{"id":371600,"date":"2026-03-29T16:26:08","date_gmt":"2026-03-29T16:26:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/371600\/"},"modified":"2026-03-29T16:26:08","modified_gmt":"2026-03-29T16:26:08","slug":"the-silver-looking-glass-of-hymnal-blue-review","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/371600\/","title":{"rendered":"The Silver – Looking Glass of Hymnal Blue Review"},"content":{"rendered":"

\"\"Comprising members of Horrendous and Crypt Sermon, back in ye strange times of 2021, Philadelphia\u2019s The Silver dropped an impactful debut platter upon the unsuspecting underground masses. Ward of Roses<\/a> struck a powerful and unexpected blow, welding atmospheric goth, post, black, and progressive elements into a biting and melodramatic slab of extreme metal. Time flies, and nearly five years later, The Silver make an anticipated return through sophomore album, Looking Glass of Hymnal Blue. Already boasting a unique, versatile and imposing formula, rather than dramatically reinventing their sound, Looking Glass of Hymnal Blue finds The Silver tightening the nuts and bolts of their songwriting to forge a confident continuation and subtle evolution of Ward of Roses.<\/p>\n

Balance is the key to unlocking The Silver\u2019s songwriting power and stirring dynamics. A wicked melting pot of gothy atmosphere, darkly sparkling melodicism, and stormy theatricality, Looking Glass of Hymnal Blue grounds these elements with anguished extremes, the harrowing howls of vocalist Nick Duchemin, and a hyperactive barrage of blast beats, frantic, blackened riffage, and steely aggression. This enticing, ying-yanging combination is expertly crafted, especially when combined with progressive arrangements that flex The Silver\u2019s strengths and unorthodox charms with interesting, complex musicianship and memorable hooks. Shrouded in an atmosphere of icy melancholy, Looking Glass of Hymnal Blue\u2019s wrenching emotional resonance lends further substance to the dense material. Notably, the improved clean vocal lines play a more integral role, featuring an emotive, addictive punch soaring through the album\u2019s jagged, bleaker terrain.<\/p>\n

The opening title track sets the tone, unleashing visceral bursts of turbulent axework and frantic rhythms, as dueling harsh and clean vocals consolidate The Silver\u2019s mastery of contrast, including frosty beauty and beast dynamics. Some almost Opeth-esque bluesy guitar work and a beautifully delivered clean vocal passage cap off a stellar introduction. Longer form epics form the bulk of the album, as evidenced on the album\u2019s lengthiest piece, the stunning, nearly nine-minute-long \u201cTwo Candles.\u201d The Silver handle the weighty composition with crafty skill. Urgent, savage ebbs smoothly intermingle with soaring cleans, mellow passages, and colorful guitar work. It\u2019s an ambitious, frequently gripping journey, encapsulating The Silver\u2019s strengths and individuality in one momentous epic. Elsewhere, The Silver\u2019s keen balancing act also shines on shorter, punchier songs, such as the aggressive, percussive-heavy surge and pristine melodics of \u201cMemorias,\u201d or violently thrashing assault and blackened intensity of \u201cTendrils.\u201d<\/p>\n

\"\"<\/p>\n

Ward of Roses possessed a distinct freshness and raw delivery complimenting its harsher realms and melodrama. Naturally, the elements of surprise are tempered second time around, Looking Glass of Hymnal Blue only marginally sacrifices the rawer edge of the debut, compensating through a stronger, more confident melodic presence and tighter songcraft. The Silver\u2019s proggy inclinations come to the fore, deviating from conventional writing and maintaining a rich infectiousness, where hooks bore into the soul and lodge in the memory bank. Musically, Looking Glass of Hymnal Blue is another ambitious, genre-splicing beast, straddling post, black, prog, and doomy realms with aplomb, maintaining cohesion, beefing up the technicality and rippling guitar fireworks, and pushing forward Matt Knox\u2019s confident, compelling clean vocal melodies. This may not work for all listeners, depending on tolerance for Knox\u2019s vocal style, which generally dips less into the spoken word theatrics that were occasionally a stumbling block on Ward of Roses. Special mention also to the robust rhythm section; as plump basslines, pulsating rhythms, and intricate drum patterns demand attention.<\/p>\n

Only the shorter, bluesy later album cut \u201c\u2026Twilight of Love\u201d falls short of the hefty standards of its counterparts, though it is a solid song regardless, feeding into the colossal power, violent throes, and affecting melodies of closer \u201cMy Lone Dark Lantern.\u201d Looking Glass of Hymnal Blue adds intriguing twists and layers to an already cool formula, largely levelling up from the sophisticated, exciting promise of their debut. Crafting another accomplished, beautifully produced album, The Silver avoid the dreaded sophomore slump, taking minor creative risks while both expanding and consolidating their unique sound. Taking their time with this second opus, the payoff is grand, and The Silver\u2019s welcome return suggests this project is here for the long haul.<\/p>\n

Rating: 4.0\/5.0
DR: N\/A | Format Reviewed: Stream
Label: Gilead Media<\/a>
Websites: Bandcamp<\/a> | Facebook<\/a>
Releases Worldwide: March 20th, 2026<\/p>\n

\n\tGive in to Your Anger:<\/p>\n","protected":false},"excerpt":{"rendered":"Comprising members of Horrendous and Crypt Sermon, back in ye strange times of 2021, Philadelphia\u2019s The Silver dropped…\n","protected":false},"author":2,"featured_media":371601,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[23197,14119,14120,28492,166720,93,166721,166722,166723,61,60,166724,278,5817,5819,563,564,166725],"class_list":{"0":"post-371600","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-23197","9":"tag-4-0","10":"tag-american-metal","11":"tag-black-metal","12":"tag-crypt-sermon","13":"tag-entertainment","14":"tag-gilead-media","15":"tag-goth","16":"tag-horrendous","17":"tag-ie","18":"tag-ireland","19":"tag-looking-glass-of-hymnal-blue","20":"tag-music","21":"tag-opeth","22":"tag-progressive-metal","23":"tag-review","24":"tag-reviews","25":"tag-the-silver"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/371600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=371600"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/371600\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/371601"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=371600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=371600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=371600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}