{"id":266321,"date":"2026-01-27T10:31:09","date_gmt":"2026-01-27T10:31:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/266321\/"},"modified":"2026-01-27T10:31:09","modified_gmt":"2026-01-27T10:31:09","slug":"josephine-decker-directs-iliza-shlesinger","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/266321\/","title":{"rendered":"Josephine Decker Directs Iliza Shlesinger"},"content":{"rendered":"<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tOne comes to <a href=\"https:\/\/www.hollywoodreporter.com\/t\/sundance\/\" id=\"auto-tag_sundance\" data-tag=\"sundance\" rel=\"nofollow noopener\" target=\"_blank\">Sundance<\/a> looking for novelty, for strangeness, for bold reimaginings of hoary forms. In that sense, I suppose <a href=\"https:\/\/www.hollywoodreporter.com\/t\/josephine-decker\/\" id=\"auto-tag_josephine-decker\" data-tag=\"josephine-decker\" rel=\"nofollow noopener\" target=\"_blank\">Josephine Decker<\/a>\u2019s new film Chasing Summer fulfills a core mission of the festival. But the movie\u2019s weirdness is so, well, weird that it flies past interesting and lands in utterly baffling. It\u2019s among the most discordant pairings of director and material that I\u2019ve seen in some time.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tOn one side you have Decker, who made a pair of formally rigorous movies in <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/madeline-s-madeline-1086320\/\" rel=\"nofollow noopener\" target=\"_blank\">Madeline\u2019s Madeline<\/a> and <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/shirley-review-1272679\/\" rel=\"nofollow noopener\" target=\"_blank\">Shirley<\/a>, works that nervily risk alienation in their subversion of conventional film grammar. They are singular objects, hard to grasp and yet consistently alluring. Decker then went a bit more mainstream with an adaptation of the lauded YA novel <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/the-sky-is-everywhere-review-josephine-decker-1235090155\/\" rel=\"nofollow noopener\" target=\"_blank\">The Sky Is Everywhere<\/a>, but managed to infuse its familiar love-triangle story with her deeply idiosyncratic style. (I suppose it helped that A24 produced the film.)\u00a0<\/p>\n<p>\t\t\t\t\tChasing Summer\t\t<\/p>\n<p>\n\t\t\t\t\tThe Bottom Line<\/p>\n<p>\tA basic script gets the batshit treatment.<\/p>\n<p>\t\t\t\t\t\t\tVenue: Sundance Film Festival (Premieres)<br \/>Cast: Iliza Shlesinger, Garrett Wareing, Lola Tung, Cassidy Freeman, Tom Welling, Megan Mullally<br \/>Director: Josephine Decker<br \/>Writer: Iliza Shlesinger<br \/>\n\t\t\t\t\t\t\t\t1 hour 31 minutes\n\t\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tShe\u2019s endeavored to do that again with comedian <a href=\"https:\/\/www.hollywoodreporter.com\/t\/iliza-shlesinger\/\" id=\"auto-tag_iliza-shlesinger\" data-tag=\"iliza-shlesinger\" rel=\"nofollow noopener\" target=\"_blank\">Iliza Shlesinger<\/a>\u2019s Chasing Summer script. Shlesinger is a popular stand-up comedian whose style is far more normie than anything Decker would seem suited for. Shlesinger is not without her oddball qualities \u2014 she often does a sort of gremlin character in her stand-up specials, for example \u2014 but the story she\u2019s trying to tell in Chasing Summer is about as traditional as it gets: A jilted woman returns to her hometown while she figures out her life and connects with people from her past. One knows exactly what to expect from such a narrative, but then there comes Decker to seriously quirk things up.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThat\u2019s an interesting idea, to take something rather generic and give it an artful spin. In this particular practice, though, the results are jarring, discombobulating. The banal tropes of Shlesinger\u2019s writing are rendered even more so in this abstract framing; they are not elevated, but instead put in stark, galling relief. Chasing Summer often plays as the most peculiar Hallmark movie ever made. I want that to be a good thing, but it unfortunately is not.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tShlesinger plays Jamie, a dedicated relief worker who has spent two decades traveling to disaster sites around the world, aiding with cleanup and support for the locals. Of course, she initially embarked on this nomadic life because she was running away from something back home, a scandal involving a boyfriend that shocked her suburban Dallas community. But, wouldn\u2019t you know it, Jamie\u2019s current beau dumps her in absurdly cruel fashion and Jamie winds up back in Texas, spinning her wheels for the summer until she can leave for a prestigious work assignment in Jakarta, Indonesia. (\u201cJakarta\u201d is said many, many times in the film.)<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tBack home, Jamie finds the usual suspects: kooky Southern mom (Megan Mullaly), queen-bee former high school friends who move in a pack as if attached at the hip, her rakish ex (Tom Welling, yes the Tom Welling) whose past bad behavior doesn\u2019t do enough to occlude his attractiveness, and a hot younger guy (Garrett Wareing) who is moony over Jamie as only hot younger guys in movies can be. Oh, and there is Jamie\u2019s former ne\u2019er-do-well sister, Marissa (Cassidy Freeman), who bought the local roller rink, where Jamie picks up some part-time work.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAs the various plots of Chasing Summer develop, we are treated to a bevy of trusty standards: the awkward \u201cyou\u2019re back in town?\u201d supermarket encounter, the \u201cI\u2019m too old to be at this party\u201d bacchanal, the \u201cyou keep leaving so no one leaves you\u201d heart-to-heart. It\u2019s all stuff we\u2019ve seen a thousand times before, but Decker is hellbent on making it new, exciting, unique.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tShe mostly tries to achieve that by making her camera go crazy, ceaselessly wandering and looping. She edits with abandon, cutting frequently, often with complete disregard for continuity \u2014 especially for where actors are placed in each shot. Decker is fast and loose with tonal shifts, with abrupt changes of scene. The film often looks lovely, but its arty aesthetic is rarely harmonious with Shlesinger\u2019s comedy. The two forces of the film regularly seem at odds with one another, as if both creators are grabbing the picture out of each other\u2019s hands and running away with it every few minutes.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThere is something fascinating about that tension, but it doesn\u2019t exactly make for pleasant viewing, which I think is the ultimate goal here. (Shlesinger said as much in her introduction at the premiere.) That said, some scenes work better than others. Shlesinger and Wareing have nice chemistry \u2014 maybe it\u2019s easy to have chemistry with a friendly, horny Greek statue \u2014 and there are moments of summery melancholy that gracefully register. The premiere audience here at Sundance also laughed plenty, with a heartiness that suggests this curious experiment works well on some people.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI, on the other hand, had an almost allergic reaction to the film\u2019s war of tone and tempo, its clashing ambitions. Philistine though it might make me, I\u2019d kind of rather see the totally expected version of Shlesinger\u2019s movie \u2014 freeing up Decker to go apply her acquired-taste style to something more apt for it. But perhaps this is exactly where the director wanted to be, and she has made precisely what she wanted to make. If that\u2019s the case, then fair enough, and godspeed. May this steadfastly bizarre stew find its satisfied consumers.<\/p>\n","protected":false},"excerpt":{"rendered":"One comes to Sundance looking for novelty, for strangeness, for bold reimaginings of hoary forms. In that sense,&hellip;\n","protected":false},"author":2,"featured_media":266322,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[93,5497,61,131058,60,131059,270,22221,59845,21212,131060,128720],"class_list":["post-266321","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-entertainment","tag-festivals","tag-ie","tag-iliza-shlesinger","tag-ireland","tag-josephine-decker","tag-movies","tag-sundance","tag-sundance-2026","tag-sundance-film-festival","tag-sundance-film-festival-2026","tag-sundance-film-festival-reviews"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/266321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=266321"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/266321\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/266322"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=266321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=266321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=266321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}