2. Love in Disguise: the secretary has a secret

The hidden-identity trope built half of classic K-drama history, and Love in Disguise has brought it roaring back with a murder mystery attached.

Yim Si-wan plays Yoon Yi-jun, an arrogant third-generation chaebol heir who is now a murder suspect. Seol In-ah plays Kang Jae-hee, an ex-special-forces detective who goes undercover as his personal secretary under a completely new identity. They are stuck together around the clock, she is investigating him, and her heart did not get the memo about professional boundaries.

The clever part is the double deception. She is lying about who she is; he might be lying about what he did. That means the romance and the mystery run on the same fuel, trust, and every tender moment comes with a nagging question about whether she is falling for a killer. Yim Si-wan is perfectly cast here: he has made a career of faces you cannot quite read, so you will spend twelve episodes arguing with yourself about his innocence. Seol In-ah, meanwhile, gets to be the muscle for once, and her undercover look went viral before episode one even aired. Bodyguard-style proximity, suspect-versus-detective sparks and a ticking murder plot? It is three of K-drama’s favourite tropes stacked on top of each other, and it knows exactly what it is doing.

4. Take Charge of My Heart

We have had fated lovers, contract lovers and enemies-to-lovers. Take Charge of My Heart invents charger-to-lovers.

Kim Young-kwang plays Baek Ho-rang, a cold billionaire resort heir living on a failing artificial heart. Chae Soo-bin plays Bo-bae, a struggling scriptwriter about to turn 30, from a family of judo and taekwondo champions, whose skin happens to give off freakish amounts of static electricity. His heart battery charges whenever she is within 10 metres. Naturally, he hands her a massive contract, moves her into a converted garage exactly 10 metres from his bedroom, and schedules a 7:30 a.m. recharge. Romance, apparently, is a utility bill.

It takes the oldest K-drama line, “I can’t live without you”, and makes it medically true. The 10-metre rule is just the classic contract-romance setup with physics attached, forcing two people who cannot stand each other into constant proximity. Every hug makes his smartwatch beep, which might be the most honest love meter in drama history. It also has a sneaky meta streak: Bo-bae is a writer stuck on her own romance script, so she keeps scribbling down the clichĂ©s she is living through. Add her family of gold-medal athletes as the comic chorus and Kim Young-kwang going full heart eyes, and you get a pure comfort watch. Fair warning: reviewers note the ending skips over one or two plot holes, but by then you will be too charmed to care.

5. A Love Other Than Yours

Most K-dramas end at the first kiss. A Love Other Than Yours starts a decade after it, and it is messy about what comes next. And we’re not exaggerating, when we say it hurts.

Seo Kang-jun and Ahn Eun-jin play Namgoong Ho and Lee Mi-do, who met at age seven and have been dating for ten years. He is a charming confectionery-company manager who assumes marriage is the obvious next step. She is a film director in a career slump who starts to feel that his love only highlights her own inadequacy. There’s ambitious lawyer (Lee Joo-ahn) and a guarded coworker (Jo Aram), and suddenly the comfiest couple on TV is asking whether they stayed together out of love or habit.

There’s confusion, frustration and sadness as our couple struggles to understand what love really means after 10 years. What has life done to them?

Lakshana is an entertainment and lifestyle journalist with over a decade of experience. She covers a wide range of stories—from community and health to mental health and inspiring people features.

A passionate K-pop enthusiast, she also enjoys exploring the cultural impact of music and fandoms through her writing.