A global mindset is critical to achieving success in today’s fashion industry, and Friday night at The Glasshouse on Manhattan’s West End, LIM students traversed cultural and, in some cases, celestial borders, producing their 81st annual runway show with the theme “Global Fashion Fusion.”

Ownership of the New York-based college transitioned from the Marcuse family to the Japan Educational Foundation in December, so for the first time designs by home-field talent walked the runway alongside those from recent graduates at sister school ESMOD France. And spotlighting a third school in JEF’s portfolio, television screens greeted parents and faculty at the event’s entrance playing animated shorts by Mode Gakuen students in Japan.

A model walks the runway wearing a look by Nicole Miller during LIM College's 81st Annual Fashion Show "Global Fashion Fusion" at The Glasshouse on April 10, 2026 in New York City.

A look by Nicole Miller during the “Starry Romanticism” segment.

Sean Zanni/Getty Images/ Courtesy of LIM

“This year, we’re really highlighting the alignment of LIM and JEF post acquisition,” said college president Ron Marshall ahead of his opening remarks, “because fashion doesn’t just start in Milan or Paris anymore. It starts in Seoul. It starts in Tokyo. And it starts here in New York.” 

While that might be true, this evening, the fashion started off in space. At about the same time Artemis II was re-entering Earth’s orbit, “Starry Romanticism” kicked off seven segments with looks styled by students from the archives of LIM mentor Nicole Miller. Meanwhile, Amazon, the event’s presenting sponsor, contributed to the second segment “Ballroom Division” before “Apocalyptic Erosion,” featuring work from the LIM student designers.  

A model walks the runway wearing a look by LIM student designers Dylan Lippis, Carlos Thompson, and Darius Rush during LIM College's 81st Annual Fashion Show "Global Fashion Fusion" at The Glasshouse on April 10, 2026 in New York City.

A look by LIM student designers Dylan Lippis, Carlos Thompson, and Darius Rush in the “Apocalyptic Erosion” segment.

Sean Zanni/Getty Images/ Courtesy of LIM

Backstage, junior Dylan Lippis said he and two friends took a “streetwear approach” for their distressed bomber jacket and shorts, adding “we just wanted our character to look like he was attacked by zombies.”

Design Club director Miranda Martinez, however, was inspired directly by her source materials: errant scraps of chiffon, net and canvas that she said she had no use for until receiving this assignment. “I wanted my model to give the idea that she had to scavenge for what she’s wearing because, being in the apocalypse, you have to look for anything you can find.”

A model walks the runway wearing a look by LIM student designer Miranda Martinez during LIM College's 81st Annual Fashion Show "Global Fashion Fusion" at The Glasshouse on April 10, 2026 in New York City.

A look by LIM student designer Miranda Martinez in the “Apocalyptic Erosion” segment.

Sean Zanni/Getty Images/ Courtesy of LIM

Emerging from the doom and gloom, the next two segments, “The New Order” and “After the Ashes” came courtesy of ESMOD France. And one needn’t refer to the run-of-show to see that– the former channeled Marie Antoinette with macaron shades, pearl beading and jacquard throughout, while the latter conjured a more severe image of haute Parisian glamour reminiscent of ’80s Alaïa or Mugler. 

According to LIM senior vice president and chief growth officer Danielle Yannotta, “having ESMOD France here taking part really elevates everything to an entirely new level.”

A model walks the runway wearing a look by ESMOD France student designer Clara Pontille and a handbag designed by ESMOD France student Maela Ziegler during LIM College's 81st Annual Fashion Show "Global Fashion Fusion" at The Glasshouse on April 10, 2026 in New York City.

A look by ESMOD France student designers Clara Pontille and Maela Ziegler in the “The New Order” segment.

Sean Zanni/Getty Images/ Courtesy of LIM

Founded in 1841, ESMOD is the world’s oldest fashion design school, so “we’re taking all of their expertise in design and pairing it up with our LIM students who are more focused on the business of fashion,” said Yannotta. “They’ve executed all of the business elements of the show, from visual to production to music, marketing, you name it.”

A model walks the runway wearing a look by ESMOD France student designer Marion Badin during LIM College's 81st Annual Fashion Show "Global Fashion Fusion" at The Glasshouse on April 10, 2026 in New York City.

A look by ESMOD France student designer Marion Badin in the “After the Ashes” segment.

Sean Zanni/Getty Images/ Courtesy of LIM

To conclude, patchwork denim pieces by Veronica Fletcher for Sonny Michael walked “Heritage and High Fashion,” culminating in “The Art of Elegance” with evening dresses also available on Amazon. 

In this segment, cancer survivor Jenna Tomasiewicz donned a pink floor-length ensemble clutching a flower-shaped handbag. Tomasiewicz is a member of the Verma Foundation, LIM’s philanthropic partner for the third consecutive year. Founded by Natasha Verma, the nonprofit provides free caps and wigs to those dealing with hair loss as a result of chemotherapy treatment.

A model walks the runway wearing items available in Amazon Fashion stores during LIM College's 81st Annual Fashion Show "Global Fashion Fusion" at The Glasshouse on April 10, 2026 in New York City.

A look featuring pieces available on Amazon in the “The Art of Elegance” segment.

Sean Zanni/Getty Images/ Courtesy of LIM

Verma, busy anchoring the evening news on Fox5NY, breezed in just in time to catch the finale. Applauding the models and students as they strutted by, she said “It’s gorgeous and so futuristic, which I love.”