{"id":500562,"date":"2026-06-15T10:34:09","date_gmt":"2026-06-15T10:34:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/500562\/"},"modified":"2026-06-15T10:34:09","modified_gmt":"2026-06-15T10:34:09","slug":"sheffield-docfest-awards-go-to-filthy-magma-and-more","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/500562\/","title":{"rendered":"Sheffield DocFest Awards Go To ‘Filthy,’ ‘Magma,’ And More"},"content":{"rendered":"

\n\tSheffield Docfest<\/a>, the UK\u2019s leading nonfiction film festival, wraps up today after presenting awards for its 33rd edition.<\/p>\n

\n\tFilthy (Sucia \u2013 Per qu\u00e8 no vas fer res?), directed by B\u00e0rbara Mestanza and Marc Pujolar, won the Grand Jury Prize in International Competition Sunday night, automatically qualifying the film for Oscar consideration. The documentary centers on Mestanza, an actress who became the victim of a sexual assault. Defying pressure to remain silent, Mestanza channeled \u201cher experience into a raw, fearless theatre play while simultaneously pursuing her aggressor through years of legal proceedings that demand as much of victims as they do of perpetrators,\u201d as the DocFest program notes.<\/p>\n

\t\t\t\t\t\t\"'Filthy'\"<\/p>\n

\t\t\t\t\t\u2018Filthy\u2019<\/p>\n

\t\t\t\t\t\t\t\t\tSheffield DocFest<\/p>\n

\n\t\u201cThrough courageous storytelling and remarkable creative vision, this film transforms personal trauma into a collective reckoning,\u201d wrote the jury, comprised of Mark Edwards, Kiyoko McCraea, and Noa Nwande. \u201cWhile rooted in the singularity of the filmmaker\u2019s personal story, the film opens outward, asking larger questions about guilt, shame, power, performance, and the systems that shape our complicity in violence. Its disciplined and compelling editing weaves together years of artistic creation and legal pursuit, creating a gripping journey that challenges audiences to look inward and examine their own narratives.\u201d<\/p>\n

\n\tA Special Mention went to Time Machine Maidan (\u041c\u0430\u0448\u0438\u043d\u0430 \u0427\u0430\u0441\u0443 \u041c\u0430\u0439\u0434\u0430\u043d), directed by Roman Liubyi, and Volodymyr Tykhyy.<\/p>\n

\n\tJurors saluted Time Machine Maidan for its \u201cextraordinary vision, masterful use of collective archival footage, and profound exploration of resistance at a defining historical moment\u2026 Through its inventive and immersive approach, this film brings the recent past vividly to life, illuminating the enduring courage and resilience of ordinary people. Both a testament and a warning, it shows us that history\u2019s most consequential turning points are made of individual acts of commitment and sacrifice that must be recognized and confronted in the present moment. In doing so, the film invites us to reckon with our own responsibility in the ongoing struggle for freedom.\u201d<\/p>\n

\t\t\t\t\t\t\"'Magma'\"<\/p>\n

\t\t\t\t\t\u2018Magma\u2019<\/p>\n

\t\t\t\t\t\t\t\t\tSheffield DocFest<\/p>\n

\n\tThe Grand Jury Award for the International First Feature Competition went to Magma, directed by Mia Bendrimia.<\/p>\n

\n\t\u201cThis film is a bold personal-political documentary exploring generational trauma resulting from the wounds of colonialism,\u201d wrote jurors Paul Sng, Darren Lawford, and Malikkha Rollins. \u201cWe were unanimous in our decision to award this film for its intimate access and a creative and courageous act of storytelling from the filmmaker.\u201d<\/p>\n

\n\tA Special Mention in that category was awarded to A City in the Forest, directed by Lev Omelchenko and Nolan Huber.<\/p>\n

\t\t\t\t\t\t\"'The<\/p>\n

\t\t\t\t\t\u2018The Long Cuban Night\u2019<\/p>\n

\t\t\t\t\t\t\t\t\tSheffield DocFest<\/p>\n

\n\tDocFest\u2019s Tim Hetherington Award, named for the Oscar-nominated British photojournalist who was killed while covering the civil war in Libya in 2011, was presented to The Long Cuban Night directed by Sergio Fernandez Borras.<\/p>\n

\n\tJurors Brenda Danker, Sam Holland, and Andrii Kotliar noted their most important criteria was choosing a film that \u201cspoke to the spirit of Tim Hetherington\u2019s work and legacy.\u201d<\/p>\n

\n\t\u201cThe film we selected is incendiary, raw, and defiant in the face of oppression,\u201d they wrote. \u201cIt demonstrates the power of documentary, and the tool ordinary citizens have when a government tries to silence and censor its people, even if that tool is simply a camera phone and a livestream. The film demonstrates a community\u2019s bravery and commitment to a cause that is so unwavering, that they risk their lives for it. It is a documentary that we feel truly honors Tim\u2019s legacy.\u201d<\/p>\n

\n\tA Special Mention in the Tim Hetherington category went to Birds of War<\/a>, directed by Janay Boulos and Abd Alkader Habak.<\/p>\n

\t\t\t\t\t\t\"'Maybe<\/p>\n

\t\t\t\t\t\u2018Maybe Tomorrow\u2019<\/p>\n

\t\t\t\t\t\t\t\t\tSheffield DocFest<\/p>\n

\n\tOscar-nominated filmmaker Waad Al-Kateab and Wafa Mustafa won the Grand Jury Award in International Short Film Competition for their documentary Maybe Tomorrow, automatically qualifying it for Academy Award consideration. The story reflects a grim reality in the filmmakers\u2019 native Syria, where between 2011 and 2015 tens of thousands of people were disappeared, most of them seized by the regime of Bashar al-Assad. Among those taken was Mustafa\u2019s father, Ali.<\/p>\n

\n\t\u201cThrough the lens of an intimate and personal portrait, the film succeeds in exploring the suffering of a whole nation,\u201d wrote the jury comprised of Olaide Sadiq, Joe Hunting, and Laura Warner. \u201cA spirited, emotional and beautiful piece.\u201d<\/p>\n

\n\tA Special Mention in the shorts category was awarded to The Anatomy of a Portrait, directed by Juan Felipe Le\u00f3n.<\/p>\n

\n\tThe Sheffield DocFest program was curated from over 2,900 submissions. It included 45 world premieres, 17 international premieres, 5 European premieres, and 35 UK premieres.<\/p>\n

\n\t\u201cAfter six inspiring days of talks, film screenings, performances, industry pitches, and vital discussions, this edition of Sheffield DocFest has come to an end,\u201d commented Raul Ni\u00f1o Zambrano<\/a>, the festival\u2019s creative director. \u201cBut more than the packed schedule, what truly matters is what we\u2019ve witnessed: Sheffield DocFest continues to be a nurturing space for encounters, for building networks, for dialogue and above all, for friendship. All the films we\u2019ve shared this week have found new audiences and we simply hope that the platform we\u2019ve humbly provided helps those stories go even further.\u201d<\/p>\n

\n\tMimi Poskitt, managing director of Sheffield DocFest, said, \u201cFrom World Premieres to live podcasts, live music to national treasures \u2013 and even some sword dancing and a city map of Sheffield constructed in Minecraft: the sheer range of this year\u2019s festival has been a delight\u2026 Over the last 6 days we have welcomed thousands of people to the city. At a time when so much of our national dialogue is so polarized, it has been heartening to see the ever larger and more engaged audiences \u2013 and a sizeable number of standing ovations. We close the festival with gratitude to all the people who took part and excitement for the next chapter.\u201d<\/p>\n

\n\tThese are additional prizes awarded at the 33rd edition of Sheffield DocFest:<\/p>\n

\n\tYouth Jury Award<\/p>\n

\n\tThe Youth Jury Award was presented to Crocodile directed by The Critics and Pietra Brettkelly by five of the UK\u2019s most passionate young documentary lovers to celebrate non-fiction cinema.<\/p>\n

\n\tSpecial Mention: All Rivers Spill Their Stories to the Sea directed by Jeanie Finlay.<\/p>\n

\n\tThe Youth Jury were: Julianne Gazzingan, Sadie Coll, Jagraj Singh, Clementine Cunningham and Shae Beckford. They curated a selection of six films considered in a mentored deliberation.<\/p>\n

\n\tThe Jury said: \u201cDuring our time as the youth jury, watching all of your wonderful films and speaking to you, we have learnt that the particular is universal, that personal connections make a film, and that this medium truly can inspire hope.<\/p>\n

\n\tThe six films we have selected speak directly to this, bringing humanity into the uncertain times we live in. Before we announce our winner, we would like to add a special mention to All Rivers Spill Their Stories to the Sea. We feel this film encompasses a deep sense of resilience and community which spoke to us all.<\/p>\n

\n\tAs the youth jury, we feel that as young people growing up today under the pressures of technology, climate change and political violence, a great deal of the future feels shrouded in gloom. Yet the sense of resilience, passion and momentum that shines throughout our winning film ignites us with a newfound sense of hope and agency, and that is why we have chosen Crocodile as our winner.\u201d<\/p>\n

\n\tShine Global Children\u2019s Resilience Award for Documentary<\/p>\n

\n\tThe Shine Global Children\u2019s Resilience Award for Documentary was presented to Itab Azzam and Jack MacInnes for One In a Million. The Award recognises storytelling that expands understanding of children\u2019s experiences around the world and the courage they show in confronting extraordinary challenges.<\/p>\n

\n\tAlexandra Blaney, Co-CEO and Creative Director of Shine Global said:\u00a0 \u201cOne In a Million is an incredible feat of documentary filmmaking. Through Isra\u2019a\u2019s decade-long journey, the film allows us to look beyond headlines and statistics and witness the long-term emotional realities of displacement. We are honored to recognize Itab Azzam, Jack MacInnes, and the entire filmmaking team for a work that so powerfully reflects the spirit of the Children\u2019s Resilience Award.\u201d<\/p>\n

\n\tSheffield DocFest Football Documentary Award<\/p>\n

\n\tThe Sheffield DocFest Football Documentary Award was presented to David Tryhorn and Ben Nicholas for Cantona.<\/p>\n

\n\tRaul Ni\u00f1o Zambrano said:\u00a0 \u201cWe are incredibly proud to award the Sheffield DocFest Football Documentary Award to CANTONA. This standout documentary captivated our team with its unique creative direction and unprecedented access to one of football\u2019s most magnetic and enigmatic figures. Told largely in his own words, the film charts Eric Cantona\u2019s historic rise from a volatile French prodigy to an iconic Manchester United legend. Utilizing a brilliant array of archive and deeply personal interviews with Cantona, Alex Ferguson, and David Beckham, the film expertly explores the fine line between brilliance and controversy, proving exactly why Cantona\u2019s legacy still echoes today.\u201d<\/p>\n

\n\tPITCH SESSION WINNERS<\/p>\n

\n\tThe Whickers Pitch, Film & TV Funding Award 2026<\/p>\n

\n\tThe Whickers Pitch, Film & TV Funding Award 2025 with a prize of \u00a3120,000 went to Children of Honey directed by Jigar Ganatra and Emanuel Musa Marco and the development prize of \u00a325,000 went to Welcome to Our Bathhouse directed by Tommaso Barbetta.<\/p>\n

\n\tThe Whickers Pitch, Film & TV Funding Award 2026 judging panel were: Jane Mote (Whickers\u2019 Consultant Editor), Raul Ni\u00f1o Zambrano (Sheffield DocFest Creative Director), Anna Berthollet (Lightdox), David Green (Whicker\u2019s World Director), Fozia Khan (Head of Unscripted at Amazon Studios UK), and Sam Soko (co-founder of LBx Africa and award-winning documentary filmmaker).<\/p>\n

\n\tSam Soko, filmmaker and Co founder of LBx Africa and Whickers Judge on Children of Honey: \u201cChildren of Honey is a beautiful, cinematic project from Tanzania which offers us a rare window into the Hadza community,\u00a0 This community is often only seen through the lens of outsiders but in this film the Hadza have real agency in the telling and the owning of the story, bringing authenticity and depth to the narrative.\u201d<\/p>\n

\n\tFozia Khan, Head of Unscripted Amazon MGM Studios UK and Whicker Judge on Welcome to Our Bathhouse:\u201dThis project gives us a rare glimpse into a secretive world, full of heart.\u00a0 A story of love, friendship,\u00a0 belonging and age \u2013 of both people and places \u2013 with humour and vulnerability.\u201c<\/p>\n

\n\tThe award recognises original and innovative documentary, and uses the generous legacy of its namesake, pioneering broadcaster Alan Whicker, to support emerging, international directors working on their first feature-length documentaries.<\/p>\n

\n\tThe Whickers Podcast Pitch<\/p>\n

\n\tThe Whickers Podcast Pitch first prize (\u00a315,000) went to\u00a0 The many gendered mothers of my heart,, presented by David Green, and the development prize (\u00a35,000) went to The Riverbank, presented by Jane Ray and Lieven Heeremans.<\/p>\n

\n\tThe winners were chosen for being the most creative and promising pitches, and the prizes were funded by the Whickers foundation.<\/p>\n

\n\tThe judging panel on The many gendered mothers of my heart, : \u201cA stand-out for its humanity, humour and clarity of purpose. A clear example of how audio documentary can lend a voice to those who can\u2019t tell their stories to a lens. The judges appreciated the idea that this work, once completed could be shared with isolated communities as a form of outreach and connection. The blending of a personal journey of love in front of the backdrop of those who have tried to pave the way through secret letters is deeply compelling and will be hugely revealing to audiences at home and abroad. We can\u2019t wait to hear it.\u201d<\/p>\n

\n\tThe judging panel on The Riverbank:\u00a0 \u201cA moving, poetic example of how the most powerful stories sometimes exist in the spaces around and between the narrative. Chirae\u2019s determination and clarity of vision shone through the painful subject matter- it is clear this project is the work of a powerful creative mind- and could only be told in audio. The judges also appreciated Chi\u2019s clear understanding of how she would tell chapters of her story and characters over multiple episodes. The 2026 development award goes to: The Riverbank.\u201d<\/p>\n

\n\tThe judging panel were: Dan Clarke (Commissioning Editor Factual, BBC Radio 4), Talia Augustidis (Award-winning Audio Producer) and Emmanuel Dzotsi (Podcast Journalist & Producer, This American Life).<\/p>\n

\n\tChannel 4 First Cut Pitch<\/p>\n

\n\tChannel 4 First Cut Pitch saw five short-listed directors present and discuss a 3-minute micro-documentary on the theme End of the Line in front of a live audience and a panel of industry experts.<\/p>\n

\n\tThe judging panel were: Rita Daniels (Commissioning Editor, First Cut), Peter Beard (Co-Founder and Creative Director, Story Films), Rupert Houseman (Film Editor), and Aysha Rafaele (Writer\/Director and Executive Producer, Halcyon Heart Films).<\/p>\n

\n\tWinner: Flora Stewart<\/p>\n

\n\tSenior Commissioning Editor, Rita Daniels said: \u2018We\u2019re really happy to announce Flora Stewart as the winner of the First Cut Pitch 2026. Her film was engaging, character driven and captured the essence of what First Cut is. We are really excited to work with her.\u2019<\/p>\n

\n\tFinalists: Callum McCulloch Nowlan, Tamara Lois Ansah, Kiran Sira and Mal Senanayake<\/p>\n

\n\tClimate Spring Digital-First Pitch<\/p>\n

\n\tThe Climate Pitch invited four creatives to pitch their digital-first documentary idea at Sheffield DocFest 2026, with one winner receiving \u00a310,000 in development funding and support from Climate Spring.The Climate Spring Pitch champions creatives to explore bold and innovative unscripted storytelling for digital audiences, centering the power of community and offering solution-oriented visions of the future.<\/p>\n

\n\tWinner: Ruben Against The Machine, directed by Ruben Reuter and Rosie Baldwin.<\/p>\n

\n\tThe judging panel were:\ufe0f Alice Aedy (Filmmaker, Nat Geo Explorer, CoFounder Earthrise), Josh Reynolds (Executive Producer, Zandland), \ufe0fSam Pearson (Executive Producer, Hearst Canvas), and Ameenah Taher (Digital Commissioning Executive, Channel 4).<\/p>\n

\n\tTHE MEETMARKET AWARDS<\/p>\n

\n\tWe are delighted to announce the MeetMarket Awards for Sheffield DocFest 2026, awarding filmmakers with the opportunity to further develop their projects.<\/p>\n

\n\tThis year, the festival has partnered with several international organisations to recognise and propel standout documentary projects and support emerging talent.<\/p>\n

\n\tThe awards offer crucial support, including cash prizes, post-production services, international market access, and mentorship. Details of the partner organisation and the support they are awarding at this year\u2019s festival includes:<\/p>\n

\n\tAIDC Award<\/p>\n

\n\tAIDC is a leading organisation for the documentary and factual sector in Australia, supporting and elevating nonfiction storytelling and storytellers to create a vibrant, diverse and sustainable industry ecosystem. AIDC\u2019s annual Australian International Documentary Conference is the premier documentary and factual forum and market in the Southern Hemisphere, with a world-class, agenda-setting program that brings together representatives from across the globe to showcase new ideas and trends and drive inspiration, collaboration and production.<\/p>\n

\n\tThe AIDC Award includes 2x complimentary All Access Passes to participate in AIDC 2027 and a waiver code to submit for The FACTory International Pitching Forum.<\/p>\n

\n\tWinner: Disruption directed by Sarvnik Kaur<\/p>\n

\n\tProduced by: Monisha Thyagarajan and Sarvnik Kaur<\/p>\n

\n\tCountry of production: India<\/p>\n

\n\tCountry of co-production: France<\/p>\n

\n\tDAE Talent Encouragement Award<\/p>\n

\n\tThe DAE Talent Encouragement Award is awarded to one team with a project showing great international potential, offering free membership to the DAE (Documentary Association of Europe) for the producer and director for 12 months, including access to all D member offers and services, as well as a one-off consultation with a DAE senior consultant.<\/p>\n

\n\tWinner: Rebellion of Memory directed by Jo\u00ebl Jent<\/p>\n

\n\tProduced by Sophia Rubischung and Claudia Ch\u00e1vez L\u00e9vano<\/p>\n

\n\tCountry of production: Switzerland<\/p>\n

\n\tCountry of co-production: Peru<\/p>\n

\n\tTokyo Docs Award<\/p>\n

\n\tThe Tokyo Docs Award 2026 is presented to bold documentary projects with strong international market potential. It supports Japanese and Asian filmmakers, as well as international filmmakers telling compelling stories about Japan. Award-winning projects will receive a waiver of the Tokyo Docs participation fee.If selected for the Tokyo Docs Pitching Forum, one representative of the project will be invited, with travel and accommodation covered. Any additional costs will be the responsibility of the participants. Tokyo Docs 2026 will take place from November 3 to 6, 2026.<\/p>\n

\n\tWinner: Taxi Driver directed by Sarah Chishti<\/p>\n

\n\tProduced by Sarah Chishti<\/p>\n

\n\tCountry of Production: USA<\/p>\n

\n\tEast Doc Platform Award<\/p>\n

\n\tThe East Doc Award is presented by the Institute of Documentary Film. The winning project receives a work-in-progress consultation with the Institute\u2019s specialists, offering focused feedback to help shape the film during production.<\/p>\n

\n\tWinner: Slavik\u2019s Journey to Forever directed by Vladyslav Vasylchenko<\/p>\n

\n\tProduced by Bohdanna Semen \/ Babylon\u201913,<\/p>\n

\n\tCountry: Ukraine<\/p>\n

\n\tMEDIMED Award<\/p>\n

\n\tMEDIMED Doc Market presents a special award to one of the standout projects featured at Sheffield DocFest\u2019s MeetMarket. The selected project will be given the opportunity to pitch at MEDIMED\u2019s central Pitching Forum on October 9\u201310 in Sitges, in front of a curated group of internationally renowned industry professionals. The film\u2019s producer will be invited to attend the market, with accommodation, transportation, and accreditation fully covered.<\/p>\n

\n\tWinner: Anywhere but here directed by Emilio di Stefano<\/p>\n

\n\tProduced by Dani\u00e9la Frykstrand and Elin Kamlert<\/p>\n

\n\tCountry of Production: Sweden<\/p>\n

\n\tJi.hlava Award<\/p>\n

\n\tThe selected project will receive two industry accreditations for the 30th Ji.hlava IDFF and will be included in the Ji.hlava New Visions Market 2026.<\/p>\n

\n\tWinner: SUDAN \u2013 The Invisible War<\/p>\n

\n\tBird Street Productions Award<\/p>\n

\n\tThe Changemaker Award by Bird Street Productions is presented to the documentary project that most profoundly embodies the spirit of their mission: to craft films that not only entertain but also provoke thought and inspire change. This project is distinguished by its unwavering commitment to illuminating unseen truths, challenging societal norms, and giving a powerful voice to the underrepresented.\u00a0 The award is given to an emerging filmmaker with a project in development or production. The award consists of a \u00a310,000 cash prize.<\/p>\n

\n\tWinner: The Bologna Trial directed by Paolo Fiore Angelini<\/p>\n

\n\tProduced by Thierry Detaille, Serena Gramizzi<\/p>\n

\n\tThierry Detaille, Serena Gramizzi<\/p>\n

\n\tCountry of Production:\u00a0 Belgium<\/p>\n

\n\tCountry of Co-production: Italy<\/p>\n

\n\tThe Farm Post-Production Award<\/p>\n

\n\tPresented to the project that demonstrates the most visually distinctive and impactful approach to documentary filmmaking. The award acknowledges a commitment to high-quality visual storytelling and innovative cinematography. The award has a value of \u00a310,000 and will consist of in-kind post-production services from The Farm facilities tailored to the specific needs of the winning project. The winner of MeetMarket award has the option of: 8 days Sound Editorial for 5 Days Audio Mix.<\/p>\n

\n\tThis package will need to be booked in and scheduled when our creatives are available and claimed by the 1st June 2027 \u2013 subject to availability. T&C\u2019s do apply.<\/p>\n

\n\tWinner: Upstream directed by Moira Fett, Natalie Berger<\/p>\n

\n\tProduced by Martha Gregory, Sean Weiner<\/p>\n

\n\tCountry of Production: USA<\/p>\n

\n\t#DocsConnect Conscious Filmmaking Award by Taskovski Training\u00a0<\/p>\n

\n\tMentorship & Automatic selection to the 2026-2027 training<\/p>\n

\n\tWinner: Before our Diaspora directed by Theo Panagopoulos<\/p>\n

\n\tProduced by Nadja Lapcevic<\/p>\n

\n\tCountry of production United Kingdom<\/p>\n

\n\tCountry of co-production France<\/p>\n

\n\tTaskovski PR & Publicity award<\/p>\n

\n\tA complementary consultancy service for the film\u2019s world premiere.<\/p>\n

\n\tWinner: Rebellion of Memory directed by Jo\u00ebl Jent<\/p>\n

\n\tProduced by Sophia Rubischung and Claudia Ch\u00e1vez L\u00e9vano<\/p>\n

\n\tCountry of production: Switzerland<\/p>\n

\n\tCountry of co-production: Peru<\/p>\n","protected":false},"excerpt":{"rendered":"Sheffield Docfest, the UK\u2019s leading nonfiction film festival, wraps up today after presenting awards for its 33rd edition.…\n","protected":false},"author":2,"featured_media":500563,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[93,61,60,270,214208,207172],"class_list":["post-500562","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-entertainment","tag-ie","tag-ireland","tag-movies","tag-raul-niu00f1o-zambrano","tag-sheffield-docfest"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/500562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=500562"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/500562\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/500563"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=500562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=500562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=500562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}