{"id":369625,"date":"2026-03-28T10:18:07","date_gmt":"2026-03-28T10:18:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/369625\/"},"modified":"2026-03-28T10:18:07","modified_gmt":"2026-03-28T10:18:07","slug":"a-full-circle-moment-why-stephen-colbert-is-an-enticing-fit-for-lord-of-the-rings-stephen-colbert","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/369625\/","title":{"rendered":"\u2018A full-circle moment\u2019: why Stephen Colbert is an enticing fit for Lord of the Rings | Stephen Colbert"},"content":{"rendered":"<p class=\"dcr-130mj7b\">Typically, when a famous comedian ventures into writing, it\u2019s in service of a book of humorous essays or a screenplay for a starring vehicle. <a href=\"https:\/\/www.theguardian.com\/tv-and-radio\/stephen-colbert\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Stephen Colbert<\/a>, the comic actor turned beloved talkshow host, is preparing a more unusual pivot: he\u2019ll be working on the screenplay for a new <a href=\"https:\/\/www.theguardian.com\/film\/lord-of-the-rings\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Lord of the Rings<\/a> movie, to be produced by franchise impresario <a href=\"https:\/\/www.theguardian.com\/film\/peterjackson\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Peter Jackson<\/a>, who directed the original trilogy of films based on the <a href=\"https:\/\/www.theguardian.com\/books\/jrrtolkien\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">JRR Tolkien<\/a> fantasy novels, as well as a trilogy based on Tolkien\u2019s book The Hobbit. To casual viewers of his about-to-end Late Show on CBS, or those who remember his years as a contributor to Comedy Central\u2019s irreverent The Daily Show, this might seem like an odd fit; Tolkien isn\u2019t known for his satirical edge. Colbert, however, is known for his love of Tolkien \u2013 among other things.<\/p>\n<p class=\"dcr-130mj7b\">Befitting his eventual gig as a political satirist, Colbert was born in Washington DC, the youngest of 11 children in a Catholic family that subsequently lived in Maryland and South Carolina. The family suffered a major loss in 1974 when two of Colbert\u2019s brothers and their father were killed in a plane crash. Colbert was only 10 and became withdrawn after the tragedy, retreating into books \u2013 especially fantasy books like the works of Tolkien \u2013 and games like Dungeons &amp; Dragons, which he played heavily for four years. This provided some early training in acting and improvisation without him entirely realizing it. \u201cFor somebody who eventually became an actor, it was interesting to have done that for so many years, because acting is role-playing,\u201d he told the AV Club in 2006. \u201cYou assume a character, and you have to stay in them over years, and you create histories, and you apply your powers. It\u2019s good improvisation with agreed rules before you go in.\u201d<\/p>\n<p class=\"dcr-130mj7b\">After studying dramatic acting at Northwestern University, he parlayed an interest in improvisational performance to doing comedy at Chicago\u2019s fabled Second City, where he met future collaborators <a href=\"https:\/\/www.theguardian.com\/film\/stevecarell\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Steve Carell<\/a>, Amy Sedaris, and Paul Dinello. They would all figure into his subsequent move to television: with Dinello and Sedaris, he co-created the short-lived sketch series Exit 57 and the cult sitcom Strangers with Candy, both of which aired on Comedy Central. Colbert also worked with Carell on The Dana Carvey Show, another short-lived sketch comedy project, this one airing on network TV and starring the former <a href=\"https:\/\/www.theguardian.com\/tv-and-radio\/saturday-night-live\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Saturday Night Live<\/a> player, with writers including SNL alumnus Robert Smigel and future Oscar-winning screenwriter <a href=\"https:\/\/www.theguardian.com\/film\/charlie-kaufman\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Charlie Kaufman<\/a>.<\/p>\n<p class=\"dcr-130mj7b\">Shortly after that show\u2019s cancellation, Colbert got a correspondent position on another Comedy Central program: The Daily Show, during the show\u2019s second season in 1997 (Colbert was there before Carell and even signature host <a href=\"https:\/\/www.theguardian.com\/media\/jon-stewart\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Jon Stewart<\/a>; both joined in 1999). Over his eight years on the program, Colbert developed a character parodying gasbag pundits like Bill O\u2019Reilly \u2013 using his own name, but applied to a self-confident, bloviating persona without any background knowledge on the many subjects he opines on. He developed the character further when he left in 2005 for a companion series, The Colbert Report. The show made its mark from its very first episode, where Colbert, in-character as a conservative pundit, coined the term \u201ctruthiness\u201d \u2013 referring to believing that a statement or idea is true regardless of outside facts or evidence, based entirely on whether it \u201cfeels\u201d true.<\/p>\n<p class=\"dcr-130mj7b\">Truthiness might have been applied to the version of Colbert on his self-titled show, which was both further and closer to his real self. In the broad outlines, this fake rightwinger was worlds apart from the comedian\u2019s true personality: self-important, dim-witted, belligerent (or, in the words of Colbert himself, \u201ca well-intentioned, poorly informed, high-status idiot\u201d) and modelled after cable-news staples like O\u2019Reilly and Glenn Beck. But playing a phony Colbert on TV also involved bringing in elements of the real Colbert\u2019s backstory, like his Catholic upbringing and his love of Tolkien and Lord of the Rings. <a href=\"https:\/\/www.theguardian.com\/film\/viggo-mortensen\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Viggo Mortensen<\/a>, who played Aragorn in the Lord of the Rings films, even made a cameo in-character on The Colbert Report in 2007. In a <a href=\"https:\/\/web.archive.org\/web\/20140412195258\/http:\/blogs.buffalonews.com\/talkintv\/2014\/04\/choice-of-colbert-to-succeed-letterman-makes-perfect-sense-.html\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">2008 interview<\/a>, Colbert admitted that his on-air character could sometimes slip his own thoughts or beliefs into broadcasts or public appearances: \u201cThe weird thing about my character \u2026 is sometimes I say what I mean. It doesn\u2019t matter to me that the audience doesn\u2019t know when that is.\u201d (Though years later, he would say that Catholicism and Lord of the Rings were basically his only common ground with that character \u2013 while also allowing that his own political beliefs were probably less leftwing than some might assume.)<\/p>\n<p class=\"dcr-130mj7b\">Colbert had the opportunity to retire that hall-of-mirrors trickiness in 2015, when he ended The Colbert Report to take over The Late Show on CBS. The late-night talkshow was originally created for <a href=\"https:\/\/www.theguardian.com\/media\/david-letterman\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">David Letterman<\/a> to compete with The Tonight Show back in 1993. After Letterman\u2019s retirement, Colbert took to the host job with enthusiasm \u2013 and as himself, not the pundit version, which disappointed some fans of his performance art as he settled in for a more mainstream, crowd-pleasing gig. Still, owing to his Daily Show roots as well as the timing of his Late Show debut \u2013 just before the 2016 US presidential election \u2013 Colbert\u2019s version of The Late Show was more oriented toward political commentary than Letterman\u2019s, especially as Colbert found his footing. New York Times TV critic James Poniewozik <a href=\"https:\/\/www.nytimes.com\/2017\/02\/22\/arts\/television\/colbert-fallon-trump-late-night.html\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">observed<\/a> a change early in <a href=\"https:\/\/www.theguardian.com\/us-news\/donaldtrump\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Trump<\/a>\u2019s first term: \u201cMr. Colbert\u2019s comedy hasn\u2019t become radically different, but it has been more frank and caustic. The network-TV [Colbert] is more cheery than his cable character. But it\u2019s as if the Trump administration had solved the problem of reconciling his new comedy with his old by making truthiness America\u2019s official language.\u201d<\/p>\n<p class=\"dcr-130mj7b\">Though the satire was, as Poniewozik noted, less biting than The Colbert Report, and buttressed by plenty of the usual celebrity chit-chat, Colbert nonetheless seemed more civically engaged, sometimes downright earnest, than his competition. Audiences seemed to enjoy it, too. Bucking the conventional wisdom that viewers don\u2019t want to think too much about current events during their late-night comfort food, Colbert\u2019s Late Show grew its audience as it became more politically focused. Eventually, it was the most-watched late-night network talkshow in the US, routinely seen by more viewers than either <a href=\"https:\/\/www.theguardian.com\/culture\/jimmy-fallon\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">Jimmy Fallon<\/a>\u2019s Tonight Show on NBC or Jimmy Kimmel Live! on ABC. So it came as a surprise to some when CBS made the decision to end the show with Colbert\u2019s contract expiring in May 2026.<\/p>\n<p class=\"dcr-130mj7b\">Their wholesale cancellation of The Late Show, not just Colbert\u2019s hosting of it, was intended to signal that the network is just plain exiting the expensive late-night business, rather than (as some suspected) enacting a punishment of the highly Trump-critical Colbert to curry favor with the second Trump administration (which was, at the time of the cancellation, in the position to block a merger between CBS parent company Paramount and Skydance Media). Still, despite declining late-night ratings and fortunes, the axing of such a high-profile figure in the field does feel punitive.<\/p>\n<p class=\"dcr-130mj7b\">Maybe that\u2019s just \u201ctruthiness\u201d rearing its ugly head again. Regardless, Colbert made a lovely case for the institution of late-night programming in an <a href=\"https:\/\/www.gq.com\/story\/stephen-colbert-gq-cover-story-interview-men-of-the-year-2025\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">interview<\/a> after the cancellation announcement: \u201cAll those things that might\u2019ve made you confused, angry, or anxious, or happy, or surprised or something like that, I share those feelings with the audience and they laugh or they don\u2019t laugh. And there\u2019s a sense of community there. And there are fewer and fewer of what you would call third spaces in our life. Not your home, not your work, but some other place we get together. And these late-night shows are for millions of Americans a third space to come together and think about the day.\u201d<\/p>\n<p class=\"dcr-130mj7b\">That thoughtfulness often emerged in his less comedic segments, as with a 2021 interview with Andrew Garfield touching upon his grief over the recent loss of his mother. Garfield later <a href=\"https:\/\/www.wsj.com\/arts-culture\/television\/stephen-colbert-interview-cover-story-11646140694\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">reflected<\/a> on how Colbert created that space for him: \u201cThe openness and ownership that he has with seemingly culturally taboo subjects, such as grief, allows his guests permission to be in contact and reveal those aspects of their own selves and experiences. In turn, the audience gets to have a genuine, deep, and connected experience. So, the show feels like an act of service to people.\u201d (\u201cI think Stephen would have made a great priest,\u201d he added.)<\/p>\n<p class=\"dcr-130mj7b\">That sense of the talkshow as a public space does seem to be vanishing; even as dedicated a figure as Conan O\u2019Brien has stepped away in recent years. Colbert seems unlikely to retire from showbiz. (Asked if he would walk away after the Late Show\u2019s end, he offered a definitive \u201cno\u201d, adding: \u201cBecause I love creating things and I still want to work with the people I work with.\u201d) In some ways, writing a <a href=\"https:\/\/www.theguardian.com\/film\/lord-of-the-rings\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">Lord of the Rings<\/a> movie seems like a full-circle moment, bringing him back to the literature and role-playing that consoled him in his youth \u2013 and might be healthier than the talkshow host\u2019s compulsion to keep hosting talkshows. Colbert also seems to reveal aspects of himself in stages: first he was a comic actor playing clearly made-up roles; then he was a fake pundit sharing his own name; then a talkshow host with a performer\u2019s persona but one closer to himself. If he finds a way to return to writing and\/or performing while revealing yet a little more of himself, Colbert could be headed for a fascinating third or fourth act.<\/p>\n","protected":false},"excerpt":{"rendered":"Typically, when a famous comedian ventures into writing, it\u2019s in service of a book of humorous essays or&hellip;\n","protected":false},"author":2,"featured_media":369626,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[321,93,61,60],"class_list":{"0":"post-369625","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-celebrities","8":"tag-celebrities","9":"tag-entertainment","10":"tag-ie","11":"tag-ireland"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/369625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=369625"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/369625\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/369626"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=369625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=369625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=369625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}