Argentine couple to return Nazi-looted painting to rightful owner
A painting which was stolen by the Nazis and only recovered in Argentina last year must now be…
Lens Flare and Modern Optical Physics
A bare, uncoated air-to-glass surface sends roughly 4 percent of the light striking it back the way it…
Long-term foreign resident exhibits 50 years of photography in Korea
A poster for Tom Coyner’s photo exhibition / Courtesy of Tom Coyner After half a century spent living…
The Lucas Museum of Narrative Art: See inside George Lucas’ museum
Los Angeles — In the gardens of the long-awaited Lucas Museum of Narrative Art, a 19th-century cast of Antonin…
paul clemence on shanghai’s skyscraper crowns
“Cities, like dreams, are made of desires and fears, even if the thread of their discourse is…
Flash vs Continuous Light for Portraits
The question of flash versus continuous light comes up constantly, and the honest answer sits somewhere between “barely…
Mr. Fool Moves a Mountain / Schwartz and Architecture
© Bruce Demonte + 12 Curated by Susanna Moreira Share Share Facebook Twitter Mail Pinterest Whatsapp Or https://www.archdaily.com/1183499/mr-fool-moves-a-mountain-schwartz-and-architecture…
How Deniz Güney is bringing generative AI into interior design with DecorAI
While much of the AI industry competes to build general-purpose assistants, a different kind of company is betting…
‘You’re looking at the artist’s mind working’: Marvels of the National Gallery’s works on paper – The Irish Times
According to Henri Matisse, “painting and drawing say the same thing”, but “a drawing is a painting made…
when the power goes out, how can the architecture keep a house cool?
COOLING MOVES BACK INTO THE HOUSE At Jalmanjar Farmhouse outside Ahmedabad, cooling begins with a perforated facade…
Twenty Photoshop Updates You Probably Missed
Photoshop’s autofocus point checker inside Camera Raw 18.6 shows you exactly which points your camera locked onto, so…
Domus 1115 hits the shelves
The regular columns follow: Simona Bordone, in Domus Archive, resurfaces Lisa Ponti’s piece on Alan Sonfist (Domus…