{"id":334433,"date":"2026-03-07T21:58:09","date_gmt":"2026-03-07T21:58:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/334433\/"},"modified":"2026-03-07T21:58:09","modified_gmt":"2026-03-07T21:58:09","slug":"young-iraqi-immigrants-story-told-in-pinball-doc-at-true-false","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/334433\/","title":{"rendered":"Young Iraqi Immigrant&#8217;s Story Told In &#8216;Pinball,&#8217; Doc At True\/False"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe U.S. invasion of Iraq killed an untold number of people, possibly hundreds of thousands, and drove nine million Iraqis out of their country, dispersed to the four corners of the Earth.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tAmong those who fled were Mohammed Al Windawi, his wife and two small children \u2013 Yosef, then aged four, and his younger sister Azraa. They made it to Jordan first, then settled in Egypt, then uprooted again for life in America as refugees \u2013 in Louisville, KY.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tYosef\u2019s coming of age story \u2013 as a young man pulled between cultures and countries \u2013 is told in the documentary <a href=\"https:\/\/deadline.com\/tag\/pinball\/\" id=\"auto-tag_pinball\" data-tag=\"pinball\" rel=\"nofollow noopener\" target=\"_blank\">Pinball<\/a>, which made its world premiere Friday night at the <a href=\"https:\/\/deadline.com\/tag\/true-false\/\" id=\"auto-tag_true-false\" data-tag=\"true-false\" rel=\"nofollow noopener\" target=\"_blank\">True\/False<\/a> festival in Columbia, MO. Watch a clip from the film below. At a Q&amp;A following the premiere, Yosef described the film as \u201cexploring my past and the search of who I am.\u201d<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.newsbeep.com\/ie\/wp-content\/uploads\/2026\/03\/PINBALL_still_soccer-filed-thoughts.jpg\" alt=\"Yosef on the soccer pitch.\" data-lazy- data-lazy- height=\"576\" width=\"1024\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tYosef on the soccer pitch.<\/p>\n<p>\t\t\t\t\t\t\t\t\tITVS\/Grey Is Good<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe documentary shows his friendships with other young men in Louisville of a similar background. There\u2019s a somewhat contentious but loving bond with his father but Yosef and his sister both feel the pull of a faraway place.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cNaturally my body doesn\u2019t feel at home here. Naturally,\u201d Yosef says in the film regarding Louisville. \u201cPhysically, I feel it. I feel healthier in other parts of the world. That\u2019s no coincidence. I know what my body needs and I want to feed it that.\u201d<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.newsbeep.com\/ie\/wp-content\/uploads\/2026\/03\/Bryn-Silverman-and-Naveen-Chaubal.png\" alt=\"Director Naveen Chaubal (right) and producer Bryn Silverman\" data-lazy- data-lazy- height=\"598\" width=\"934\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tDirector <a href=\"https:\/\/deadline.com\/tag\/naveen-chaubal\/\" id=\"auto-tag_naveen-chaubal\" data-tag=\"naveen-chaubal\" rel=\"nofollow noopener\" target=\"_blank\">Naveen Chaubal<\/a> (right) and producer Bryn Silverman<\/p>\n<p>\t\t\t\t\t\t\t\t\tGrey Is Good<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe film is directed by Naveen Chaubal, who grew in neighboring Indiana as the son of Indian immigrants. At the Q&amp;A, Chaubal explained his relationship with Yosef and his family grew out of a short film he made about a decade earlier.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cThrough that process, we met Yosef and Azraa and their family. And that was when I started to see so many familiar dynamics and scenes play out going over to their house,\u201d he said. \u201cThe familiarity of the conversations between a father and son or a father and a daughter or a son and a mother, it felt so familiar and familial that it was just like, \u2018Oh, there\u2019s something here that needs to be shared.\u2019 And here we [were] in Kentucky, in Louisville, and we often don\u2019t see that as a backdrop. We often don\u2019t see Indiana as a backdrop. So, it just felt like there was something urgent in that respect to tell that story.\u201d<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.newsbeep.com\/ie\/wp-content\/uploads\/2026\/03\/PINBALL_still_Yosef-Azraa-driving-in-car.jpg\" alt=\"Yosef and Azraa in 'Pinball'\" data-lazy- data-lazy- height=\"576\" width=\"1024\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tYosef and Azraa in \u2018Pinball\u2019<\/p>\n<p>\t\t\t\t\t\t\t\t\tITVS\/Grey Is Good<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIn the film, Yosef and Azraa make plans to go to Egypt, a place they sense they could feel more free (perhaps unencumbered by the scrutiny that comes with being an Arab immigrant to the U.S.). Eventually, both make it to Cairo \u2013 Azraa first, followed by her brother, their time there documented by Chaubal. There are moments of humor in Pinball as the siblings razz each other.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cWe have a lot of sibling bickering, but I really do think that that trip made our bond a lot stronger, like inseparable. We are very close,\u201d Azraa commented. \u201cThat trip and working so closely with [producer] Bryn [Silverman] and Naveen as well, it really helped our relationship.\u201d<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.newsbeep.com\/ie\/wp-content\/uploads\/2026\/03\/Yosef-and-Azraa.png\" alt=\"Yosef Al Windawi and Azraa Al Windawi\" data-lazy- data-lazy- height=\"460\" width=\"696\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tYosef Al Windawi and Azraa Al Windawi<\/p>\n<p>\t\t\t\t\t\t\t\t\tGrey Is Good<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tPinball features an evocative, nontraditional score by composer Will Epstein, who also participated in the Q&amp;A.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cI worked on the short film [with Chaubal] and it was one of the first films I scored,\u201d Epstein noted. \u201cI made like probably four times as much music as is in this movie and we sort of whittled it down into this kind of very cohesive-feeling world. And so, it\u2019s been a really special process.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIn a director\u2019s statement, Chaubal writes, \u201cAt its heart, Pinball is about becoming: becoming a man; becoming a brother; and becoming someone capable of holding both grief and possibility in the same body. Yosef\u2019s relationship with his sister, Azraa, hums with the familiar chords of siblinghood \u2014 antagonism and refuge intertwined. His relationship with his father, at once tumultuous and tender, traces the quiet and often unspoken labor of forgiveness. I hope audiences find themselves somewhere inside these relationships, recognizing in Yosef\u2019s journey the shape of their own crossings into adulthood.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cWhen we began this film, the world felt different. The story we were telling \u2014 of displacement, resilience, and belonging \u2014 seemed like one this country preferred not to see. Now it feels impossibly urgent. The reverberations of U.S. involvement in the Middle East are not abstract geopolitical echoes; they live in living rooms, in school hallways, in the private negotiations of families rebuilding themselves in unfamiliar landscapes. The long aftermath of war is carried in the nervous systems of young people asked to grow up too soon, to translate for their parents, to carry histories they did not choose.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tChaubal continues, \u201cAnd yet, Pinball is not a thesis on oppression. It does not seek to indict through spectacle. Instead, it offers Yosef a space \u2014 and perhaps a tool \u2014 for expression. The film resists framing him as an emblem or argument. He is not a symbol of policy. He is a young person discovering his body, testing his edges, negotiating interpersonal relationships and his autonomy.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tPinball is directed by Naveen Chaubal, who also served as cinematographer and editor. Bryn Silverman produced the film and contributed additional editing and cinematography. Consulting producers are <a href=\"https:\/\/deadline.com\/2025\/10\/doc-talk-podcast-hot-springs-festival-natchez-movie-1236593426\/\" rel=\"nofollow noopener\" target=\"_blank\">Darcy McKinnon<\/a>, Faisal Azam, and Jannet Nu\u00f1ez. Protagonist Yosef Al Windawi also serves as associate producer. Pinball is executive produced by Carrie Lozano.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tWatch a brief clip of Pinball here, featuring Yosef and his father, Mohammed. It begins with music from Epstein\u2019s score.<\/p>\n","protected":false},"excerpt":{"rendered":"The U.S. invasion of Iraq killed an untold number of people, possibly hundreds of thousands, and drove nine&hellip;\n","protected":false},"author":2,"featured_media":334434,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[93,61,60,270,153831,153832,153833],"class_list":["post-334433","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-entertainment","tag-ie","tag-ireland","tag-movies","tag-naveen-chaubal","tag-pinball","tag-true-false"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/334433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=334433"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/334433\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/334434"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=334433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=334433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=334433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}