{"id":504764,"date":"2026-06-17T19:05:14","date_gmt":"2026-06-17T19:05:14","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/504764\/"},"modified":"2026-06-17T19:05:14","modified_gmt":"2026-06-17T19:05:14","slug":"i-think-youre-going-to-like-this-artist-unveils-rooftop-installation-of-2000-mirrors-in-quebec","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/504764\/","title":{"rendered":"I think you\u2019re going to like this: artist unveils rooftop installation of 2,000 mirrors in Quebec"},"content":{"rendered":"

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Hello from Hi Art<\/a>, the CBC Arts weekly newsletter! <\/p>\n

Every Sunday, we feature Canadian art that\u2019s grabbed our attention. This is a roundup of recent highlights.\u00a0<\/p>\n

\"DroneInstallation view of The Sky Still Carries the Stories by Stina Baudin. (Artwork: Stina Baudin; Photo: Alex Chabot)<\/p>\n

You\u2019re looking at the roof of one of the buildings at Ad\u00e9lard<\/a>, a contemporary arts centre in Frelighsburg, Que., where artist Stina Baudin<\/a> has unveiled this outdoor installation. The piece (The Sky Still Carries the Stories) commemorates the Eastern Townships\u2019 early Black community, and it features an original soundscape by Markus Floats. Should you make the trip (it\u2019s up through Nov. 1, FYI), there\u2019s an observation deck on the site so visitors can view Stina\u2019s glimmering, quilt-like work. She\u2019s stitched more than 2,000 mirrors onto the piece as a way of representing the Black folks who settled in the area and also the constellations that led them north via the Underground Railroad. As she writes on Instagram: \u201cMetaphorically, mirrors can also reflect our history \/ societies back to us\u2026something to ponder.\u201d <\/p>\n

\"PhotoRubicon II: portal detail by Aime\u0301e Henny Brown. (Aime\u0301e Henny Brown)<\/p>\n

Aime\u0301e Henny Brown<\/a> was getting ready to open a solo show of collage works (Thresholds) in Vancouver when we featured this piece in the newsletter. Try to imagine you\u2019re standing in front of this image, but it\u2019s as tall as a professional basketball player. Aime\u0301e will be presenting several of her new works as banners, so the sense that you\u2019re encountering a mysterious doorway between worlds (a threshold, if you will) should hit extra hard. The exhibition runs to July 15 at Propellor Studio<\/a>. <\/p>\n

\"ArtFrom Tourist by Dane Matthews. (Dane Matthews)<\/p>\n

Attack of the 50-foot artist? Dane Matthews<\/a> is actually just six feet tall, but in her book Tourist, she\u2019s a kaiju on a girls\u2019 trip, rampaging around the globe. The Montreal artist will be at the Toronto Outdoor Art Fair<\/a> in July. Over email, Dane told me she\u2019ll have Tourist at her booth, plus a selection of larger-scale works that combine multiple media (photo transfer, pencil crayon, marker) with a dose of humour. <\/p>\n

\"AArtist Cheyenne Rain LeGrande poses with her sculpture Misi\u2011m\u00eekisak at William Hawrelak Park in Edmonton. (Artwork: Cheyenne Rain LeGrande; Photo: Jenna Turner\/Edmonton Arts Council)<\/p>\n

On May 30, Cheyenne Rain LeGrande<\/a> unveiled this public artwork, Misi\u2011m\u00eekisak, at the grand reopening of Edmonton\u2019s William Hawrelak Park. The sculpture is shaped like a giant beaded earring, and its pastel rainbow palette is a celebration of two-spirit people and Indigiqueer identities. The Edmonton Arts Council has a Q&A with Cheyenne<\/a> where she talks about the piece. With Misi\u2011m\u00eekisak, she\u2019s taken \u201ca tiny little seed bead\u201d and made it huge \u2014 a nod to the limitless potential of imagination and the ways Indigenous futurism shapes her creative approach. Oh! One more note for you. Cheyenne\u2019s planning to hide some earrings of a more wearable scale around Hawrelak Park. As of writing, she hasn\u2019t shared further info on where and when to go hunting, so follow her Instagram<\/a> for updates. <\/p>\n

\"PhotoUnfinished Arch by Rafael Lozano-Hemmer. (Rafael Lozano-Hemmer; Photo: Waterfront Toronto)<\/p>\n

Toronto has some fresh public art as well. You\u2019re looking at Unfinished Arch by Rafael Lozano-Hemmer<\/a> (previously seen here<\/a>). Located at Sherbourne Common<\/a>, it\u2019s a sculpture that\u2019s technically never complete until you interact with it. Yes, you! (Provided you\u2019re in the area, of course.) When visitors reach out and touch the end of the artwork, the whole thing lights up. <\/p>\n

\"PaintingInstallation view of Chronomancer by Veronika Pausova. (Artwork: Veronika Pausova; Photo: William Sabourin\/Bradley Ertaskiran)<\/p>\n

There\u2019s something strange and a teensy bit destabilizing about Veronika Pausova<\/a>\u2019s paintings of ordinary things (like the passing of time). I can\u2019t get enough of them myself. Her latest body of work is at Bradley Ertaskiran<\/a> in Montreal through July 4. <\/p>\n

\"ImpressionisticWade for the Same Moon by Sichen Grace Chen. (Sichen Grace Chen)<\/p>\n

Thinking of the passage of time, I like how Vancouver\u2019s\u00a0Sichen Grace Chen<\/a>\u00a0describes this painting of hers on\u00a0Instagram<\/a>. She told me more about it over email, explaining how she was inspired by a recent walk in the park. \u201cI was drawn to the liminal quality of June, a month between spring and summer, neither fully warm nor dry,\u201d she wrote. \u201cLike the approaching summer solstice, the work explores how seasonal rhythms can reconnect us to the land, water and community.\u201d <\/p>\n

\"PhotoForest Mixer by Daily tous les jours. (Artwork: Daily tous les jours; Photo: Ramble Films)<\/p>\n

When I randomly saw this photo on Instagram I immediately wanted to know the location. It was posted by Daily tous les jours<\/a>, a design studio from Montreal, and the caption ID\u2019d the site as B.C.\u2019s Hornby Island. That is indeed where you\u2019ll find this interactive art installation (Forest Mixer), but the exact spot is being kept under wraps. Sorry, folks. The studio tells me a private client commissioned them to create this \u201cvoice composting system,\u201d and it\u2019s not open to the public. Still, it\u2019s fun to imagine stumbling across it on a hike. There are audio receptors along the length of the sculpture. And the vibration of voices and all the sounds of the forest are meant to blend and run down the tube toward platforms on the ground. There, visitors can lounge and contemplate the music of nature.<\/p>\n

\"ExpressiveThe lucky ones with their shadows by Monica Tap. (Monica Tap)<\/p>\n

Want to see this painting by Monica Tap<\/a> close up? You can find it at the Art Gallery of Guelph<\/a>, where it\u2019s appearing in the group exhibition Windfall Light. Monica originally unveiled the piece at Toronto\u2019s MKG127<\/a> gallery in October 2024. That same month, bulldozers flattened the mature forests surrounding Ontario Place, an attraction on the city\u2019s waterfront. Monica had spent months there painting, and her exhibition at MKG127, Everything is going to have to be put back, was a response to the planned demolition. The show at the AGG explores themes of time and transformation \u2014 \u201cwhere abundance and loss are held in delicate balance.\u201d <\/p>\n

Do you want to see even more incredible artwork \u2014 plus the top stories from CBC Arts? <\/p>\n

Sign up here<\/a> and Hi Art will be delivered to your inbox. <\/p>\n