The Via Ferrara project introduces a new level of ambition and a more explicitly anti-systemic slant to this coherent research – Ferrario speaks of “necessary anarchism”.
Their intervention on the courtyard house stands out for its spatial intelligence – the rediscovery of an enfilade of rooms on the ground floor, for example – and stylistic refinement – with the analogical combination of materials and components, virtually devoid of synthesis, recalling experiments in Belgian architecture of the last decade.
Its antecedents share these qualities, but here they come with a more profound questioning of the process.