![\"MIAMI,](\"https:\/\/www.newsbeep.com\/ie\/wp-content\/uploads\/2026\/02\/2262563018-e1771560519220.jpg\")
<\/p>\nSee who stole the show during this year’s PLN.<\/p>\n
\t2\/19\/2026\t<\/p>\n
\t\t\t\t\t\t<\/p>\n
\t\t\t\t\tMIAMI, FLORIDA – FEBRUARY 19: (L-R) Prince Royce and Romeo Santos perform during Univision’s 38th Premio Lo Nuestro at Kaseya Center on February 19, 2026 in Miami, Florida. <\/p>\n
\t\t\t\t\t\t\t\t\tJason Koerner\/Getty Images<\/p>\n
\t<\/p>\n \t\tEspa\u00f1ol\t<\/p>\n \t<\/a><\/p>\n \n\tThe 2026 Premio Lo Nuestro awards hit the Kaseya Center in Miami, Fla. on Thursday (Feb. 19) night, bringing out Latin superstars (Juanes, Romeo Santos), exciting up-and-comers (Yami Safdie, Santos Bravos) and some legends (Los Bukis, Paloma San Basilio).<\/p>\n \n\tHosted by Thalia, Clarissa Molina, and Nadia Ferreira, this year\u2019s Premio Lo Nuestro was packed with unforgettable moments. While awards were presented \u2014 most of them prior to the ceremony \u2014 the night was largely focused on showcasing incredible live acts.<\/p>\n \n\tThis year, Bad Bunny and Car\u00edn Le\u00f3n were the top winners, with six and five awards each, respectively. Artists such as Karol G, Maluma, and Yuridia also received multiple awards.<\/p>\n \n\tFive artists received special awards for their contributions to music and legacy: Arc\u00e1ngel was recognized with the Urban Icon Award; Juanes with the Lifetime Achievement Award; Los Bukis with the Musical Legacy Award; Manolo D\u00edaz with the Visionary Award; and Paloma San Basilio with the Excellence Award.<\/p>\n \n\tIf you want to see a\u00a0complete list of the winners<\/a>, we got you. If you want to read some of the best speeches,\u00a0head here<\/a>. And if you want to see stars on the red carpet, check out our photo gallery. But if you want to know which performers did it best at the 38th Annual Premio Lo Nuestro ranked, read on.<\/p>\n \tMatisse & Christian Castro<\/p>\n \n\tThis ballad brought together two generations of romantics with \u201cConmigo Sin Ti.\u201d Mexican pop band Matisse delivered a performance that fell slightly short of hitting some of the notes, accompanied by a live band featuring keys, drums, and electric guitar. Meanwhile, Cristian Castro, dressed in an elegant off-white suit, captivated with his timeless voice that has enchanted for decades. Melissa Robles looked stunning in a black lace dress, though parts of the live performance felt off-tune at moments. Originally released last October, \u201cConmigo Sin Ti\u201d remains a nice listen on streaming.<\/p>\n \tHa*Ash with Mar\u00eda Jos\u00e9<\/p>\n \n\tHa*Ash, the famed pop-country duo, and Mexican pop powerhouse Mar\u00eda Jos\u00e9 \u2014 known for her solo career and former role in Kabah \u2014 brought the power ballad to Premio Lo Nuestro with \u201cTe Apuesto.\u201d Their performance showcased impressive vocal chops that could even be felt from behind the screen. Dressed in sleek black leather, the trio looked effortlessly cool, with Ha*Ash\u2019s gold microphones adding an elegant touch. While undeniably entertaining, the moment didn\u2019t stray far from the ordinary \u2014 solid, but not groundbreaking.<\/p>\n \tMaluma & Kany Garc\u00eda<\/p>\n \t\t\t \n\tColombian pop superstar Maluma and Puerto Rican singer-songwriter Kany Garc\u00eda joined forces live for the first time with \u201c1+1.\u201d The stage was transformed into a charming Colombian town, complete with coffee bags, ranchero hats, and an enchanting setup featuring an adorable elderly couple sitting on a bench as passersby strolled by, while a live band perfromed. The visuals were undeniably captivating.<\/p>\n \n\tKany stunned in leather pants, black heels, and a brown top paired with a vest, channeling a cowgirl-rockstar vibe. Maluma, freshly clean-shaven, sported a Colombian scarf in the colors of the flag. While their vocals felt like they had the potential to soar even higher, the stage design stole the show, making this moment one of the most visually striking of the night.<\/p>\n \tTokischa<\/p>\n \t\t\t \n\tPerreo took full effect when Tokischa entered the Premio Lo Nuestro scene. She made her entrance atop a mechanical bull, seductively singing \u201cRidin,\u201d her latest 2026 single. Grinding to the floor in classic \u201cLatin twerk\u201d style while belting out the risque line, \u201cQu\u00edtate los chones, qu\u00edtate el pantal\u00f3n,\u201d she brought that signature nastiness to the stage. Joined by partygoers clad in black leather, she rocked a striking snake-themed bra top that added to the unapologetic vibe overall. Nathy Peluso was seen getting out of her seat to cheer her on. Earlier, the Dominican provocateur turned heads on the red carpet with a daring outfit that left little to the imagination (recall Nipplegate?).<\/p>\n \tCar\u00edn Le\u00f3n<\/p>\n \t\t\t \n\t\u201cLado Fr\u00e1gil,\u201d though released in 2024, still hits hard. Car\u00edn Le\u00f3n delivered a stripped-down performance, accompanied by a tololoche, steel-string guitar, and a 12-string guitar, letting the raw emotion of the song shine through. Dressed elegantly in his signature cowboy hat, Le\u00f3n captivated the stage. However, for viewers watching from home, the constant bleeping of lyrics took away from the experience. Short and sweet, but undeniably powerful.<\/p>\n \tMau y Ricky with Kapo<\/p>\n \n\tA stripped-down performance that let pure vocal talent shine, Mau y Ricky teamed up with Kapo to deliver \u201cTe Quiero\u201d with effortless charm. Midway through, about a dozen choir members joined, elevating the moment. The Venezuelan pop duo kept it casual yet stylish, while Kapo brought Colombian afrobeats flair to the stage.<\/p>\n \tCarlos Vives<\/p>\n \t\t\t \n\tCarlos Vives lit up the stage with his signature joyous energy, performing \u201cTe Dedico,\u201d his latest 2026 vallenato track. Accompanied by a vibrant accordion, the curly-haired Colombian legend proved once again he doesn\u2019t need flashy theatrics to captivate. Dressed in a sleek black suit, Vives delivered authenticity, celebrating emotional connection in a world of fleeting relationships. A lovely song, indeed.<\/p>\n \tMAR<\/p>\n \t\t\t \n\tMar delivered a visually captivating performance, all while surrounded by vaqueros executing an impressive choreography. The daughter of Marco Antonio Sol\u00eds is adding her own to the pop-fueled regional Mexican scene she\u2019s repping. The singing was spot on, and the dancing kept things more entertaining, along with her shimmering, stunning one-piece outfit.<\/p>\n \tCodiciado<\/p>\n \n\tCodiciado is solidifying himself as a standout in the regional Mexican music scene with his heartfelt vocal delivery, which he showcased tonight while belting out the beautiful song \u201cD\u00e9jame Dormir.\u201d Although the track is a duet with Carin Le\u00f3n, it was surprising that, despite Le\u00f3n being in attendance, the two didn\u2019t perform it together. Still, it was a nice moment.<\/p>\n \tSantos Bravos<\/p>\n \t\t\t \n\tLatin boy band Santos Bravos showcased why they\u2019re one of Latin pop\u2019s biggest rising sensations with their electrifying performance of \u201cKAWASAKI.\u201d Despite the short set, they commanded attention with riveting dance moves.<\/p>\n \tThalia<\/p>\n \n\tThalia brought Latin pop flair to the disco era with her remake of ABBA\u2019s classic \u201cDancing Queen,\u201d proving that there are countless ways to wear the crown. The Mexican superstar dazzled in a pink, rose-like fluffy dress as she gave the iconic track a Spanish, updated twist. Dancers soon joined her with giant feathered fans, elevating the theatrical vibe. Then came the irresistible twist \u2014 her dress transformed, revealing sparkly 70s-inspired outfit that captured the essence of the disco queen she embodied. Flirty and fun, but perhaps leaning more on spectacle than substance.<\/p>\n \tMaria Becerra<\/p>\n \t\t\t \n\tMar\u00eda Becerra demonstrated her love for Dominican dembow with a fiery performance of \u201cHace Calor,\u201d originally featuring El Alfa and XROSS. She nailed the choreography, mirroring the moves from the music video, and rocked black leather while looking undeniably cute. A sizzling moment that matched the song\u2019s energy perfectly.<\/p>\n \tElena Rose & Beto of Rawayana<\/p>\n \t\t\t \n\tElena Rose and Rawayana frontman Beto showcased undeniable chemistry as they performed a selection of songs. Kicking things off with \u201cLuna de Miel,\u201d they began with a bed scene that set an intimate and captivating tone. Elena dazzled with her striking platinum blonde hair cascading almost to her thighs, while Beto made his entrance adorned with glowing lights and sunglasses. The performance seamlessly transitioned into a vibrant scene, featuring dancers in urban streetwear moving effortlessly around them. These Venezuelan artists radiated connection and presence throughout.<\/p>\n \tSebasti\u00e1n Yatra, Silvestre Dangond & Gente de Zona<\/p>\n \n\tSebasti\u00e1n Yatra and Silvestre Dangond brought the spirit of vallenato to the stage with their lively performance of \u201cUna Vaina Bien.\u201d Soon after, Gente de Zona joined in, delivering \u201cCanci\u00f3n Para Regresar,\u201d a track originally featuring Belinda and Lucho RK. The tropical vibes were on full display, with palm trees decorating the stage and an energetic crowd dancing along to the upbeat rhythm. The feel-good tropical pop energy was undeniable, enhanced by the playful visuals displayed on giant vintage TV screens that added a charming retro touch to the performance.<\/p>\n \tPaloma San Basilio Tribute<\/p>\n \n\tElena Rose, Yami Safdie, and Sof\u00eda Reyes came together to deliver a spectacular tribute to Paloma San Basilio, celebrating her extraordinary 50-year career. Accompanied by Arthur Hanlon on the keys, the performance was a perfect blend of generations honoring a true icon of Latin music.<\/p>\n \n\tThe tribute began with \u201cBeso a Beso\u2026 Dulcemente,\u201d a touching duet between Paloma and Safdie. While Safdie showed promise, she faltered slightly off-key at times, yet Hanlon\u2019s refined piano accompaniment elevated the moment with brilliance. Elena Rose then joined the living legend for \u201cCari\u00f1o Mio,\u201d and while the newcomers brought fresh energy to the stage, it was clear that their vocal abilities couldn\u2019t match the timeless power of Paloma\u2019s voice.<\/p>\n \n\tThe tribute reached its peak when all four women united for a stunning ensemble performance of \u201cJuntos,\u201d a symbolic closing that embodied the spirit of collaboration and legacy. As Paloma was honored, a presenter delivered the perfect sentiment: \u201cLa paloma que m\u00e1s alto vuela\u201d or \u201cThe dove that flies highest.\u201d Indeed.<\/p>\n \tMarc Anthony & Nathy Peluso<\/p>\n \n\tMarc Anthony and Nathy Peluso kicked off the 38th Annual Premio Lo Nuestro ceremony with their salsafied duet, \u201cComo en el Idilio.\u201d Peluso showcased her versatility as a multifaceted musician, effortlessly holding her own alongside a salsa legend. She stunned in a classy green dress adorned with fringes and lilac flowers in her hair, while Marc Anthony looked dapper as ever in black with his signature shades, capturing his effortless rockstar vibe. No flashy theatrics needed \u2014 the duo was backed by a vibrant salsa ensemble featuring a brass section and percussion, which added richness and energy to the opening number. Released earlier in February, the song is co-produced by Anthony and Venezuelan hitmaker Motiff. The classic-leaning salsa number was an elegant and fitting way to open the ceremony, as the two sounded absolutely fabulous together.<\/p>\n \tGloria Trevi<\/p>\n \t\t\t \n\tGloria Trevi truly knows how to put on a show, delivering a captivating performance of \u201cUn Abrazo\u201d from her 2025 album El Vuelo. The Mexican icon has an unmatched ability to transform deep wounds into something transcendent. Dressed in a majestic gown with a flowing tail wide like a cloud, delicately adorned with lace, she sang against a dreamy backdrop of clouds. Her unmistakable voice soared over sweeping violins, setting a tone that felt almost spiritual. At one point, wings appeared on the screen behind her, adding a celestial touch as if she were an angel ascending. The stage design and mood could have easily been fitting for a church choir. <\/p>\n \n\tWhile Trevi\u2019s performance was visually and vocally stunning, it\u2019s surprising that the crowd didn\u2019t react with the appreciation it deserved. Despite its undeniable beauty and emotional depth, this moment lands in the top 5 of the ranking.<\/p>\n \tXavi<\/p>\n \t\t\t \n\tXavi proved he doesn\u2019t need any extra auto-tune, unlike some artists we suspected might have relied on it. The Mexican-American wunderkind delivered a strong vocal performance with \u201cNo Capea,\u201d a song that typically features Grupo Frontera. While the Texas band was absent, Xavi did the song justice entirely on his own. He also performed \u201cLa Morrita\u201d solo, once again without Car\u00edn Le\u00f3n accompanying him.<\/p>\n \n\tThe set was playful, featuring a handful of female dancers choreographed around pink-painted tires that gave the stage a rustic yet cheeky vibe. A giant \u201cX\u201d for Xavi made the star\u2019s presence impossible to miss, and he topped it off with a nice touch \u2014 a monarch butterfly on his shirt.<\/p>\n \tManolo D\u00edaz Tribute<\/p>\n \n\tThe set began with a nostalgic journey through vintage Latin pop, paying tribute to legendary Spanish songwriter Manolo D\u00edaz. Mau y Ricky set the tone with their commanding presence, bringing rock \u2018n\u2019 roll energy to the stage with powerful drumming and impressive guitar fretwork. Melody added her magic by interpreting \u201cHay Que Venir Al Sur,\u201d the iconic 1978 hit by Raffaella Carr\u00e0, putting her own spin on the classic tune. Caf\u00e9 Quijano brought the heat with \u201cBlack is Black,\u201d the timeless 1966 hit by Los Bravos, injecting new life into the melody while making it unmistakably their own. The segment was a true celebration of musical heritage, blending past and present in a dynamic tribute.<\/p>\n \tRyan Castro, J Balvin & More<\/p>\n \t\t\t \n\tRyan Castro brought the night to a musical close, kicking things off with \u201cLa Villa,\u201d joined by Kapo and Gansta. The track, which samples Sister Nancy\u2019s reggae classic \u201cBam Bam,\u201d set the tone with a contagious rhythm. The performance featured house on stage \u2014 perhaps taking cues from Bad Bunny\u2019s La Casita. The scene later changed where viewers saw a bunch of crates that eventually lit on fire to create quite the spectacle. Castro upped the swagger, donning a fur coat for \u201cTonto,\u201d before fellow Colombian J Balvin stepped in with a matching coat to amplify the energy even further.<\/p>\n \tRomeo Santos & Prince Royce<\/p>\n \n\tRomeo Santos and Prince Royce brought the NYC subway 4 line \u2014 the one that connects Manhattan and the Bronx \u2014 to the Premio Lo Nuestro stage, bringing the heart of Dominican culture straight to Miami Beach. The New York Dominican legends delivered a spectacular blend of music, nostalgia, and storytelling, complete with visuals of the Brooklyn Bridge and New York landmarks.<\/p>\n \n\tPerforming a medley of songs from their joint album Better Late Than Never, released last November, El Rey and El Pr\u00edncipe de la Bachata delivered a show worthy of their legendary status. Dressed sharply in black suits, they captivated the audience with their smooth vocals, over slinky bachata riffs and sultry bongos \u2014 the sounds that have shaped New York\u2019s Latin music scene. Later, the stage transformed again, this time into a bar setting with a giant dartboard as background. Beyond the visuals, their vocal delivery was flawless, proving once more why they\u2019re icons of the genre.<\/p>\n \tJuanes<\/p>\n \t\t\t \n\tArmed with an off-white electric Fender, shimmering black pants, and a \u201cSe Habla Espa\u00f1ol\u201d shirt, Juanes kicked off his set with effortless charisma. He began his medley with \u201cHagamos Que,\u201d before diving into the electrifying riffs of the timeless \u201cLa Camisa Negra,\u201d proving its impact even two decades later. But it was just a tease, as he transitioned to the softer, pop-infused \u201cEs Por Ti.\u201d The Colombian icon showed once again why he\u2019s regarded as a living legend, one of the stars being celebrated this night for his unmatched contributions to Latin music.<\/p>\n \n\tSupported by his band, Juanes delivered hit after hit, including his unforgettable anthem \u201cA Dios Le Pido,\u201d which sent the crowd into a frenzy. Fans were ecstatic, as shots of the audience singing along to every lyric made the excitement palpable. Later in the evening, Morat presented Juanes with the Premio Lo Nuestro a la Trayectoria award, honoring his remarkable career. Juanes closed with an empowering message: \u201cLet\u2019s learn to play an instrument, everyone at home, no matter your age. There\u2019s so much artificial intelligence, but we have emotional and human intelligence.\u201d<\/p>\n \tArc\u00e1ngel & Friends<\/p>\n \t\t\t \n\tThe energy was electric as Feid and Arc\u00e1ngel kicked off their set with the reggaet\u00f3n song, \u201cM\u00edrame Baby,\u201d released earlier this month. The duo, dressed in matching off-white streetwear and matching berets, brought smooth swag to the stage. But this was just the prelude \u2014 the night quickly shifted into a full-blown tribute to Arc\u00e1ngel\u2019s legendary 20-year career, evolving into a medley that showcased his undeniable impact on Latin urban music.<\/p>\n \n\tJhayco hit the crowd with Arc\u00e1ngel classic \u201cPa\u2019 Que La Pases Bien\u201d,\u201d followed by J Balvin, who showed off some serious R&B vocal chops. Jay Wheeler then took the stage, setting up a scene that felt like Arc\u00e1ngel was surrounded by a musical version of Jesus and the 12 apostles. Mora and Sech kept the energy flowing, Sech delivering fan-favorite \u201cMe Prefieres A M\u00ed,\u201d and Eladio Carri\u00f3n made his way into the lineup. Each artist took their spot in what felt less like a tribute and more like a coronation.<\/p>\n \n\t\u201cWhat an honor to be here tonight\u2026 My brother, your stature does not measure your greatness; it is not measured in inches, it is measured by impact,\u201d said J Balvin to Arc\u00e1ngel. \u201cI want you to know that you are a living legend.\u201d<\/p>\n \t<\/p>\n \t<\/a><\/p>\n Get weekly rundowns straight to your inbox<\/p>\n \t\t\t\t\tThe Daily\t\t<\/p>\n A daily briefing on what matters in the music industry<\/p>\n \t\tBy providing your information, you agree to our Terms of Use<\/a> and our Privacy Policy<\/a>.![\"MIAMI,](\"https:\/\/www.billboard.com\/wp-content\/themes\/vip\/pmc-billboard-2021\/assets\/public\/lazyload-fallback.gif\")
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