‘Widow’s Bay’ Production Design Episode 2 Hotel
Tim Baltz in clown makeup is scary enough, but “Widow’s Bay” isn’t a show that does things by…
Rare ‘Star Wars: Attack of the Clones’ 70mm IMAX footage preserved
When George Lucas‘ “Star Wars Episode II: Attack of the Clones” was given an IMAX 70mm release in…
‘Leviticus’ Is an Australian Gothic — Costume Design Interview
‘Leviticus’ Is an Australian Gothic — Costume Design Interview
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Making ‘The Invite’ Apartment — Production Design Interview
Unless you’re mired in the billionaire sociopathy of a “Succession,” all living spaces say something about the people…
The ‘Survivor 50’ Camera Team Talks Behind The Scenes Cinematography
There isn’t a Reality TV Super Bowl — yet. But arguably the closest we’ve come is “Survivor 50,”…
Game Changer Season 8 Premiere — Making Of Its Giant Lawyer
With seven seasons under its belt and an eighth getting underway, the premise of Dropout’s “Game Changer” —…
Inside the Silver Slipper Strip Club
When “Euphoria” creator Sam Levinson introduced the new season at its Hollywood premiere, he acknowledged the influence of…
How ‘The Bride!’ Uses IMAX Like No Other Film
When Maggie Gyllenhaal started prep on “The Lost Daughter,” one of the first things she and cinematographer Hélène…
Baz Luhrmann Toolkit: ‘EPiC: Elvis Presley in Concert’
Baz Luhrmann Toolkit: ‘EPiC: Elvis Presley in Concert’
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This Week, Very Important BTS
Happy 2026, y’all! This is also going to be a shorter newsletter, since we’re kind of in the…
James Cameron and His Team on ‘Avatar: Fire and Ash’ Methodology
When it comes to filmmaking collaborations, one doesn’t typically think of the composer working closely with the production…
‘Predator: Badlands’ Weta Interview: Performance Capture and Animation
Wētā has done a lot of different motion capture and creature performances since the days of Andy Serkis…