Beyond the monumental walls and immersive public works, HOXXOH’s studio is a laboratory of process. It is here, away from scaffolding and skyline, that five distinct bodies of work continue to evolve. Each series deepens his investigation into gravity, rhythm, empathy, and abstraction. Together, they form the structural backbone of his practice.
1. Aerosol: Precision Within Atmosphere
HOXXOH’s aerosol studio works distill the essence of his Portal Murals into an intimate scale. By working exclusively with spray paint, he isolates and intensifies the mechanics of mark making.
These compositions move between control and release. Organic abstractions unfold through layered bursts of pigment, building intricate patterns that feel cellular and atmospheric at once. Without the architectural constraints of a wall, the aerosol works become concentrated studies in motion, density, and breath.
HOXXOH Studio Practice. Image copyright HOXXOH
2. Gravity Mapping: Visualising the Invisible
In the Gravity Mapping series, HOXXOH turns toward cosmology. These works translate unseen forces into visible structure, offering abstract interpretations of gravitational pull and orbital motion.
Swirling formations and interwoven geometries suggest celestial bodies in constant negotiation. Lines curve and spiral as though drawn by invisible tides. Complex compositions emerge from repetition and tension, creating visual systems that feel expansive yet contained.
Gravity Mapping is less about depiction and more about perception. It asks how we might see what quietly governs everything.
HOXXOH Studio Practice. Image copyright HOXXOH
3. Pendulum: Motion as Author
The Pendulum works introduce a literal surrender to physics. Paint is suspended and set into motion, allowing gravity and oscillation to guide its trajectory across the surface.
The resulting lines are fluid and continuous, shaped by tempo rather than hand. Each swing records time. Each arc captures movement in its purest form.
This series is as much about physical engagement as aesthetic outcome. The act of creation becomes embodied. The studio transforms into a space where motion writes its own language.
HOXXOH Studio Practice. Image copyright HOXXOH
4. Selfless Portrait: Empathy in Abstraction
The Selfless Portrait series introduces figuration through stencils and transfer techniques. Unlike traditional portraiture, these works shift focus from identity to relationship.
Subjects are rendered through layered abstraction, dissolving the boundary between representation and atmosphere. The term “selfless” signals a movement away from ego, toward empathy. The artist, subject, and viewer exist in shared space. The portraits carry quiet intensity. They ask for reflection rather than recognition.
HOXXOH Studio Practice. Image copyright HOXXOH
5. Transfers: Embracing Imperfection
The Transfer works expand HOXXOH’s exploration of unpredictability. Through tactile manipulation of paint, forms are dragged, pressed, and relocated across surfaces.
Unexpected glitches become compositional anchors. Distortions are preserved rather than corrected. The result is an organic interplay between space and structure.
These works often act as foundations for larger mural concepts, bridging studio experimentation with architectural scale.
HOXXOH Studio Practice. Image copyright HOXXOH
Process as Philosophy
Across these five series, a consistent thread emerges as HOXXOH treats technique as inquiry. Tools are collaborators, gravity is co-author and repetition becomes language.
The studio functions as an engine, where experimentation refines instinct, where large-scale public gestures begin as intimate investigations into movement and force. His five studio bodies of work reveal an artist less concerned with surface and more invested in the systems beneath it.