{"id":207558,"date":"2025-12-23T22:30:09","date_gmt":"2025-12-23T22:30:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/207558\/"},"modified":"2025-12-23T22:30:09","modified_gmt":"2025-12-23T22:30:09","slug":"how-childhood-bullying-film-plays-in-trumps-america","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/207558\/","title":{"rendered":"How Childhood Bullying Film Plays in Trump&#8217;s America"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cSometimes I\u2019m so fucking glad that I never have to be young again.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFilm critic David Ehrlich\u2019s <a rel=\"nofollow noopener\" href=\"https:\/\/letterboxd.com\/davidehrlich\/film\/the-plague-2025\/\" target=\"_blank\">brief review<\/a> of <a href=\"https:\/\/variety.com\/t\/charlie-polinger\/\" id=\"auto-tag_charlie-polinger\" data-tag=\"charlie-polinger\" rel=\"nofollow noopener\" target=\"_blank\">Charlie Polinger<\/a>\u2018s \u201c<a href=\"https:\/\/variety.com\/t\/the-plague\/\" id=\"auto-tag_the-plague\" data-tag=\"the-plague\" rel=\"nofollow noopener\" target=\"_blank\">The Plague<\/a>\u201d on Letterboxd succinctly sums up scores of sentiments shared on social media. The film, which opens in theaters on Dec. 24 via Independent Film Company, is an unconventional horror tale about a young boy named Ben (Everett Blunck), who is new to the social structure of an all-boys water polo camp. Other children, under the direction of their cruel peer Jake (Kayo Martin) and with very little adult supervision, alienate shy young Eli (Kenny Rasmussen) by saying he has the titular disease. Things get uncomfortable from there.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe casual viciousness of children is the centerpiece of the film, which has triggered audiences who grew up in the same era as Polinger. After he directed a 2018 short film named \u201cSauna\u201d with similar themes, he caught COVID and was quarantined in his childhood bedroom. While there, Polinger went through his journals and was reminded of the genesis of the \u201cPlague\u201d game and the memories of people he hadn\u2019t thought about in ages.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI\u2019ve been surprised every step of the way, even just how cross-generational and cross-cultural that sentiment of youth seems to be,\u201d he says. \u201cI had that experience looking at these journals, where it was a sensory portal bringing me back to a time that I had really buried. It was very intense and visceral and overwhelming. I think that the movie has that effect on other people, where it\u2019s like that smell, that candle that brings you back to certain times in life. That takes you on your own journey, and anyone might apply something personal to the movie. People come up to me after screenings and talk to me about their experiences, very personal stories.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAlthough the film is a period piece set a few decades ago without cellphones, it\u2019s being released at a time when the country is run by <a href=\"https:\/\/variety.com\/t\/president-trump\/\" id=\"auto-tag_president-trump\" data-tag=\"president-trump\" rel=\"nofollow noopener\" target=\"_blank\">President Trump<\/a>, who frequently uses bullying to set the national tone. Polinger says that although his film is informed by specificity, it can speak broadly to many different cultural touchpoints.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cMy feeling about films in general is, when you\u2019re making something that feels as honest as possible and personal, those things usually apply in larger political ways,\u201d he says. \u201cI think there are dynamics of how bullying works, but also how social hierarchies are developed, and myths are made. \u2018The Plague\u2019 is kind of a myth. In the beginning, it\u2019s clearly a very dumb game and a dumb joke, and it\u2019s not taken very seriously. But because everyone else chooses to take it seriously, because everyone else is doing it, it starts to become something increasingly real because the collective has made it so.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cJake, as a ringleader, will look at you like you\u2019re crazy if you don\u2019t take it seriously,\u201d Polinger continues. \u201cYou want to fit in with Jake because it\u2019s too scary not to have his approval, because he\u2019s so charismatic, and he\u2019s bonding with everyone else by making fun of the outcast. So you don\u2019t want to be that person. You play the rules of the game, and suddenly they become crystallized. I think that paradigm applies to bigger social structures, political things \u2026 in general, authoritarianism. There are cycles of this throughout history that are built around the same human instincts that, hopefully, this film is exploring through a more personal lens.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAfter \u201cThe Plague,\u201d Polinger is set to adapt a high-profile property, helming a feature-length version of Edgar Allan Poe\u2019s short story \u201cThe Masque of the Red Death,\u201d starring Oscar winner Mikey Madison. Polinger is excited to start filming his unique vision of the classic text.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIt\u2019s definitely inspired by the short story, but it goes into a completely new story,\u201d he says. \u201cSo it\u2019s a very bombastic, irreverent, dark comedic tale, set in this medieval, slightly fantastical world. It\u2019s not a modernized version of it at all. It\u2019s high energy, it\u2019s out there and very different in many ways on the surface from \u2018The Plague,\u2019 but also exploring claustrophobic group dynamics \u2014 just from a very different genre and tone.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWatch the trailer for \u201cThe Plague\u201d below.<\/p>\n","protected":false},"excerpt":{"rendered":"\u201cSometimes I\u2019m so fucking glad that I never have to be young again.\u201d Film critic David Ehrlich\u2019s brief&hellip;\n","protected":false},"author":2,"featured_media":207559,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[108658,93,61,60,270,1632,108659],"class_list":["post-207558","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-charlie-polinger","tag-entertainment","tag-ie","tag-ireland","tag-movies","tag-president-trump","tag-the-plague"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/207558","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=207558"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/207558\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/207559"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=207558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=207558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=207558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}