On the latest Dolby Creator Podcast, Academy Award-nominated cinematographer Darius Khondji discusses his work on “Marty Supreme.”
In the episode, Khondji talks about his visual approach with director Josh Safdie, from shooting on film with classic anamorphic lenses and expressive close-ups to building a richly textured 1950s world through production design, lighting, and color. Khondji states that anamorphic can be very minimal, but the important thing is the way it renders close-ups; it makes people bigger than life, as black and white does. He goes on to say that he wanted to create a feeling of the old classic anamorphic of the fifties.
“Marty Supreme” is now available for at-home purchase or rental, as well as in select theaters, in Dolby Vision and Dolby Atmos. https://a24films.com/films/marty-supreme
Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with over 35 years’ of experience working in more than 50 countries around the world.
He is the Editor of Newsshooter.com and has been writing on the site since 2010.
Matthew has won 51 ACS Awards, including six prestigious Golden Tripods. In 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards.
Matthew is available to hire as a DP in Japan or for work anywhere else in the world.