{"id":622925,"date":"2026-09-13T00:44:13","date_gmt":"2026-09-13T00:44:13","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/622925\/"},"modified":"2026-09-13T00:44:13","modified_gmt":"2026-09-13T00:44:13","slug":"jeremy-thomas-tributes-pour-in-from-across-film-world","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/622925\/","title":{"rendered":"Jeremy Thomas Tributes Pour in From Across Film World"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTributes have begun flowing from across the film world for <a href=\"https:\/\/variety.com\/t\/jeremy-thomas\/\" id=\"auto-tag_jeremy-thomas\" data-tag=\"jeremy-thomas\" rel=\"nofollow noopener\" target=\"_blank\">Jeremy Thomas<\/a>, the legendary British producer <a href=\"https:\/\/variety.com\/2026\/film\/global\/jeremy-thomas-dead-british-producer-oscar-winner-1236859473\/\" data-type=\"link\" data-id=\"https:\/\/variety.com\/2026\/film\/global\/jeremy-thomas-dead-british-producer-oscar-winner-1236859473\/\" rel=\"nofollow noopener\" target=\"_blank\">who passed away on Friday at the age of 77<\/a>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTerry Gilliam, who worked with Thomas on \u201cTideland\u201d and \u201cThe Man Who Killed Don Quixote,\u201d told Variety, \u201cJeremy Thomas loved making movies. He loved every aspect of the business, but most of all he loved directors. The list of those he worked with is almost endless and I was one of the lucky ones. His taste in filmmaking spanned the globe. He was fearless in getting some very unlikely films financed and released, often to worldwide success. The list is remarkable in range and absolutely unforgettable in quality. Most of all, he was a joy to work with. As your producer you always felt protected and encouraged, rare qualities to experience, especially when lack of time and money are swirling around you, raging at your head. Filmmaking is not cheap and the pressures are intense but Jeremy always remained calm and supportive. He was a rare and very unique gem in the world of producers.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLuca Guadagnino, who recently put Thomas on camera for his Venice-bowing documentary \u201cJoie De Vivre\u201d to talk about Italian director Bernardo Bertolucci (with whom he made five films), offered Variety a statement about the producer.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cJeremy Thomas\u2019 death leaves a gigantic void. The space he was fulfilling was a space of pure cinema. Someone who knew how to collaborate with filmmakers and make them better, and how to be himself \u2014 a great filmmaker,\u201d he said. \u201cThe canon of his work is unmatched, and some of the greatest movies of the past 50 years have been produced by him. And the level of the partnerships that he established in his career is incredible, from Nagisa Oshima to Bernardo Bertolucci. He was a generous man. He was a kind man. He was a man full of stories to tell, but at the same time, very curious to hear others people\u2019s stories. I regret not having been able, in my life, to be produced by the great Jeremy Thomas, and I say a very moved goodbye to him.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThomas was greatly admired and loved by fellow British producers, such as Danny Boyle\u2019s producing partner Andrew Macdonald. Macdonald told Variety that \u201cJeremy and I bonded over his father [director Ralph Thomas] and my grandfather both producing films for Rank in the 1950s. He was a hero for me. A rebel with taste.\u201d\u00a0Macdonald\u2019s grandfather was Emeric Pressburger, the co-writer, co-director and producer of \u201cThe Red Shoes\u201d and \u201cBlack Narcissus,\u201d among other classics.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tProducer Stephen Woolley, whose credits include Oscar-nominated films like \u201cThe Crying Game\u201d and \u201cCarol,\u201d told Variety that Thomas was a \u201ccolossus.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWoolley said, \u201cI first met the maverick and international producer in Tokyo at a buyers\u2019 screening of his movie \u2018Merry Christmas Mr. Lawrence.\u2019 Jeremy Thomas was the person in 1981 in Japan who didn\u2019t suggest but insisted that I be a film producer!!!! He was a huge inspiration and a massively undervalued genius and necessary rebel in our industry\u2026 he sided with the subversives and movie anarchists and we loved him dearly\u2026 and I have to thank him for my career following in similar footsteps avoiding nationalistic stereotypes and embracing the world of cinema.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cAs a distributor, I released most of his eighties films including Oshima\u2019s \u2018Merry Christmas Mr. Lawrence,\u2019 Frears\u2019 \u2018The Hit,\u2019 Roeg\u2019s \u2018Insignificance,\u2019 Bertolucci\u2019s \u2018Sheltering Sky\u2019 etc., and before that I wrote as a film pundit the cover article for the Sex Pistols movie \u2018Rock n Roll Swindle\u2019 for Time Out ( a movie I adored), which he produced with Julien Temple directing. All inspiring!!!<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cAnd his company HanWay sold a lot of our productions including \u2018Made in Dagenham\u2019 and \u2018Carol.\u2019 He wasn\u2019t just the Oscar winner of \u2018Last Emperor\u2019 (with an Italian director and Irish star set in China!) he was much, much more.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWithout Jeremy (and a little help from John Boorman) I would never have had the nerve at 27 to make \u2018The Company of Wolves\u2019 with the Irish director-writer Neil Jordan and the iconic feminist and anarchic writer Angela Carter. Jeremy showed with his first movie success \u2018The Shout\u2019 (with Polish friend and collaborator Skolimowski) that boundaries were there to be ignored or broken. And that movies are an international and all-embracing experience.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cMyself and my producing partner Elizabeth Karlsen look up to his guiding star still moving across the galaxy and inspiring filmmakers from all nations and genders with his extraordinary body of stellar work. Hoping to take guidance from a groundbreaking guru whose love of world cinema defied any easy categorization.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tProducer and publisher Charles Finch said, \u201cHe made great movies and was a loyal, dear friend. His father, Ralph, made a film with my father, Peter, called \u2018No Love for Johnnie.\u2019 We spent plenty of time talking movies, cars and praising the devilled kidneys as Wilton\u2019s.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOn social media, Edinburgh Film Festival CEO and director Paul Ridd said that the \u201closs of Jeremy Thomas is enormous, to film culture and to the world,\u201d adding that he was \u201csuch a beautiful man and a extraordinarily generous supporter\u201d of the festival. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAdrian Wootton, chief executive of Film London and the British Film Commission, said that Thomas\u2019 passing was, \u201cSuch terribly sad news for Jeremy\u2019s loved ones, family, friends, colleagues, the filmmakers and for the British Film Industry he did so much for.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAcross a career spanning more than half a century, Thomas produced 80 features, championing the work of both international cinema and daring auteur filmmakers in the process. In 1988 he won the best picture Oscar for Bertolucci\u2019s \u201cThe Last Emperor.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Tributes have begun flowing from across the film world for Jeremy Thomas, the legendary British producer who passed&hellip;\n","protected":false},"author":2,"featured_media":622926,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[321,93,61,60,264564],"class_list":["post-622925","post","type-post","status-publish","format-standard","has-post-thumbnail","category-celebrities","tag-celebrities","tag-entertainment","tag-ie","tag-ireland","tag-jeremy-thomas"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/622925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=622925"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/622925\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/622926"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=622925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=622925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=622925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}