{"id":369771,"date":"2026-03-28T12:32:14","date_gmt":"2026-03-28T12:32:14","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/369771\/"},"modified":"2026-03-28T12:32:14","modified_gmt":"2026-03-28T12:32:14","slug":"barrier-between-audience-and-performer-disappears-in-luails-poignant-intimate-dance-the-irish-times","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/369771\/","title":{"rendered":"Barrier between audience and performer disappears in Luail\u2019s poignant, intimate dance \u2013 The Irish Times"},"content":{"rendered":"<p>TrojansProject Arts Centre, Dublin\u2605\u2605\u2605\u2605\u2606<\/p>\n<p class=\"c-paragraph paywall \">In <a href=\"https:\/\/www.irishtimes.com\/tags\/luail\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/luail\/\">Luail<\/a>\u2019s production of Trojans, the barrier between audience and performer disappears, making poignant themes of community, displacement and migration. Rather than more literally recounting Virgil\u2019s Aeneid, upon which the choreographer <a href=\"https:\/\/www.irishtimes.com\/tags\/philip-connaughton\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/philip-connaughton\/\">Philip Connaughton<\/a> based the dance, Trojans suggests connection, separation, joy and sadness, all superbly brought to life by Luail\u2019s dancers. They excel at working as a cohesive unit.<\/p>\n<p class=\"c-paragraph paywall \">Chairs that are at first covered with orange plastic netting line the perimeter of the stage, which sits in the middle of the space. Giant video screens fill each of the four walls, prompting audience members to take actions that range from walking across the floor to making eye contact with the dancers to taking a seat once the netting has been removed. <\/p>\n<p class=\"c-paragraph paywall \">Such intimate connections with the cast feel unusual, and they work; we not only become invested in what happens to them but are also part of the story.<\/p>\n<p class=\"c-paragraph paywall \">When Oberman Knocks\u2019s soundscape kicks in, the dancers move into shapes that evoke giant sculptures coming alive. Part of Luail\u2019s beauty and strength lies in how each performer expresses their individuality yet still remains so closely linked to the other members of the group. They become like one with their gloriously crisp, clear movements, emitting a single hum of energy.<\/p>\n<p class=\"c-paragraph paywall \">A regal <a href=\"https:\/\/www.irishtimes.com\/tags\/joanna-banks\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/joanna-banks\/\">Joanna Banks<\/a> represents Juno, who in the Aeneid causes great destruction. The same holds true here. At the beginning of Trojans, Banks sends dancers reeling and writhing on the floor with a single word to each of them: die. <\/p>\n<p class=\"c-paragraph paywall \">Throughout, she sets in motion chains of events with great repercussions that reverberate through the performers\u2019 movements and also on the screens. At one juncture she sits on top of a formation of them, who have created a kind of moving table top upon which she can balance. <\/p>\n<p><img decoding=\"async\" data-chromatic=\"ignore\" alt=\"Luail: Trojans, choreographed by Philip Connaughton. Photograph: Luca Truffarelli\" class=\"c-image\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/ie\/wp-content\/uploads\/2026\/03\/4YZH67F52RD4DIG2U4YJ3IGDBU.jpg\"   width=\"800\" height=\"533\"\/>Luail: Trojans, choreographed by Philip Connaughton. Photograph: Luca Truffarelli <img decoding=\"async\" data-chromatic=\"ignore\" alt=\"\" class=\"c-image\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/ie\/wp-content\/uploads\/2026\/03\/N4G74QMWXJDBNCETY55XZWOCK4.jpg\"   width=\"800\" height=\"533\"\/><\/p>\n<p class=\"c-paragraph paywall \">Luca Truffarelli\u2019s video shows calm ocean waves lapping on shore and at sea. Suddenly Banks shifts as if casting a spell. As she makes contact with those underneath her, the four walls of video screens erupt with fire and destruction. Once the smoke clears, hollowed-out buildings and rubble fill the screens, and immediately the tone of the dance shifts.<\/p>\n<p class=\"c-paragraph paywall \">While the dancers still remain loosely connected, their vibrancy has dimmed. It feels as though the previous joy and connection had been unknowingly taken for granted. Like a gut punch, a sense of closeness and community is gone. Some of the interactions that follow suggest an attempt at rebuilding, yet the images that appear onscreen look like specks in the universe or else black holes, suggesting a certain amount of futility.<\/p>\n<p class=\"c-paragraph paywall \">However, personal connections with the Luail dancers \u2013 Robyn Byrne, Jou-Hsin Chu, Clara Kerr, Sean Lammer, Tom O\u2019Gorman, Hamza Pirimo, Rosie Stebbing, Meghan Stevens and Chi Liu \u2013 keep a flicker of hope alive. They embody the human condition with enviable strength and grace. <\/p>\n<p class=\"c-paragraph paywall \">When the final message on the video screen asks, \u2018Would you be willing to die for the greater good?\u2019 audience members make their choice. The result is a proud testament to this dance company\u2019s impact.<\/p>\n<p class=\"c-paragraph paywall b-it-article-body__text--left\">Trojans, staged by <a href=\"https:\/\/luail.ie\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/luail.ie\/\">Luail<\/a>, is at Project Arts Centre, Dublin, until Saturday, April 4th; at Black Box, Galway, on Friday, April 10th, and Saturday, April 11th; and at Island Hall, Lagan Valley Island, Lisburn, on Wednesday, April 29th, and Thursday, April 30th<\/p>\n","protected":false},"excerpt":{"rendered":"TrojansProject Arts Centre, Dublin\u2605\u2605\u2605\u2605\u2606 In Luail\u2019s production of Trojans, the barrier between audience and performer disappears, making poignant&hellip;\n","protected":false},"author":2,"featured_media":369772,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[61,60,166132,88006,166131,119907,80],"class_list":{"0":"post-369771","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-technology","8":"tag-ie","9":"tag-ireland","10":"tag-joanna-banks","11":"tag-luail","12":"tag-philip-connaughton","13":"tag-project-arts-centre","14":"tag-technology"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/369771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=369771"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/369771\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/369772"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=369771"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=369771"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=369771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}