{"id":230560,"date":"2026-01-06T14:56:12","date_gmt":"2026-01-06T14:56:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/230560\/"},"modified":"2026-01-06T14:56:12","modified_gmt":"2026-01-06T14:56:12","slug":"8-must-see-solo-gallery-shows-in-january","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/230560\/","title":{"rendered":"8 Must-See Solo Gallery Shows in January"},"content":{"rendered":"

Rounding up the best gallery exhibitions across the United States each month, Galerie traveled from the East Coast to the West Coast to highlight the top solo shows for January. From Jeff Koons<\/a>\u2019s monumental stainless-steel sculptures depicting gods, goddesses, and hunting beasts modeled after porcelain figurines and layered paintings blending landscapes with the artist\u2019s gestural brushstrokes and historical prints at Gagosian in New York to the legendary Marisol\u2019s lively self-portrait drawings and lithographs at Matthew Marks Gallery in Los Angeles<\/a>, these are the not-to-be-missed shows this month.<\/p>\n

\t\t\t\t\t\"Colorful<\/p>\n

\t\t\t\t\t\t\tJeff Koons, Kissing Lovers, (2016-25).
\n\t\t\t\t\t\t\tPhoto: Maris Hutchinson. \u00a9 Jeff Koons.
\nCourtesy of Gagosian<\/p>\n

1. Jeff Koons | Gagosian, New York<\/p>\n

Celebrated for elevating low-culture objects like inflatable toy rabbits, balloon dogs, and gazing balls to the status of fine art, <\/a>Jeff Koons<\/a> creates large-scale paintings and sculptures that continue to influence contemporary art. <\/a>Equally recognized for contributing to the Duchampian dialogue around the readymade, continuing Warhol\u2019s engagement with consumerism, and embracing Kierkegaard\u2019s and Sartre\u2019s ideas on acceptance and transcendence, the New York-based artist returns to Gagosian with a sensational selection of new and recent works.<\/p>\n

The stainless-steel sculptures, created over a 10-year span, depict gods, goddesses, and hunting beasts modeled after antique porcelain figurines. Monumental in size, their mirror-polished, vividly painted surfaces portray animals and lovers entwined in an eternal embrace, as well as Diana, the Roman goddess of the hunt. Related paintings\u2014layering landscapes with the artist\u2019s gestural brushstrokes and historical aluminum-leafed prints\u2014accompany the larger-than-life, reflective figurines. Recalling Sigmar Polke\u2019s postmodern canvases with their experimental pairing of imagery and expressive gestures, they add a new style of picture-making to Koons\u2019s extensive body of work, while serving as a perfect contrast to his beauty-embracing deities and creatures in pursuit.<\/p>\n

Through February 28<\/p>\n

\t\t\t\t\t\"Abstract<\/p>\n

\t\t\t\t\t\t\tGiorgio Griffa, Quattro colori, (2012).
\n\t\t\t\t\t\t\tPhoto: Dan Bradica Studio. \u00a9 Giorgio Griffa. Courtesy of the artist and Casey Kaplan.<\/p>\n

2. Giorgio Griffa | Casey Kaplan, New York<\/p>\n

An Italian artist linked to the Analytical Painting, Arte Povera, and Minimalism<\/a> movements, Giorgio Griffa<\/a> is widely known for his straightforward, process-driven approach to painting that focuses on the act of mark-making rather than the final artwork. Describing his process as \u201cconstant and never finished,\u201d he deliberately pauses his brushstrokes mid-sentence, perceiving painting as a continuous dialogue rather than a completed story. When he\u2019s not exhibiting his work, his canvases are folded and stacked, leaving permanent creases that become a crucial part of the composition, creating a structural grid that signifies the passage of time.<\/p>\n

His seventh solo show with the gallery since 2012, the survey \u201cConsistently Through Variation\u201d features more than 20 paintings from the last five decades. The striking exhibit showcases works created between 1969 and 2025 by the Turin-based artist, painted in acrylic or watercolor on raw, unprimed canvases, burlap, or linen\u2014hung directly on the wall rather than stretched or framed. The show highlights his various series or cycles, including his Primary Signs works, which emphasize simple horizontal, vertical, and diagonal marks. It also features Numbers and the Golden Ratio pieces, referencing the Fibonacci sequence\u2014where each number is the sum of the two preceding ones\u2014or the Golden Ratio, a system used to develop visually balanced and pleasing designs by mimicking natural proportions. Regardless of the system used, the end result is as pleasing to the eye as it is to the mind.<\/p>\n

Through January 10<\/p>\n

\t\t\t\t\t\"Abstract<\/p>\n

\t\t\t\t\t\t\tJulian Schnabel, Number 6 (Van Gogh Self-Portrait Musee d\u2019Orsay, Vincent), (2020).
\n\t\t\t\t\t\t\tPhoto: Tom Powel Imaging. Private Collection, New York. \u00a9 Julian Schnabel Studio. Courtesy of Mnuchin Gallery.<\/p>\n

3. Julian Schnabel | Mnuchin Gallery, New York<\/p>\n

One of the American artists credited with spearheading the return to painting after years of dominance by Minimalism and Conceptual Art, Julian Schnabel<\/a> first gained recognition for his innovative plate paintings when they were exhibited in a sold-out show at New York\u2019s Mary Boone Gallery in Soho in 1979. Among the leading figures of the Neo-Expressionist movement, known for paintings with bold brushwork, heroic size, and emotional imagery, the Brooklyn-born artist, who was educated at the University of Houston and through the Whitney Independent Study Program, quickly gained attention with his larger-than-life public persona\u2014long before he added filmmaking to his illustrious career.<\/p>\n

Showcasing 19 expressive works, the exhibition \u201cPlate Paintings, 1978\u20132025\u201d is the most comprehensive survey of these groundbreaking paintings to date. Inspired by Antonio Gaud\u00ed<\/a>\u2019s mosaics in Barcelona, the earliest paintings were made with plates Schnabel bought at a Salvation Army store and shattered with a hammer before adhering them to wooden panels with Bondo and paint. Standout works on view range from the artist\u2019s first plate painting, The Patients and the Doctors, from 1978, and his 1985 reclining nude odalique of his first wife, The Red Hills Near Fez (Portrait of Jacqueline), to Number 6 (Van Gogh Self-Portrait Musee d\u2019Orsay, Vincent), from 2020, which he painted after making his critically acclaimed 2018 film about Vincent van Gogh, At Eternity\u2019s Gate, starring Willem Dafoe as the prized Post-Impressionist painter.<\/p>\n

Through January 31<\/p>\n

\t\t\t\t\t\"Abstract<\/p>\n

\t\t\t\t\t\t\t Sean Scully, Orange Tower, (2025).
\n\t\t\t\t\t\t\tPhoto: \u00a9 Sean Scully, Courtesy of Lisson Gallery.<\/p>\n

4. Sean Scully | Lisson Gallery, New York<\/p>\n

A widely recognized Irish-born American artist, Sean Scully<\/a> moved from London to New York in 1975, during the height of Minimalism, challenging it to develop a more personal painterly vocabulary he calls emotional abstraction. Exploring how geometric forms can express powerful human emotion and spiritual experience, he employs soft-edged blocks, stripes, and grids with thick, visible brushstrokes and blurred edges to create shapes that seem to breathe, imparting a tactile and sensual quality to the work. Expanding his abstract painting into sculpture, he stacks materials such as stone, steel, and painted wood, layering them to create massive solid towers, open lattices, and smaller cubes.<\/p>\n

Returning to Lisson for his eighth solo show since 2019, the exhibition \u201cTower\u201d features three interconnected bodies of work. The large-scale Tower paintings are made up of smaller painted wood, felt, and aluminum panels, highlighting a variety of styles, colors, and textures from different periods of the artist\u2019s work, creating a vertical narrative of his artistic development. On a smaller scale, eight new paintings on copper, a material Scully has used since 2016, continue a European tradition dating back to the 16th century of using copper as a luminous painting surface. The third part of the related works on display features three handcrafted stone cube sculptures, with skillfully stacked elements that create an engaging geometric interaction between various natural materials.<\/p>\n

Through January 24<\/p>\n

\t\t\t\t\t\"Cat<\/p>\n

\t\t\t\t\t\t\t Arne Svenson, Strays 55, (2010).
\n\t\t\t\t\t\t\tPhoto: Courtesy of Robert Klein Gallery<\/p>\n

5. Arne Svenson | Robert Klein Gallery, Boston<\/p>\n

A self-taught American photographer known for a voyeuristic style that blends documentary realism with classical composition, Arne Svenson<\/a> explores the inner life and unconscious essence of his subjects, including both people and inanimate objects. Transforming everyday actions into universal human symbols, his most acclaimed series\u2014each published as a book\u2014are The Neighbors, where he used a telephoto lens to photograph people in the glass-walled apartment building opposite his Manhattan studio; Sock Monkeys, a series of black-and-white portraits of handmade sock monkeys that emphasize their unique personalities; and The Prisoners, which includes found mugshots from the turn of the century, where he attributed stories to the images by researching and narrating the prisoners\u2019 crimes.<\/p>\n

The New York-based artist\u2019s exhibition \u201cSock Monkeys and Strays,\u201d his third solo show with the gallery, features a small selection of his photographs of the monkeys, along with a larger collection of color photographs of kittens shot on vibrant, patterned thrift-store fabrics. Dolls crafted during the Great Depression, initially using red-heeled \u201cRockford\u201d work socks, the folk-art monkeys, which Svenson photographed with a large-format camera in the style of 19th-century portraiture, are from the private collection of Ron Warren, a former director at Mary Boone Gallery. The Strays, however, showcase real-life kittens borrowed from an Upstate New York animal rescue, perceptively emphasizing\u2014in a distinctive way\u2014the unseen, the ignored, and the overlooked.<\/p>\n

Through January 31<\/p>\n

\t\t\t\t\t\"Colorful<\/p>\n

\t\t\t\t\t\t\tStudio Lenca, Costa, (2025).
\n\t\t\t\t\t\t\tPhoto: Courtesy David Castillo<\/p>\n

6. Studio Lenca | David Castillo, Miami<\/p>\n

Studio Lenca<\/a>, the alias of Jos\u00e9 Campos, is a Salvadoran-born contemporary artist now living in Margate, UK, where he has a studio at Tracey Emin\u2019s TKE Studios\u2014with the name Lenca honoring his indigenous ancestors from eastern El Salvador. Dedicated to highlighting and empowering marginalized Latin American communities, he creates paintings, sculptures, performances, and videos, drawing on experience as a queer, formerly undocumented migrant who fled the Salvadoran Civil War. He is best known for his large-scale paintings depicting figures in sharp suits and extravagant, wide-brimmed hats, which he portrays as crowns of nobility, demanding attention for a community often forced to hide in plain sight.<\/p>\n

His first solo exhibition with the gallery, \u201cLandscapes\u201d features 20 colorful figurative paintings of the artist\u2019s recurring motif of the historiantes, figures rooted in the Salvadoran tradition of dancers re-enacting oral histories introduced during the colonial era to instill Spanish Catholic narratives among the indigenous population. In the paintings in this exhibit, the colorful figures blend with their environment, which the artist envisions as an equal player in the scenarios. The exhibition also features Rutas (Routes), Studio Lenca\u2019s ongoing project with communities that documents journeys into the United States through painting.<\/p>\n

Through January 31<\/p>\n

\t\t\t\t\t\"Surreal<\/p>\n

\t\t\t\t\t\t\tMarina Stern, Bull and Bear, (1967).
\n\t\t\t\t\t\t\tPhoto: Paul Salveson. Courtesy of the artist\u2019s estate and Bel Ami<\/p>\n

7. Marina Stern | Bel Ami, Los Angeles<\/p>\n

An Italian-American painter known for her detailed, luminous depictions of industrial landscapes, architecture, and still lifes, the late Marina Stern<\/a> was born in Venice, Italy, and fled to the United States in 1941 to escape racial and religious oppression. Based in New York, she built a 50-year career spanning movements from Pop Art to Neo-Immaculate Realism, characterized by sharply detailed, austere paintings and prints focused on the built environment and the modern American landscape. She cultivated a lifelong fascination with the interplay of light and shadow, resulting in imaginative paintings featuring warping patterns and frames, alongside pristine depictions of barns, cityscapes, and industrial sites.<\/p>\n

The first retrospective dedicated to her work since her passing in 2017, the two-part exhibition \u201cLuminary,\u201d is presented by Bel Ami and CW American Modernism, with works on view at both galleries. The former displays a selection of whimsically surreal paintings from the 1960s, along with Stern\u2019s 1980s still lifes, while the latter showcases the artist\u2019s well-known American scenes. Standout paintings at Bel Ami include interior views of repeating rooms with checkerboard floors and windows or doorways opening to surreal scenes\u2014one with a Renaissance maiden leading to a blue sky, another revealing three moons, and a third depicting a bull and a bear\u2014along with sublime still lifes of a group of crumpled paper bags and a vase of red tulips on a reflective tabletop.<\/p>\n

Through January 31<\/p>\n

\t\t\t\t\t\"Abstract<\/p>\n

\t\t\t\t\t\t\tMarisol, Untitled, (1979).
\n\t\t\t\t\t\t\tPhoto: \u00a9 Estate of Marisol. Courtesy of Matthew Marks Gallery. <\/p>\n

8. Marisol | Matthew Marks Gallery, \u00a0Los Angeles<\/p>\n

Born Mar\u00eda Sol Escobar, the late Marisol<\/a> was a trailblazing Venezuelan-American artist who became a star of the 1960s New York art scene. Celebrated as the \u201cQueen of Pop Art,\u201d she was a friend of Andy Warhol and gained fame for her striking beauty and mysterious, often silent, persona. Despite her early rise to fame, she stepped away from the spotlight in the late 1960s to travel, leading to decades of relative obscurity until a major retrospective at the Buffalo AKG Art Museum in 2024 reignited interest in her art. Her best-known work includes witty portraits of world leaders and celebrities, including the Kennedy family, John Wayne, and Queen Elizabeth II. Later in her career, her focus shifted to marine life, inspired by her scuba-diving experiences in Tahiti, and to social concerns.<\/p>\n

An exhibition of self-portrait drawings and lithographs, \u201cMarisol: Works on Paper\u201d features six pieces from 1971 to 1979. The two-part black-and-white lithographic print Diptych depicts the artist\u2019s full nude figure, using her own body as a living stamp after inking it and pressing it directly against the lithographic stone or paper, while the colorful Catalpa Maiden About to Touch Herself reproduces her head and arms above a torso made of printed leaves. The remaining four works are drawings: three poetically titled colored-pencil pieces that trace and layer parts of her body as if to convey the energy being emitted, and a final Untitled crayon piece that captures her aura on a white sheet of paper, almost like a spiritual transmission.\u00a0\u00a0\u00a0\u00a0<\/p>\n

Through January 31<\/p>\n","protected":false},"excerpt":{"rendered":"Rounding up the best gallery exhibitions across the United States each month, Galerie traveled from the East Coast…\n","protected":false},"author":2,"featured_media":230561,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[118110,307,304,305,306,308,93,118111,61,60,30925,118112,118113,118114,100584,118115],"class_list":["post-230560","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arne-svenson","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-artsdesign","tag-design","tag-entertainment","tag-giorgio-griffa","tag-ie","tag-ireland","tag-jeff-koons","tag-julian-schnabel","tag-marina-stern","tag-marisol","tag-sean-scully","tag-studio-lenca"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/230560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=230560"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/230560\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/230561"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=230560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=230560"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=230560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}