{"id":575687,"date":"2026-07-30T15:49:08","date_gmt":"2026-07-30T15:49:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/575687\/"},"modified":"2026-07-30T15:49:08","modified_gmt":"2026-07-30T15:49:08","slug":"its-the-meryl-streep-of-the-orchestra-why-cinema-loves-the-cello-movies","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/575687\/","title":{"rendered":"\u2018It\u2019s the Meryl Streep of the orchestra\u2019: why cinema loves the cello | Movies"},"content":{"rendered":"<p class=\"dcr-1s160rg\">There\u2019s a throwaway line in 2012\u2019s The Avengers, after a character\u2019s death, when his partner is alluded to. \u201cThere was a cellist, I think,\u201d muses Robert Downey Jr\u2019s Tony Stark. It\u2019s a spot of pathos amid the punch-ups \u2013 but also rather telling. Because when even a superhero blockbuster reaches for the cello, you know the instrument is carrying more than just a melody.<\/p>\n<p class=\"dcr-1s160rg\">Earlier this month, <a href=\"https:\/\/www.youtube.com\/watch?v=TrMGdrCJ5Ck\" data-link-name=\"in body link\" rel=\"nofollow noopener\" target=\"_blank\">a trailer dropped<\/a> for the upcoming Pedro Pascal drama Behemoth!, in which he plays a celebrated cellist returning to Hollywood to score films. Real-life cellist and film composer Hildur Gu\u00f0nad\u00f3ttir says the instrument \u201cis definitely having a moment right now. But it\u2019s always been present.\u201d<\/p>\n<p>Audrey Hepburn in Love in the Afternoon.  Photograph: Everett Collection Inc\/Alamy<\/p>\n<p class=\"dcr-1s160rg\">It\u2019s true. And this cinematic love affair first found its rhythm almost 70 years ago, when <a href=\"https:\/\/www.theguardian.com\/film\/audrey-hepburn\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">Audrey Hepburn<\/a> played a witty young cellist in Love in the Afternoon. In the decades since, the instrument has become a marker for a certain type of character: cultured, intense, romantic, haunted. Think Alan Rickman in Truly, Madly, Deeply \u2013 or the titular cellist in the 1996 Czech drama Kolya, which won the Academy Award for best foreign language film. Even Woody Allen toyed with the stereotype; in Annie Hall, Carol Kane\u2019s leftwing, liberal intellectual played the cello in a deleted scene.<\/p>\n<p class=\"dcr-1s160rg\">But why, out of every option in the orchestra, did the cello become the instrument of introspection? \u201cIt\u2019s the cliche, but it\u2019s probably because the cello comes closest to the human vocal range,\u201d says Gu\u00f0nad\u00f3ttir. \u201cIt has this ability to play around with notes, too, like human intonation. Press a note on a keyboard and it\u2019s straightforward, definitive. The cello \u2013 like our voices \u2013 can play with this intonation for expression.\u201d<\/p>\n<p class=\"dcr-1s160rg\">Put an actor in a scene playing the cello, then, and they can deliver dialogue without words. Gu\u00f0nad\u00f3ttir says the only other instrument with this human timbre and \u201cfluidity of intonation\u201d is the bass clarinet. But you\u2019re unlikely to see a protagonist reaching for one \u2013 nor a prestige biopic being made of a famous bass clarinettist. In fact, the cello has cornered the market on tragic orchestral stories \u2013 perhaps most notably in the Emily Watson-starring Hilary and Jackie.<\/p>\n<p class=\"dcr-1s160rg\">\u201cThat film, the story of cellist Jacqueline du Pr\u00e9, is the cello film that has stuck with me most,\u201d says Gu\u00f0nad\u00f3ttir. And it\u2019s not the only cellist biopic to reach the screen. In 2009\u2019s The Soloist, <a href=\"https:\/\/www.theguardian.com\/film\/jamie-foxx\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" rel=\"nofollow noopener\" target=\"_blank\">Jamie Foxx<\/a> was cast as musician Nathaniel Ayers, but the narrative was restrung, swapping his primary instrument \u2013 the double bass \u2013 for the cello.<\/p>\n<p>Suite soul \u2026 Emily Watson as Jacqueline du Pr\u00e9 in Hilary and Jackie. Photograph: Maximum Film\/Alamy<\/p>\n<p class=\"dcr-1s160rg\">You can see why. Not only does the cello have that uncannily human register, it\u2019s also visually dynamic. A cellist\u2019s bow strokes are physical and expressive, and the performer\u2019s face is rarely obscured \u2013 making it a perfect screen partner.<\/p>\n<p class=\"dcr-1s160rg\">It\u2019s probably why cellists tend to be the beating heart of musical dramas. Gu\u00f0nad\u00f3ttir also scored Cate Blanchett\u2019s tour-de-force T\u00e1r, in which a cellist becomes the catalyst for the drama. Christopher Walken\u2019s cellist, struggling with Parkinson\u2019s, is the centrepiece of 2012\u2019s A Late Quartet, and Dermot Mulroney (a real-life cellist who played on the scores of multiple Mission: Impossible films) frequently guest-starred in Prime Video series Mozart in the Jungle.<\/p>\n<p>Heartstrings \u2026 Jamie Foxx in The Soloist (2009). Photograph: Dreamworks Skg\/Allstar<\/p>\n<p class=\"dcr-1s160rg\">But cellist characters are not confined to musical dramas. The cello\u2019s emotional shorthand has been transcribed across almost every genre: from Chlo\u00eb Grace Moretz in sci-fi romance If I Stay, to Maryam d\u2019Abo in 007 adventure The Living Daylights, to cellist love interests in sitcoms from Frasier to New Girl. And then there\u2019s the darker side of the cello, whether channelled by Michelle Pfeiffer in supernatural thriller What Lies Beneath, Uma Thurman in neo-noir Jennifer 8 or Jenna Ortega in Netflix\u2019s smash series Wednesday.<\/p>\n<p class=\"dcr-1s160rg\">\u201cThere is a gothic connection to the cello,\u201d says Gu\u00f0nad\u00f3ttir, who won her Oscar for scoring Joker, a soundtrack that features the instrument prominently, with its neck being \u201cchoked\u201d. \u201cWhen it\u2019s played in an ugly way \u2013 because we yearn for it to be this beautiful instrument \u2013 it feels uncomfortable.\u201d<\/p>\n<p class=\"dcr-1s160rg\">Director Richard Shepard took that darker side one step further in 2018 with The Perfection, a horror set inside a prestigious music academy. When choosing the instrument his two leads would play, he wanted something both sinister and sensual.<\/p>\n<p class=\"dcr-1s160rg\">\u201cI remember growing up on the Upper West Side of New York City, near Lincoln Center,\u201d he says, \u201cand seeing these young cellists on the subway, lugging these huge cases. It stuck with me. How big it is. How much effort it takes to not only play it, but just move it. When writing The Perfection, we felt that physicality could make a statement. It\u2019s sexy. It\u2019s a sexy instrument.\u201d<\/p>\n<p class=\"dcr-1s160rg\">The film-makers behind the Allison Williams-starring horror film were determined to make the cello playing as convincing as the scares. \u201cIt was really hard work,\u201d says Shepard, \u201cbut I\u2019m proud there are only two shots of musicians\u2019 hands rather than actors\u2019 hands in the entire film.\u201d<\/p>\n<p>High-toned \u2026 Alan Rickman in Truly, Madly, Deeply (1990). Photograph: BBC\/Allstar<\/p>\n<p class=\"dcr-1s160rg\">The cello is an instrument actors can\u2019t bluff their way through \u2013 it\u2019s harder to fake than hiding your hands behind a piano or overdubbing a singing voice. Ortega trained for Wednesday and earned Golden Globe and Emmy nominations. Watson trained for Hilary and Jackie and got an Oscar nod. Pascal recently told Vanity Fair that taking on the cello was \u201cliterally the hardest, hardest, hardest thing I\u2019ve ever had to learn to do.\u201d If he\u2019s angling for awards, there are few better bets than a deep, introspective stringsman.<\/p>\n<p class=\"dcr-1s160rg\">And that perception extends beyond the screen. David Cohen, the principal cellist of the London Symphony Orchestra, says that \u201cthere\u2019s definitely a stereotype that cellists are the orchestra\u2019s empaths \u2013 warm, thoughtful and just a little bit intense. I\u2019m not sure it\u2019s entirely true, but it\u2019s amusing that film-makers so often cast cellists as the emotionally intelligent ones. You rarely see the villain saying: \u2018Just let me finish my Bach Suite \u2026\u2019\u201d<\/p>\n<p class=\"dcr-1s160rg\">Cohen adds that the cello\u2019s versatility often shapes the characters written around it. \u201cIt can sound noble, lonely, hopeful or quietly heroic \u2013 often within the same phrase,\u201d he says. \u201cIt\u2019s the Meryl Streep of the orchestra. And, because it has the depth to suggest sadness without wallowing in it, the cello is also film music\u2019s favourite therapist.\u201d<\/p>\n<p class=\"dcr-1s160rg\">Catherine Warner is a music therapy practitioner who has long watched the cello play its introspective, insular part on film. But she also points to the instrument\u2019s role in memorable cinematic dialogues. In The Witches of Eastwick, a devilish Jack Nicholson seduces Susan Sarandon\u2019s cellist during a duet, which Warner says \u201cseemed to symbolise Sarandon\u2019s character\u2019s sexual awakening, as well as her discovery of authentic emotional expression \u2013 she had previously struggled to bring that into her playing\u201d.<\/p>\n<p class=\"dcr-1s160rg\">In Master and Commander: The Far Side of the World, Paul Bettany plays a cello bass line under Russell Crowe\u2019s virtuosic violin flourishes. Warner says this \u201csymbolises a close supportive working relationship whereby the soloist can be freer to express their brilliance\u201d. The cello, then, is a literal baseline: a \u201cstraight man\u201d that performs whatever emotional function the story needs.<\/p>\n<p>Devilish \u2026 Jack Nicholson and Susan Sarandon in The Witches of Eastwick (1987).  Photograph: Landmark Media\/Alamy<\/p>\n<p class=\"dcr-1s160rg\">Warner also returns to something she once wrote in a collection of essays: \u201cSymbolically, the cello can evoke the sense of the instrument being rather like a person.\u201d And this gets closest to explaining Hollywood\u2019s obsession with the instrument. More than any other member of the orchestra, introducing a cello is like casting another actor in a scene. Gu\u00f0nad\u00f3ttir even says that \u201cthere\u2019s something about the size of it being quite close to the human body \u2013 not to mention the shape of the cello almost looking like a torso.\u201d<\/p>\n<p class=\"dcr-1s160rg\">Pair its resemblance to the human body with its similarity to our vocal range, and it\u2019s no wonder cinema loves the instrument. It\u2019s a character actor in and of itself. It can be embraced, fought, comforted or strangled. Now we just need to wait for the inevitable Oscar category: best bowed string instrument in a leading role. It\u2019s either that, or Pascal runs the risk of having his cello nominated ahead of him.<\/p>\n","protected":false},"excerpt":{"rendered":"There\u2019s a throwaway line in 2012\u2019s The Avengers, after a character\u2019s death, when his partner is alluded to.&hellip;\n","protected":false},"author":2,"featured_media":575688,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[321,93,61,60],"class_list":["post-575687","post","type-post","status-publish","format-standard","has-post-thumbnail","category-celebrities","tag-celebrities","tag-entertainment","tag-ie","tag-ireland"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/575687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=575687"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/575687\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/575688"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=575687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=575687"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=575687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}