{"id":631461,"date":"2026-09-21T14:08:15","date_gmt":"2026-09-21T14:08:15","guid":{"rendered":"https:\/\/www.newsbeep.com\/ie\/631461\/"},"modified":"2026-09-21T14:08:15","modified_gmt":"2026-09-21T14:08:15","slug":"perfect-posture-moma-exhibition-explores-perspectives-on-body-politics-in-public-spaces-the-art-newspaper","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/ie\/631461\/","title":{"rendered":"Perfect posture? MoMA exhibition explores perspectives on body politics in public spaces – The Art Newspaper"},"content":{"rendered":"

Between 1972 and 1977, the German photographer Marianne Wex (1937-2020) captured postures on the streets of her hometown, Hamburg, focusing on arms, legs, heads, hands and feet. Drawing on other visual sources, such as books, newspapers, advertisements, and film and television stills, she organised the images by types of body language to create her influential work Let\u2019s Take Back Our Space: \u2018Female\u2019 and \u2018Male\u2019 Body Language as a Result of Patriarchal Structures<\/a>.<\/p>\n

Wex\u2019s piece was acquired by New York\u2019s Museum of Modern Art (MoMA) in 2018 and is the starting point for Taking Back Our Space: Photographic Perspectives. The show aims to create a dialogue between Wex\u2019s project and the work of contemporary artists who use photography to analyse the relationship between space, bodies and intersectional feminist perspectives.<\/p>\n

For Roxana Marcoci, the acting chief curator of photography at MoMA, Wex\u2019s project can be read not only as a landmark in feminist art but also as a framework for rethinking the politics of the body and space. \u201cI was interested in the new conversations it could generate,\u201d she says. \u201cIf Wex exposed the social production of gender through the choreography of the body in public space, the contemporary artists gathered here expand that inquiry through intersectional perspectives attentive to race, colonialism, Indigenous sovereignty, sexuality and self-representation.\u201d<\/p>\n

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A panel from Marianne Wex’s Let’s Take Back Our Space: ‘Female’ and ‘Male’ Body Language as a Result of Patriarchal Structures (1977) \u00a9 2024 Marianne Wex; courtesy of the Museum of Modern Art, New York; photo: Jonathan Muzikar<\/p>\n

The seven artists in the exhibition are: Nona Faustine, who uses her body to highlight locations marked by histories of enslavement and racial violence; Martine Gutierrez, who merges the roles of artist, editor, model and creative director to challenge who has the authority to construct identity; Joiri Minaya, whose work dismantles the visual languages that have long exoticised and commodified women and the Caribbean; Yuki Kihara, whose photographs featuring Indigenous Samoan fa\u2019afafine models shift the narrative from a colonial gaze to self-representation; Wendy Red Star, who transforms archives into spaces for living Indigenous memory rather than colonial classification; and K8 Hardy and Paulina Olowska, whose works investigate how gender and identity are continually performed and rewritten through the body and gesture.<\/p>\n

Questions of public space and gender fluidity remain dominant in political debates; the issues Wex\u2019s project identified 50 years ago are not a thing of the past but have altered, taking on new complexities. \u201cIn this sense, the scope of the exhibition is not simply reaffirming Wex\u2019s historical importance,\u201d Marcoci says. \u201cIt asks what her project makes possible today and establishes a critical framework that artists continue to test, complicate and extend.\u201d<\/p>\n

\u2022 Taking Back Our Space: Photographic Perspectives<\/a>, Museum of Modern Art, New York, 20 September-2 May 2027<\/p>\n","protected":false},"excerpt":{"rendered":"Between 1972 and 1977, the German photographer Marianne Wex (1937-2020) captured postures on the streets of her hometown,…\n","protected":false},"author":2,"featured_media":631462,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[307,304,305,306,308,93,4197,61,60,51202,4320,266,103749],"class_list":["post-631461","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-artsanddesign","tag-artsdesign","tag-design","tag-entertainment","tag-exhibitions","tag-ie","tag-ireland","tag-museum-of-modern-art-new-york","tag-new-york","tag-photography","tag-women-artists"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/631461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/comments?post=631461"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/posts\/631461\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media\/631462"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/media?parent=631461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/categories?post=631461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/ie\/wp-json\/wp\/v2\/tags?post=631461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}