{"id":589192,"date":"2026-08-10T19:36:08","date_gmt":"2026-08-10T19:36:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/589192\/"},"modified":"2026-08-10T19:36:08","modified_gmt":"2026-08-10T19:36:08","slug":"in-time-donal-lunny-review-intense-portrait-of-an-enigmatic-folk-artist-waylaid-by-tragedy-the-irish-times","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/589192\/","title":{"rendered":"In Time \u2013 D\u00f3nal Lunny review: Intense portrait of an enigmatic folk artist waylaid by tragedy \u2013 The Irish Times"},"content":{"rendered":"<p class=\"c-paragraph paywall \">Filmed in black and white and announcing itself with footage of a poet reciting Irish over a shoreline, Nuala O\u2019Connor\u2019s feature-length documentary about musician <a href=\"https:\/\/www.irishtimes.com\/tags\/donal-lunny\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/donal-lunny\/\">D\u00f3nal Lunny<\/a> is self-consciously avant-garde. But where that framing might be awkward in other circumstances, it is a good fit for Lunny, the mischievous and enigmatic pied piper of Irish folk music.<\/p>\n<p class=\"c-paragraph paywall \">He is perhaps best known to some for having fathered a child with <a href=\"https:\/\/www.irishtimes.com\/tags\/sinead-oconnor\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/sinead-oconnor\/\">Sin\u00e9ad O\u2019Connor<\/a>. His recollections of Shane, and of his death by suicide in 2022 at age 17, serve as the emotional core of this powerfully melancholic In Time: D\u00f3nal Lunny (<a href=\"https:\/\/www.irishtimes.com\/tags\/rte\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/rte\/\">RT\u00c9 One<\/a>, Monday, 9.35pm). Nothing is worse than losing a child, and all of Lunny\u2019s mystique and twinkle-eyed charisma falls away as he talks about standing in the woodland where his son died and hearing the chirping of a robin \u2013 a presence which he feels is in some way connected to Shane.<\/p>\n<p class=\"c-paragraph paywall \">\u201cI could hear a robin in the area. It was obviously flying around us, from bush to bush,\u201d he says. \u201cEventually it appeared and it stayed there as long as we were at the place. It interposed itself right in front of us: it\u2019s like it had something to tell us. Its presence was unavoidable and it has meant something to me ever since.\u201d<\/p>\n<p class=\"c-paragraph paywall \">It\u2019s the most honest and straightforward moment in a documentary that otherwise comes at the story from an elliptical angle \u2013 all that black and white and poetry \u2013 which is the perfect way to approach the life and work of Lunny, given that he came at folk music in much the same way.<\/p>\n<p class=\"c-paragraph paywall \">There is lots of footage of brooding skies and dramatic treelines as we follow Lunny\u2019s early years at Newbridge College in Co Kildare. Here he befriended a young <a href=\"https:\/\/www.irishtimes.com\/tags\/christy-moore\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/christy-moore\/\">Christy Moore<\/a>, coinciding with his subsequent pioneering use of the Greek bouzouki stringed instrument as a staple of Irish folk.<\/p>\n<p class=\"c-paragraph paywall \">Long before Sin\u00e9ad O\u2019Connor, he had a colourful personal life. His first marriage to Julia Buthe unravelled as Lunny emerged as a fixture on the Dublin folk scene. The young couple\u2019s flat became an unofficial stop-off for musicians and their associated hangers-on, and it was more than their union could bear. <\/p>\n<p class=\"c-paragraph paywall \">His later marriage to Japanese musician Hideko Itami was undone by his relationship with O\u2019Connor. \u201cThis was an absolute disaster for my relationship with Hideko,\u201d he says. \u201cBecause of the rupture of my marriage\u2026 my connection with Sin\u00e9ad broke down completely.\u201d<\/p>\n<p class=\"c-paragraph paywall \">The film also functions as a secret history of Irish traditional music. How fascinating to trace Lunny\u2019s life from his days as a pop heart-throb with Emmet Spiceland to his pioneering work alongside Moore in <a href=\"https:\/\/www.irishtimes.com\/tags\/planxty\/\" target=\"_blank\" rel=\"noreferrer nofollow noopener\" title=\"https:\/\/www.irishtimes.com\/tags\/planxty\/\">Planxty<\/a> and, separately, as a founding member of the Bothy Band.<\/p>\n<p class=\"c-paragraph paywall \">Lunny became ill during the making of In Time, and while this is not addressed directly on screen, a deep ennui hangs over the film. The most moving scene comes at the end as Lunny and Moore, his dear friend and old comrade in arms, perform Moore\u2019s ballad Natives (originally written by Paul Doran).<\/p>\n<p class=\"c-paragraph paywall \">\u201cThe scars of the past are slow to disappear \/ The cries of the dead are always in our ears,\u201d sings Moore. At the end, he places his hand on his friend\u2019s shoulder, and Lunny tries not to cry. It is a poignant conclusion to an intense, if sometimes obtuse documentary that functions both as a portrait of one of folk\u2019s most influential figures and as a study of an artist waylaid by tragedy.<\/p>\n<p class=\"c-paragraph paywall \">Samaritans can be contacted on freephone 116 123 or email jo@samaritans.ie<\/p>\n","protected":false},"excerpt":{"rendered":"Filmed in black and white and announcing itself with footage of a poet reciting Irish over a shoreline,&hellip;\n","protected":false},"author":2,"featured_media":588028,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[12486,20528,93,61,60,6085,18097],"class_list":["post-589192","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-christy-moore","tag-donal-lunny","tag-entertainment","tag-ie","tag-ireland","tag-rte","tag-sinead-oconnor"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/589192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=589192"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/589192\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/588028"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=589192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=589192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=589192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}