{"id":625213,"date":"2026-09-15T08:54:07","date_gmt":"2026-09-15T08:54:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/625213\/"},"modified":"2026-09-15T08:54:07","modified_gmt":"2026-09-15T08:54:07","slug":"astrophysics-study-suggests-venus-may-have-swallowed-its-moon","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/625213\/","title":{"rendered":"Astrophysics Study Suggests Venus May Have Swallowed Its Moon"},"content":{"rendered":"<p>From a distance, it looks as though a giant spaceship has just landed in the palm tree-dotted streets near downtown Los Angeles. <\/p>\n<p>It could also be a wide-canopied tree or a low passing cloud &#8212; but for its Chinese architect Ma Yansong, as long as the building &#8220;sparks curiosity&#8221;, he&#8217;s achieved his purpose. <\/p>\n<p>Over the past two decades, Ma has created dozens of visually striking projects in his home country and abroad, integrating nature with sleek, modern designs. <\/p>\n<p>In some ways, his seemingly sci-fi-inspired style is a perfect match for his newest project opening on September 22, the Lucas Museum of Narrative Art in Los Angeles, founded by &#8220;Star Wars&#8221; creator George Lucas and his wife, Mellody Hobson. <\/p>\n<p>&#8220;The building takes on a futuristic feel that generates excitement,&#8221; Ma told AFP at the Beijing office of MAD Architects, the firm he established in 2004. <\/p>\n<p>&#8220;When people visit the Lucas Museum, they will each bring their own unique perspectives,&#8221; said the 50-year-old, who last year was included on Time magazine&#8217;s list of the 100 most influential people. <\/p>\n<p>&#8220;They might catch a beam of light, see it cutting through the building, glimpse the clouds, the sky, or even the cosmos. <\/p>\n<p>&#8220;This sparks curiosity and new ideas &#8212; and those diverse thoughts are incredibly valuable.&#8221; <\/p>\n<p>&#8211; Mountains and water &#8211; <\/p>\n<p>A Beijing native, he grew up in a courtyard house typical of the &#8220;hutong&#8221; alleyways that crisscross the historic center of China&#8217;s capital city. <\/p>\n<p>&#8220;There was a very close connection to nature,&#8221; he said, recalling the trees and small pockets of open space interspersed in hutong neighborhoods. <\/p>\n<p>Later, he went overseas to train as an architect, graduating from the Yale School of Architecture and working briefly at the studio of acclaimed Iraqi-British designer Zaha Hadid. <\/p>\n<p>Ma and his firm have conceptualized landmark works all over China, including the Harbin Opera House, a vast, swooping structure perched dramatically on the banks of the frigid Songhua River. <\/p>\n<p>Abroad, his notable projects include a pair of twisting residential buildings called the &#8220;Absolute Towers&#8221; near Toronto, Canada, and a migration-themed museum that opened last year in Rotterdam, the Netherlands. <\/p>\n<p>Ma&#8217;s architectural vision draws inspiration from traditional Chinese paintings known as &#8220;shanshui&#8221;, or &#8220;mountains and water&#8221;, usually depicting natural scenery. <\/p>\n<p>The Lucas Museum is closely interwoven with its external environment by lawns, trees, running water and a roof covered in vegetation and solar panels. <\/p>\n<p>&#8220;If you look at a Chinese garden, it is a completely natural environment, even though it is artificially designed,&#8221; Ma told AFP. <\/p>\n<p>&#8220;There is a global conversation (now) about ecology and how to bring people closer to nature, yet I find that traditional Eastern architecture mastered this long ago,&#8221; he said. <\/p>\n<p>&#8211; People-centered architecture &#8211; <\/p>\n<p>Ma told AFP that he embraces what he calls a &#8220;major shift&#8221; in architecture towards placing people, rather than the buildings themselves, at the center of the design concept. <\/p>\n<p>&#8220;We aren&#8217;t using architecture to flaunt wealth or power,&#8221; he said. <\/p>\n<p>Although many of MAD&#8217;s clients wield significant financial resources, Ma said his focus is not merely to impress, but also to create &#8220;uniquely valuable space for people to enjoy&#8221;. <\/p>\n<p>MAD&#8217;s Beijing office is located in the heart of a hutong neighborhood near where Ma attended school in his youth. <\/p>\n<p>&#8220;I like these small streets, with their trees, the people walking by and that certain atmosphere of everyday urban life,&#8221; he said. <\/p>\n<p>Ma said when he designs a building he wants to make sure it gives &#8220;freedom of movement&#8221; to residents &#8212; a concept which drove his design of the Baiziwan Social Housing project in Beijing, a subsidized residential compound for low-income communities. <\/p>\n<p>&#8220;Many low-income individuals feel they cannot integrate into the city,&#8221; said Ma. <\/p>\n<p>&#8220;Often, such housing is walled off, isolating residents,&#8221; he said, adding: &#8220;It&#8217;s a psychological barrier &#8212; they feel the city doesn&#8217;t accept them.&#8221; <\/p>\n<p>Unlike the closed, block-like apartments that have sprung up in Chinese cities during decades of rapid urbanization, Baiziwan features an open layout with an elevated garden level and a design that optimizes sunlight. <\/p>\n<p>Ma said he doesn&#8217;t want his buildings &#8220;to be a palace or a temple-like structure that demands reverence&#8221;. <\/p>\n<p>&#8220;I want it to be open, a place where everyone feels they are the masters of the city.&#8221; 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