{"id":279302,"date":"2026-02-03T23:17:08","date_gmt":"2026-02-03T23:17:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/279302\/"},"modified":"2026-02-03T23:17:08","modified_gmt":"2026-02-03T23:17:08","slug":"new-orleans-born-artist-made-masterpieces-from-coat-hangers-arts","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/279302\/","title":{"rendered":"New Orleans-born artist made masterpieces from coat hangers | Arts"},"content":{"rendered":"<p><a href=\"https:\/\/www.holmesartgallery.com\/hayward-oubre-\" target=\"_blank\" rel=\"nofollow noopener\">Hayward L. Oubre Jr.<\/a> was born in New Orleans in 1916 and became the first student to earn a Bachelor of Fine Arts degree from Dillard University. His career as a practicing artist and college professor took him away from his hometown for the rest of his life\u00a0\u2014 he died in 2006.<\/p>\n<p>But his splendid solo exhibit \u201cHayward Oubre: Structural Integrity\u201d that opens Friday at <a href=\"https:\/\/noma.org\/\" target=\"_blank\" rel=\"nofollow noopener\">the New Orleans Museum of Art<\/a>, gives us a chance to reclaim him as one of our own. It&#8217;s a not-to-miss show, particularly for fans of elegant, mid-century modernism.<\/p>\n<p>Oubre was skilled in several media, from etching to oil painting to wood carving. At age 40, he had an artistic epiphany, when he twisted some coat hangers into the shape of a crowing rooster.<\/p>\n<p>The sculpture was simple, just a three-dimensional sketch really. Yet the flowing and wound wire captured the spirit of the proud bird perfectly. This was a folky, handmade rooster, that was also spare and sophisticated.<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAQAAAADCAQAAAAe\/WZNAAAAEElEQVR42mM8U88ABowYDABAxQPltt5zqAAAAABJRU5ErkJggg==\" alt=\"NO.noma.adv\" class=\"img-responsive lazyload full white\" width=\"1612\" height=\"1285\" data- data-\/><\/p>\n<p>Made from ordinary coat hangers, &#8216;Proud Chicken&#8217; was a game-changing sculpture for artist Hayward Oubre in 1956<\/p>\n<p>                                    (Photo by Doug MacCash,NOLA.com | The Times-Picayune)<\/p>\n<p>Oubre had found the art form that would define him. His complex coat hanger sculptures of a horse, a bongo player, the face of Christ and several abstract designs are the highlights of the NOMA show.<\/p>\n<p>For instance, his sculpture of a bighorn ram at the rear of the exhibit is a masterpiece. Its rippling coat seems soft as wool, but is hard as steel. The artwork\u2019s translucence makes it seem weightless, but the meticulously wrapped wire joints imply utter sturdiness.<\/p>\n<p>The structural soundness of his work may be traceable to Oubre\u2019s service as a U.S. Army construction draftsman during World War II.<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAQAAAADCAQAAAAe\/WZNAAAAEElEQVR42mM8U88ABowYDABAxQPltt5zqAAAAABJRU5ErkJggg==\" alt=\"NO.noma.adv\" class=\"img-responsive lazyload full white\" width=\"1662\" height=\"1247\" data- data-\/><\/p>\n<p>Hayward Oubre&#8217;s coat hanger sculpture &#8216;Ram&#8217; seems to pulse with life.<\/p>\n<p>                                    (Photo by Doug MacCash,NOLA.com | The Times-Picayune)<\/p>\n<p>Kate Crawford, a curator at the <a href=\"https:\/\/www.artsbma.org\/\" target=\"_blank\" rel=\"nofollow noopener\">Birmingham Museum of Art<\/a>, where the exhibit originated, said that Oubre asked his students to save coat hangers to provide him with raw material for his art.<\/p>\n<p>He wasn\u2019t known to make preliminary drawings for his wire sculpture. Amazingly, he just set out bending and joining the wire \u201cwith pliers and exceptional hand strength,\u201d she said. So, in addition to all else, his coat hanger sculptures resonate with spontaneity and experimentation.\u00a0<\/p>\n<p>Eventually, the nature of the wire workmanship became paramount, and Oubre left subject matter behind to create sculptures that are purely abstract. His works such as \u201cRadar Tower,\u201d \u201cSpace Rhythms\u201d and \u201cConvolutions,\u201d are marvels of visual movement.<\/p>\n<p>It\u2019s too bad that Oubre\u2019s one-man museum show didn\u2019t take place decades ago. He might have been better known. Of course, Black artists didn\u2019t get the same opportunities of their White contemporaries. According to Crawford, the professor said he \u201cfought racism with his art.\u201d He also resisted by inspiring generations of Black students at Alabama State University in Montgomery and Winston-Salem State University in North Carolina to become the artists of the future.<\/p>\n<p>                        <img loading=\"lazy\" decoding=\"async\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAQAAAADCAQAAAAe\/WZNAAAAEElEQVR42mM8U88ABowYDABAxQPltt5zqAAAAABJRU5ErkJggg==\" alt=\"oubre self portrait.jpg\" class=\"img-responsive lazyload full white\" width=\"1142\" height=\"1815\" data- data-\/><\/p>\n<p>Hayward L. Oubre, Jr. Self-Portrait, 1948, etching and drypoint on paper<\/p>\n<p>                                    Lily Brooks | The Paul R. Jones Collection of American Art at The University of Alabama<\/p>\n<p>The \u201cHayward Oubre: Structural Integrity\u201d exhibit continues through May 3 on the first floor of the New Orleans Museum of Art, at One Collins Diboll Circle, City Park. Hours are from 10 a.m. to 5 p.m. on Sunday, Tuesday, Thursday, Friday and Saturday; noon to 7 p.m. on Wednesday; closed Monday. Adult admission is $23 or $18 for Louisiana residents.<\/p>\n","protected":false},"excerpt":{"rendered":"Hayward L. Oubre Jr. was born in New Orleans in 1916 and became the first student to earn&hellip;\n","protected":false},"author":2,"featured_media":279303,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[307,304,305,306,308,93,22522,61,60],"class_list":{"0":"post-279302","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-artsanddesign","11":"tag-artsdesign","12":"tag-design","13":"tag-entertainment","14":"tag-hardwall","15":"tag-ie","16":"tag-ireland"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/279302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=279302"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/279302\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/279303"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=279302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=279302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=279302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}