paywall \">Why does Storm, the wild-dog alpha, have a collar around her neck, and how did her pack take to it when she rocked up with it one day? <\/p>\n<p class=\"c-paragraph paywall \">Good God, will that antelope escape being eaten by her pack? Oh good, it will! <\/p>\n<p class=\"c-paragraph paywall \">Oh shite, a crocodile!<\/p>\n<p class=\"c-paragraph paywall \">If all is right with the world, Attenborough will turn 100 in May, just four years younger than the BBC with which he and the natural-history unit\u2019s crews have been synonymous. <\/p>\n<p class=\"c-paragraph paywall \">In a week that has seen the <a href=\"https:\/\/www.irishtimes.com\/tags\/bbc\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/bbc\/\">Beeb<\/a> attacked on variously spurious grounds by ghouls on both sides of the Atlantic, it may be useful to remember what it does better than anyone else in the world, and what would be lost by casting that institution aside for the benefit of people who care less about accuracy in the media and more about stripping its carcass bare and bloodying their noses in its flesh.<\/p>\n<p class=\"c-paragraph paywall \">That is, of course, my opinion, and as I don\u2019t work for an embattled broadcaster that seems hell-bent on aiding others in its destruction, I\u2019m glad I\u2019m free to give it.<\/p>\n<p class=\"c-paragraph b-it-article-body__interstitial-link\">[\u00a0<a aria-label=\"Open related story\" class=\"c-link\" href=\"https:\/\/www.irishtimes.com\/world\/uk\/2025\/11\/10\/why-is-the-bbc-set-to-apologise-over-a-donald-trump-speech-edit\/\" rel=\"noreferrer nofollow noopener\" target=\"_blank\">Why the BBC has apologised over a Donald Trump speech edit, and what happens nextOpens in new window<\/a>\u00a0]<\/p>\n<p class=\"c-paragraph paywall \">Speaking of blood and ghouls, It: Welcome to Derry (Sky Atlantic, Sunday) is now three weeks into its exploration of the Maine town at the centre of much of <a href=\"https:\/\/www.irishtimes.com\/tags\/stephen-king\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/stephen-king\/\">Stephen King<\/a>\u2019s work, most notably It, his killer-clown saga.<\/p>\n<p class=\"c-paragraph paywall \">To people like me, who were born and raised in the slightly more real place named Derry, the fact that King set so many of his most famous works in our namesake has always been a fun little fact to pass along. This show has now ruined that pleasure, but I\u2019ll try not to hold that against it.<\/p>\n<p class=\"c-paragraph paywall \">A prequel to the recent It films (and helmed by their creators, Andy and Barbara Muschietti), this HBO series brings us to Derry in the early 1960s, with a boy missing and horrible events befalling its inhabitants. We see the toothsome lawns and ironed petticoats of a gentler age, atop the broiling, seething \u201cdarkness behind the white picket fences\u201d trope of the American horror canon.<\/p>\n<p class=\"c-paragraph paywall \">It\u2019s only fair to concede that King did as much as any other single person to popularise this form \u2013 and so should be granted some ownership over its thousandth retread \u2013 but a cliche it remains nonetheless.<\/p>\n<p class=\"c-paragraph paywall \">Similarly, it\u2019s hard not to compare Welcome to Derry to Stranger Things, as that show\u2019s own \u201centerprising young high-schoolers fight forces of darkness unseen by adults\u201d plot was, again, cribbed quite self-consciously from King himself. <\/p>\n<p class=\"c-paragraph paywall \">Nevertheless, the show\u2019s tonal shifts between wisecracking kids on bikes and intermittent blasts of grisly horror \u2013 not to mention sideways jaunts to mysterious goings-on at a nearby military base \u2013 are difficult to view without those very same aspects of the world\u2019s most popular television programme coming to mind, often with diminishing returns.<\/p>\n<p class=\"c-paragraph paywall \">Where Welcome to Derry innovates, however, is in the gonzo application of its pulpy scares. Its first couple of episodes feature some properly gruesome body horror \u2013 mutated demon babies, human-skin lampshades, tentacled pickle creatures \u2013 and precisely zero appearances from Pennywise, the demonic clown who made the series\u2019 name.<\/p>\n<p class=\"c-paragraph paywall \">This lack is not a big issue, and holding back its most famous IP may well serve the show better than hoisting a red balloon from a manhole straight out of the gate. Unfortunately, those more chilling elements sit side by side with other, more pedestrian set pieces \u2013 one bizarrely breezy graveyard chase would not look out of place in Casper the Friendly Ghost \u2013 within an overarching plot that feels inert and lifeless, its family dramas rote, its explorations of race plodding and worthy.<\/p>\n<p class=\"c-paragraph paywall \">All of which leaves its scattergun blast of jump scares \u2013 most especially its egregiously repetitive use of traumatic birth imagery \u2013 feeling a little uneven and, at times, too campy for the series that contains them. <\/p>\n<p class=\"c-paragraph paywall \">Silliness is, of course, no enemy to horror. On the contrary, Welcome to Derry would benefit greatly from a little more of it \u2013 or, better yet, a more balanced application of its duelling tones, whether straight-faced or ridiculous, so that both coexist without feeling they were made for different shows. Something is lost when the veil between these two instincts is punctured. In the end, a balloon is only any use until it pops.<\/p>\n","protected":false},"excerpt":{"rendered":"Kingdom (BBC One, Sunday) opens on the sprawling savannah of Nsefu, in the heart of Zambia\u2019s South Luangwa&hellip;\n","protected":false},"author":2,"featured_media":138283,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[1578,56810,93,3284,61,60,15640,21637],"class_list":{"0":"post-138282","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-bbc","9":"tag-david-attenborough","10":"tag-entertainment","11":"tag-hbo","12":"tag-ie","13":"tag-ireland","14":"tag-sky","15":"tag-stephen-king"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/138282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=138282"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/138282\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/138283"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=138282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=138282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=138282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}