Witch Ripper – Through the Hourglass Review
Few things at AMG Industries make us prouder than watching bands once scrutinized under AMG’s Unsigned Band Rodeö…
Palo Alto Networks Completes Acquisition of Koi to Secure the Agentic Endpoint
Closing the AI security gap as new frontier models and coding agents expand the enterprise attack surface SANTA…
The Gold Grand Seiko Spring Drive UFA SLGB006 Ice Forest at Dawn
Last year was a watershed moment for Grand Seiko with its announcement of the world’s “most accurate mainspring-driven…
Leila Abdul-Rauf – Andros Insidium Review
You may not recognize her name if you don’t follow her solo work, but Leila Abdul-Rauf is an…
Review: Growth – Under the Under
Published by Clay on 2026/04/122026/04/12 Artwork by Tristan Barnes Style: Progressive death metal, technical death metal, experimental death…
Osmium Gate – Cannibal Universe Review
Of all the discouraging and difficult elements contributing to people having appallingly bad taste not being into metal,…
Mirror of Deception – Transience Review
As much as metal is a niche interest (at least in my part of the world), it is…
Miserere Luminis – Sidera Review
Montreal atmoblack trio Miserere Luminis returns with third album, Sidera, boasting lush atmospheres and enormous feels. Formed back…
Non Est Deus – Blessings and Curses Review
To receive the honor of reviewing duties for Noise’s latest as a superfan of his output is an…
The Tissot x Pinarello Special Edition
Tissot has long been deeply connected to the world of cycling, serving as an official timekeeper for major…
Archspire – Too Fast to Die Review
After no less than three albums’ worth of glowing praise from my great predecessor Kronos, it’s safe to…
Foghazer – He Left the Temple Review
Black metal’s wide-ranging milieu encompasses many sub-genres—1st wave, 2nd wave, raw, symphonic, atmospheric, post—the list goes on. One…