{"id":174488,"date":"2025-12-04T09:58:12","date_gmt":"2025-12-04T09:58:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/174488\/"},"modified":"2025-12-04T09:58:12","modified_gmt":"2025-12-04T09:58:12","slug":"taylor-swifts-self-directed-music-videos-ranked","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/174488\/","title":{"rendered":"Taylor Swift’s Self-Directed Music Videos Ranked"},"content":{"rendered":"

\n\tSinger, songwriter, producer and director: the multihyphenate talents of Taylor Swift<\/a> cannot be ignored. With eyes on a full-length film directorial debut<\/a>, Swift has cut her teeth on many of her music videos.<\/p>\n

\n\tSince 2019, the \u201cFate of Ophelia\u201d star has directed 14 of her own videos \u2013 three with partners and the other 11 completely solo. Her albums Lover, folklore, evermore, Midnights, Red (Taylor\u2019s Version), The Tortured Poets Department and The Life of a Showgirl all feature her masterminded visual creations.<\/p>\n

\n\tAnd she\u2019s been heavily awarded for her efforts. Of her five MTV VMA Video of the Year wins, four of them were for videos where she sat in the director\u2019s chair \u2013 \u201cYou Need to Calm Down,\u201d co-directed with Drew Kirsch, All Too Well: The Short Film, \u201cAnti-Hero\u201d and \u201cFortnight\u201d feat. Post Malone. (Her win for \u201cBad Blood\u201d was under the helm of Joseph Kahn.) And \u201cThe Man\u201d \u2013 her first solo directorial experience \u2013 took home Best Direction, as did All Too Well, \u201cAnti-Hero\u201d and \u201cFortnight\u201d at MTV\u2019s venerable show. ATW even earned the Grammy for Best Music Video in 2023, and \u201cFortnight\u201d was nominated in that same category in 2025.<\/p>\n

\n\tScroll below for our ranking of Swift\u2019s self-directed videos. And for more on Swift, check out our rankings of her songs written for movies<\/a>, her title tracks<\/a> and her biggest Billboard hits<\/a>.<\/p>\n

\n\t(Not included in this list are the home or concert-footage-based videos that she directed throughout her career like \u201cI\u2019m Only Me When I\u2019m With You\u201d from 2008, \u201cThe Best Day\u201d from 2009 and 2021, \u201cChristmas Tree Farm\u201d from 2019, \u201cCardigan (Cabin in Candlelight Version)\u201d from 2020 and \u201cI Can Do It With a Broken Heart\u201d from 2024.)<\/p>\n

\t\u201cME!\u201d feat. Brendon Urie<\/p>\n

\t\t\t\"Taylor
\n\t\t\t\t\tImage Credit: Courtesy\t\t\t\t<\/p>\n

\t\t\tTrending on Billboard\t\t<\/p>\n

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\n\tAlbum: Lover
Year: 2019
Co-Director: Dave Meyers<\/p>\n

Taylor let go of the serpentine Reputation era by literally exploding a snake into butterflies at the beginning of the video for what would be Lover\u2019s first single. Co-starring a game Brendon Urie as both foil and mirror to Swift\u2019s difficult but lovable protagonist, the colorful and bright visuals \u2013 and special effects galore \u2013 enhance the saccharine, bubble gum pop of the track.<\/p>\n

\t\u201ccardigan\u201d<\/p>\n

\t\t\t\"Taylor
\n\t\t\t\t\tImage Credit: Courtesy\t\t\t\t<\/p>\n

\t\t\tTrending on Billboard\t\t<\/p>\n

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\n\tAlbum: folklore
Year: 2020<\/p>\n

\n\tFor \u201ccardigan,\u201d Swift faced a daunting task \u2013 film during the beginnings of the COVID-19 pandemic. She elegantly carries it entirely on her own, offering an antique and dusted setting that leads her to greener pastures, which then throws her into the sea. Ultimately, she finds her way back home to the cozy comfort of the sweater that launched a thousand cardigans.<\/p>\n

\t\u201cwillow\u201d<\/p>\n

\t\t\t\"Taylor
\n\t\t\t\t\tImage Credit: Courtesy\t\t\t\t<\/p>\n

\t\t\tTrending on Billboard\t\t<\/p>\n

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\n\tAlbum: evermore
Year: 2020<\/p>\n

\n\tSister albums and sister videos: \u201cwillow\u201d begins as \u201ccardigan\u201d ends, in the same dusty attic in front of the same stained piano with the same muted aesthetic. This time, there\u2019s company \u2013 including a witchlike coven that Swift would transfer to the Eras stage and a sweet love story for the ages.<\/p>\n

\t\u201cYou Need to Calm Down\u201d<\/p>\n

\t\t\t\"Taylor
\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/p>\n

\t\t\tTrending on Billboard\t\t<\/p>\n

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\n\tAlbum: Lover
Year: 2019
Co-Director: Drew Kirsch<\/p>\n

\n\tA celebrity-filled clip \u2013 Laverne Cox! Jesse Tyler Ferguson! Ciara! Adam Rippon! Hayley Kiyoko! Billy Porter! Ru Paul! Ryan Reynolds! And most surprising, Katy Perry! \u2013 Swift\u2019s ode to LGBTQ allyship bursts with rainbow-colored sass and pride.<\/p>\n

\t\u201cThe Man\u201d<\/p>\n

\t\t\t\"Taylor\t\t\t\t\t<\/p>\n

\t\t\tTrending on Billboard\t\t<\/p>\n

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\n\tAlbum: Lover
Year: 2020<\/p>\n

\n\tDressed in drag, Taylor upends criticisms thrown at successful women in this lamentation on those double standards, successfully subverting the commentary she\u2019s received through the years. (With a cute, meta appearance as her director-self, asking the male lead \u2013 also her \u2013 if he can be more likeable.)<\/p>\n

\t\u201cKarma\u201d feat. Ice Spice<\/p>\n

\t\t\t\"Taylor
\n\t\t\t\t\tImage Credit: Courtesy\t\t\t\t<\/p>\n

\t\t\tTrending on Billboard\t\t<\/p>\n

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\n\tAlbum: Midnights
Year: 2023<\/p>\n

\n\tBefore \u201cThe Fate of Ophelia,\u201d Taylor kept it 100 on the land, the sea and the sky, traversing through space, the ocean and even a yellow brick road in the elaborately cinematic \u201cKarma.\u201d<\/p>\n

\t\u201cI Can See You\u201d<\/p>\n

\t\t\t\"Taylor
\n\t\t\t\t\tImage Credit: Courtesy\t\t\t\t<\/p>\n

\t\t\tTrending on Billboard\t\t<\/p>\n

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\n\tAlbum: Speak Now (Taylor\u2019s Version)
Year: 2023<\/p>\n

Metaphorically challenging the state of Swift\u2019s masters at the time, \u201cI Can See You\u201d finds Taylor Lautner, Joey King and Presley Cash breaking the singer out of a vault in a museum with plenty of audacious thrills.<\/p>\n

\t\u201cBejeweled\u201d<\/p>\n

\t\t\t\"Taylor
\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/p>\n

\t\t\tTrending on Billboard\t\t<\/p>\n

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\n\tAlbum: Midnights
Year: 2022<\/p>\n

\n\tIn a preview of her Showgirl aesthetic, this Cinderellian tale sees \u201chouse wench\u201d Taylor oppressed by her wicked stepmother (Laura Dern) and stepsisters (Este, Danielle and Alana Haim), only to find strength through her fairytale-esque godmother (Dita Von Teese), who teaches Swift how make the whole place shimmer. As for the prince (Jack Antonoff)? Well, she ghosts him, obviously \u2013 a diamond\u2019s gotta shine.<\/p>\n

\t\u201cLavender Haze\u201d<\/p>\n

\t\t\t\"Taylor
\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/p>\n

\t\t\tTrending on Billboard\t\t<\/p>\n

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\n\tAlbum: Midnights
Year: 2023<\/p>\n

\n\tSwift prances around in the aesthetically retro clip, questioning the preconceived notions about her value in a relationship. All, she just wants to \u201cstay in that lavender haze\u201d \u2013 the dreamy happiness of content \u2013 with her partner, played by transgender activist and model Laith Ashley. (A positively progressive casting choice by Swift.)<\/p>\n

\t\u201cFortnight\u201d feat. Post Malone<\/p>\n

\t\t\t\"Taylor
\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/p>\n

\t\t\tTrending on Billboard\t\t<\/p>\n

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\n\tAlbum: The Tortured Poets Department
Year: 2024<\/p>\n

\n\tPost Malone and Swift\u2019s chemistry quietly sizzles in the grandiose \u201cFortnight\u201d that follows the progression of a tortured poet. The noirish approach compliments the fleeting and doomed love affair between the two. (And in a fabulous nod to The Dead Poets Society, Ethan Hawke and Josh Charles appear as mad scientists experimenting on the troubled heroine.)<\/p>\n

\t\u201cAnti-Hero\u201d<\/p>\n

\t\t\t\"Taylor
\n\t\t\t\t\tImage Credit: Courtesy\t\t\t\t<\/p>\n

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\n\tAlbum: Midnights
Year: 2022<\/p>\n

\n\tWhat\u2019s better than one Taylor Swift? Three Taylor Swifts \u2013 one as the moral center, one the devil on the other\u2019s shoulder and a giant one, who represents the overwhelming \u201cmonster on the hill\u201d and likely Swift\u2019s thoughts on her celebrity. Featuring a hilarious imagining of what her funeral \u2013 starring Mark Birbiglia, John Early as her sons and Mary Elizabeth Ellis as her daughter-in-law \u2013 would look like, the video ends with the three Swifts sharing a bottle of wine. She thinks she\u2019s the problem, but here, she takes her introspective hit to a whole new level.<\/p>\n

\t\u201cLover\u201d<\/p>\n

\t\t\t\"Taylor
\n\t\t\t\t\tImage Credit: Courtesy\t\t\t\t<\/p>\n

\t\t\tTrending on Billboard\t\t<\/p>\n

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\n\tAlbum: Lover
Year: 2019
Co-Director: Drew Kirsch<\/p>\n

\n\tWith a gorgeous, mid-century modern appeal, Swift depicts a beautiful ode to devotion, floating through longing and anxiety while building the foundation that houses their passions and intimacy. (Although, she would burn it down during the Eras tour.)<\/p>\n

\t\u201cThe Fate of Ophelia\u201d<\/p>\n

\t\t\t\"Taylor
\n\t\t\t\t\tImage Credit: Courtesy\t\t\t\t<\/p>\n

\t\t\tTrending on Billboard\t\t<\/p>\n

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\n\tAlbum: The Life of a Showgirl
Year: 2025<\/p>\n

\n\tAfter the spark of a flame ignites, the one-take shots of \u201cOphelia\u201d race through exqusitely drawn evolutions of showgirls \u2013 a model for the painting that takes its inspiration from the Friedrich Heiser canvas of the title character (itself inspired by the Milias rendering), a burlesque performer, a go-go dancer, actresses, Busby Berkeley starlets, Vegas performers, and of course, modern pop stars \u2013 an elevated and impressive feat of filmmaking.<\/p>\n

\tAll Too Well: The Short Film<\/p>\n

\t\t\t\"Taylor
\n\t\t\t\t\tImage Credit: Courtesy Photo\t\t\t\t<\/p>\n

\t\t\tTrending on Billboard\t\t<\/p>\n

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\n\tAlbum: Red (Taylor\u2019s Version)
Year: 2021<\/p>\n

\n\tTimeless and bittersweet, Swift captures the feelings of a situationship to end all situationships \u2013 with Sadie Sink and Dylan O\u2019Brien portraying a couple who weren\u2019t built to last. Forged in the personal yet universal, Swift uses all 14 minutes (expanding on the 10 from the song itself) to lay bare a story of love and betrayal \u2013 and the longing that\u2019s left at the end.<\/p>\n

\t


\n\tSign Up<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Singer, songwriter, producer and director: the multihyphenate talents of Taylor Swift cannot be ignored. With eyes on a…\n","protected":false},"author":2,"featured_media":174489,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[93,61,60,278,641,6543],"class_list":["post-174488","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-entertainment","tag-ie","tag-ireland","tag-music","tag-pop","tag-taylor-swift"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/174488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=174488"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/174488\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/174489"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=174488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=174488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=174488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}