Smoulder – Witch Wife in an Alien World Review
On third album, Witch Wife in an Alien World, Smoulder sounds confident and uniquely themselves as they wield…
Netherwilds – Peasant Rising Review
When 2026 started, I had no history with indie rock group Tokyo Police Club’s frontman David Monk or…
Eternal Drak – The Violence of Time Review
I’ve wrestled with this intro more than I typically do. There’s a joke in here somewhere about how…
Eaten by Sharks – The Undertow of Hate Review
In his review of Eaten by Sharks’s debut, Eradication, Carcharodon mollified readers about the dangers of sharks by…
Apogean – Waste Where Life Begins Review
In the game of reviews, expectations can either be a blessing or a curse. Whichever way they fall,…
Volubilis – Theasterion Review | Angry Metal Guy
Tech death is a saturated field crowded with artists determined to out-noodle each other. It can be great…
Goreworm – Miasmic Solitude Review
After releasing debut LP Prodigy of the Grotesque in 2020, Canada’s Goreworm re-emerges from their burrow with follow-up…
Atavistia – Old Gods Awaken Review
Melodic death metal had a banner year in 2025, brandishing outstanding releases from Aephanemer, Vittra, Buried Realm, Aversed,…
Crown Lands – Apocalypse Review
Rush is my all-time favorite band, so their 2015 hiatus, brought on by Neil Peart’s declining health hit…
Spell – Wretched Heart Review
There’s a certain kind of music that sits at the crossroads of 70s rock, Goth, and classic heavy…
Miserere Luminis – Sidera Review
Montreal atmoblack trio Miserere Luminis returns with third album, Sidera, boasting lush atmospheres and enormous feels. Formed back…
Archspire – Too Fast to Die Review
After no less than three albums’ worth of glowing praise from my great predecessor Kronos, it’s safe to…