{"id":382481,"date":"2026-04-05T01:23:12","date_gmt":"2026-04-05T01:23:12","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/382481\/"},"modified":"2026-04-05T01:23:12","modified_gmt":"2026-04-05T01:23:12","slug":"how-travel-experiences-influence-australian-designers-2","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/382481\/","title":{"rendered":"How travel experiences influence Australian designers"},"content":{"rendered":"<p>Elana Castle<\/p>\n<p data-testid=\"article-datetime\" class=\"sc-5cbbddda-5 hxoHkT\">April 5, 2026 \u2014 5:00am<\/p>\n<p>Save<\/p>\n<p class=\"sc-d1b14060-4 JmUoF\">You have reached your maximum number of saved items.<\/p>\n<p>Remove items from your <a href=\"https:\/\/www.theage.com.au\/goodfood\/saved\" class=\"sc-3f16ee48-12 sc-d1b14060-2 jyLmZI iQLtAb\" rel=\"nofollow noopener\" target=\"_blank\">saved list<\/a> to add more.<\/p>\n<p class=\"sc-369d9219-1 bOiPYX\">Save this article for later<\/p>\n<p class=\"sc-369d9219-2 bufJxo\">Add articles to your saved list and come back to them anytime.<\/p>\n<p>Got it<\/p>\n<p>AAA<\/p>\n<p>If travel once offered escape, it now also offers perspective. A beautifully resolved hotel room, the sensory pull of time-worn stone and timber, the quiet choreography of light and shadow \u2013 authentic experiences like these are subtly recalibrating our expectations about where and how we travel and, in turn, conjuring a sharper sense of how space, light and materials shape everyday life.<\/p>\n<p>\u201cTravel served as a series of pilgrimages for me as an architecture student,\u201d says Robert Davidov of Melbourne practice <a class=\"inline-link\" href=\"https:\/\/www.davidov.com.au\/\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Davidov Architects<\/a>, \u201cand it still remains a soulful and informative pursuit.\u201d<\/p>\n<p>Having travelled extensively \u2013 including to Morocco, Israel, Egypt, Peru and Italy \u2013 Davidov is known for his sketchbooks filled with intricate drawings of ancient ruins and villages. He\u2019s also fascinated by the vernacular, saying, \u201cEnduring materiality and the idea of timelessness have been incredibly influential on my design career.\u201d<\/p>\n<p><img decoding=\"async\" alt=\"Le Sirenuse, a hotel on the Amalfi Coast, is a favourite of interior designer Nina Maya. \" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/ie\/wp-content\/uploads\/2026\/04\/a1f5e33d6d5f60b927d70f5117845c4adcc199a9.jpeg\"  class=\"sc-d34e428-1 ldCIuB\"\/>Le Sirenuse, a hotel on the Amalfi Coast, is a favourite of interior designer Nina Maya. <\/p>\n<p>Unsurprisingly, Davidov\u2019s practice has become known for a refined, almost monastic aesthetic and attention to the way spaces are carefully sequenced and slowly revealed. \u201cI draw on travel to define how I control views, explore materials and create sensory experiences,\u201d he says. \u201cMost materials are more beautiful the less you touch them, so we tend to use them sparingly, which unleashes their true potency.\u201d<\/p>\n<p>Davidov continues to travel overseas each year, with his current focus on Japan and Mexico. \u201cExamining Tadao Ando\u2019s work in Japan, particularly at Naoshima \u2013 how he controls the experience of entering a space \u2013 has been very informative in my design thinking,\u201d he says. \u201cDoorways are emblematic of how I design. They mark the genesis of any journey into a home, and we take extraordinary care to make that experience meaningful and multisensory for the client. How it feels, how it looks and its patinas over time are integral to the design\u201d.<\/p>\n<p><img decoding=\"async\" alt=\"Robert Davidov is inspired by Benesse Park Hotel in Naoshima, Japan.\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/ie\/wp-content\/uploads\/2026\/04\/f3cb6373714c4697c97df00d881597ef8ebfe51a.jpeg\"  class=\"sc-d34e428-1 bNAuyX\"\/>Robert Davidov is inspired by Benesse Park Hotel in Naoshima, Japan.<\/p>\n<p>For Georgia Ezra, TV personality and director of interior design firm <a class=\"inline-link\" href=\"https:\/\/www.studioezra.com\/\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Studio Ezra<\/a>, travel has migrated from being a source of cultural references in her work to becoming the backbone of her ceramics import business and shop, Tiles of Ezra. Working with artisans in countries like Vietnam, Morocco, Spain, Turkey and Thailand, Ezra uses time-honoured techniques to create sustainable handmade tiles.<\/p>\n<p>\u201cMy father is from Calcutta and I gravitate towards places and communities that have a certain authenticity to them,\u201d she says. \u201cPlaces like India, Mexico and Morocco are very humble in their offerings, yet they embody great depth and value. In a place like Jaipur [in India], I can really delve into the history, examining the finer details like the plasterwork and mouldings, which ultimately inform how I design my joinery and my tile ranges. I am drawn to storytelling, history and culture and these ideas are filtered into my design consciousness and into my interiors.\u201d<\/p>\n<p>For some designers, travel offers a form of escapism. \u201cMy ideal destination is one that allows for total immersion,\u201d says Nina Maya of <a class=\"inline-link\" href=\"https:\/\/www.ninamayainteriors.com\/\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Nina Maya Interiors<\/a> in Sydney. \u201cI need it to offer something different from my everyday, whether in the form of a respite or as maximalism.\u201d<\/p>\n<p>Maya\u2019s interiors are notoriously sleek and restrained, so her mention of maximalism might be considered curious. But as she explains, it\u2019s become an \u201calternate form of visual stimulation\u201d.<\/p>\n<p>\u201cI head to Europe every year in their summer, usually to the Amalfi Coast, and Hotel Le Sirenuse remains my favourite hotel in Positano,\u201d she says. \u201cIt couldn\u2019t represent a style more different to mine, yet somehow it piques my creativity and pushes me to look at options that sit in direct contrast to my own style. We are working on a project in Puglia and my exposure to this maximalist aesthetic has started to filter into my work.\u201d<\/p>\n<p>For Melbourne interior designer <a class=\"inline-link\" href=\"https:\/\/www.daniellebrustman.com\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Danielle Brustman<\/a>, travel became the catalyst for a profound career transformation. \u201cI had an epiphany a few years ago in New York while I was working in set and theatre design,\u201d she says. \u201cI went to investigate the hot spot at the time \u2013 Boom Boom Room at the Standard Hotel \u2013 and the experience was a complete revelation for me.<\/p>\n<p><img decoding=\"async\" alt=\"For Melbourne interior designer Danielle Brustman, travel was the catalyst for a career transformation.\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/ie\/wp-content\/uploads\/2026\/04\/9cc8068be9a165675f14887302d4bfdec9488149.jpeg\"  class=\"sc-d34e428-1 bNAuyX\"\/>For Melbourne interior designer Danielle Brustman, travel was the catalyst for a career transformation.Phoebe Powell<\/p>\n<p>\u201cThe interior seemed so wild at the time; so dangerous and outrageous relative to the austerity of the \u201990s and the early 2000s. There was a playfulness and irreverence that evoked joy. I thought, this is what I want to create for people.\u201d<\/p>\n<p>The experience thrust Brustman almost immediately into the world of interior architecture, a discipline she studied and has since synthesised with exhibition and multisensory experiential design. \u201cIt stands to reason that New York remains one of my favourite destinations,\u201d she says. \u201cIt is such a hotbed of creativity and diversity in life, art and music. I seem to make most sense there.<\/p>\n<p>\u201cI also love Hotel Costes in Paris because it offers one a completely different version of oneself \u2013 it is such a thrill. All travel should offer a different take on reality.\u201d<\/p>\n<p>Get the best of Sunday Life magazine delivered to your inbox every Sunday morning. Sign up here for our <a class=\"inline-link\" href=\"https:\/\/www.smh.com.au\/link\/follow-20170101-p5jutx\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">free newsletter<\/a>.<\/p>\n<p>Save<\/p>\n<p class=\"sc-d1b14060-4 JmUoF\">You have reached your maximum number of saved items.<\/p>\n<p>Remove items from your <a href=\"https:\/\/www.theage.com.au\/goodfood\/saved\" class=\"sc-3f16ee48-12 sc-d1b14060-2 jyLmZI iQLtAb\" rel=\"nofollow noopener\" target=\"_blank\">saved list<\/a> to add more.<\/p>\n<p>From our partners<\/p>\n","protected":false},"excerpt":{"rendered":"Elana Castle April 5, 2026 \u2014 5:00am Save You have reached your maximum number of saved items. 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