{"id":114605,"date":"2025-11-04T09:16:08","date_gmt":"2025-11-04T09:16:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/il\/114605\/"},"modified":"2025-11-04T09:16:08","modified_gmt":"2025-11-04T09:16:08","slug":"mobb-deep-infinite-rapreviews","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/il\/114605\/","title":{"rendered":"Mobb Deep :: Infinite \u2013 RapReviews"},"content":{"rendered":"<p>With the arrival of a new Mobb Deep album, I found myself revisiting the Mobb\u2019s shinier, more expensive-sounding albums, \u201cInfamy\u201d, \u201cAmerikaz Nightmare\u201d and \u201cBlood Money\u201d, and they\u2019re not as bad as I recalled. They just feel slightly bizarre when you consider what came before and what transpired later in their career. Their ability to craft, convey and narrate from the underbelly of New York started to dissipate into a sea of riches and bitches. That statement could be assigned to most rappers with a classic 90s LP, but with Mobb Deep it\u2019s all the more noticeable. That\u2019s not to say those albums weren\u2019t good, because they certainly had their moments, but Havoc and Prodigy\u2019s brand is grimy, dangerous and cinematic. \u201cHell On Earth\u201d was truly menacing. \u201cThe Infamous\u201d remains a haunting masterpiece. \u201cMurda Muzik\u201d successfully married their personalities to the mafioso wave. Aside from Prodigy\u2019s solo output \u2013 that feels wholly underappreciated (I maintain that 2008\u2019s conceptual \u201cProduct of the 80s\u201d is his best work outside of the Mobb\u2019s 90s run) \u2013 Mobb Deep albums haven\u2019t been particularly strong for a long time. With \u201cInfinite\u201d, the first Mobb Deep album in eleven years (and the first posthumous one since Prodigy passed in 2017), we\u2019re treated to a record that understands why Mobb Deep are great in the first place. Freed from the formula that labels utilised at the time, there\u2019s no track for the ladies, no track for the club \u2013 just how it should be. <\/p>\n<p>Unlike Gang Starr\u2019s \u201cOne of the Best Yet\u201d, this album rarely feels stitched together. Prodigy sits naturally alongside Havoc as if he were there in the studio for each song. Many times, Prodigy sounds too good, as if he has been frozen in time. Rumours of AI usage aren\u2019t particularly far-fetched, considering Nas\u2019 <a href=\"https:\/\/www.cnbc.com\/2016\/02\/06\/nas-is-likehalf-man-half-venture-capitalist.html\" rel=\"nofollow noopener\" target=\"_blank\">investments in AI technology<\/a> firms like LANDR, the infamous Wu-Tang Clan video for <a href=\"https:\/\/www.youtube.com\/watch?v=ZBTb_xJBh5c\" rel=\"nofollow noopener\" target=\"_blank\">\u201cMandingo\u201d<\/a>, and Raekwon\u2019s awful AI-generated video for <a href=\"https:\/\/www.youtube.com\/watch?v=6fm5x7zfpXI\" rel=\"nofollow noopener\" target=\"_blank\">\u201c600 School\u201d<\/a>. Hell, the earliest known rapper to dabble with artificial intelligence is Prodigy himself. Back in 2008, the software company <a href=\"https:\/\/www.wired.com\/2008\/01\/prodigy-2\/\" rel=\"nofollow noopener\" target=\"_blank\">Voxonic partnered with Prodigy<\/a> to use his voice, which he said \u201csounds incredible\u201d. It probably explains why there are so many AI voice generators online for the Mobb Deep star. Interviews with Havoc and Alchemist indicate the verses for \u201cInfinite\u201d have been resurrected from old recordings, and have categorically said the album isn\u2019t using AI-generated verses, but AI was definitely used in the visualizer for the track \u201cTaj Mahal\u201d. Prodigy sounds slower than usual, but the rest of the record doesn\u2019t reveal further AI implementation. If it has been used, then it\u2019s been done very subtly. <\/p>\n<p>Speaking of \u201cTaj Mahal\u201d, which <a href=\"https:\/\/www.youtube.com\/watch?v=e_qNi_zNLOc&amp;t=1667s\" rel=\"nofollow noopener\" target=\"_blank\">hasn\u2019t been knocked down<\/a>, The Alchemist brought us back to the \u201c1st Infantry\u201d days when he would use those sped-up vocal snippets and build something mesmeric. Good Lord. He killed it. Alchemist also laces \u201cScore Points\u201d, \u201cMy Era\u201d and the vicious \u201cGunfire\u201d, which Havoc shows he\u2019s no slouch:<\/p>\n<p>\u201cUh, word on \u0435verything<br \/>Asthma attack n****s with that heavy breathe<br \/>Quiet mouse n****s get it, he ain\u2019t even said a thing<br \/>Legendary motherfuckers gon\u2019 remember me<br \/>Even if you got that Alzheimer\u2019s<br \/>Piss on n****s like a panty liner<br \/>These wack rappers couldn\u2019t even have me more liver<br \/>Gun don\u2019t bust, these little n****s try to try ya<br \/>Wise shoot first, question last<br \/>Talkin\u2019 to myself, why they test you, Hav\u2019?<br \/>Oh, n****s think somethin\u2019 sweet<br \/>They mute when the gutter speak<br \/>You cowards got them little guns<br \/>My burners reach like warheads to foreheads<br \/>Meanin\u2019 they all dead, I\u2019m that forebearer<br \/>First to let you know we livin\u2019 in a soft era\u201d<\/p>\n<p>On paper, it\u2019s unremarkable, but in audio form, it\u2019s confrontational as fuck. By the time you get to \u201cEasy Bruh\u201d, it\u2019s apparent this isn\u2019t just any posthumous rap album. Where\u2019s the disjointed, offkey blends of old vocals and new beats? Where\u2019s the differing vocal inflection that an emcee with deteriorating health has in their final years? This isn\u2019t that at all. <\/p>\n<p>Hearing Havoc mention \u201cyou\u2019ll be sat down like Covid\u201d alongside Prodigy, who has no clue what Covid even is, made me miss Prodigy even more. It\u2019s these little lines that lend \u201cInfinite\u201d its relevance \u2013 this isn\u2019t just two old-timers banging on about their early years slinging crack. This feels modern. Sure, there\u2019s plenty of posturing, but it captures the best of the Mobb Deep experience without feeling like its stuck in the past. Havoc\u2019s production, often underrated, is completely different to his peak, yet he goes toe-to-toe with Alchemist and often outdoes him. <\/p>\n<p>Rap nerds will appreciate hearing nods to Boogie Down Productions\u2019 \u201cJimmy\u201d and Nas\u2019 \u201cDoo Rags\u201d on \u201cThe M. The O. The B. The B.\u201d. Anyone who insists on eulogising the 1990s is well served by \u201cMy Era\u201d and \u201cPour the Henny\u201d. The former is a reminder of how spoilt we were in the late 1990s, and the latter is more reflective, with Nas paying his respects shortly after Prodigy\u2019s verse:<\/p>\n<p>\u201cYou could be bored to death or either die laughin\u2019<br \/>Both while you still livin\u2019, hopeful in high fashion<br \/>Talk what I been through in life, what I encountered<br \/>It\u2019s sorta like blowin\u2019 a trumpet, makin\u2019 announcements<br \/>A sermon that\u2019s disturbin\u2019 to a serpent<br \/>A blessin\u2019 to anyone in attendance as soon as you hear the verbiage<br \/>I\u2019m mister throw your frame in a stretcher if you deserve it<br \/>Reverse prophetic, I saw your truth hittin\u2019 in verses<br \/>Whatever come out of Satan mouth is a lie perverted<br \/>It\u2019s hell out here, so keep God close on purpose<br \/>Life is a small hill to a mountain climber<br \/>I\u2019m a ten-time champion, real-life survivor<br \/>I\u2019ve been on the ropes a few times<br \/>Probably been almost smoked a few times<br \/>But everything will evolve in due time<br \/>I know that this ending is not the end<br \/>Just some new beginnings for P, we pour out some Hen\u2019, we miss you\u201d<\/p>\n<p>\u201cDown For You\u201d with Jorja Smith is the one time the Mobb lighten up, as they revisit their Nas collaboration \u201cIt\u2019s Mine\u201d, but this time it\u2019s got a good hook. Is that a controversial take? I much prefer this.<\/p>\n<p>As a Brit, I enjoyed the \u201cwatchin\u2019 cricket with my missus\u201d line, clearly a nod to Jorja hailing from the UK, but also a flex on his international stardom. There\u2019s a second version of this track, with H.E.R. in place of Jorja, and features different verses, itself reminiscent of the Mobb\u2019s tradition of double-dipping on singles (\u201cQuiet Storm\u201d and \u201cGot It Twisted\u201d both included alternate versions on the album). <\/p>\n<p>After <a href=\"https:\/\/www.rapreviews.com\/2025\/10\/saxtronomy-orbit-together\/\" data-type=\"post\" data-id=\"57348\" rel=\"nofollow noopener\" target=\"_blank\">last week\u2019s mauling<\/a> of fully generated AI raps, there\u2019s nothing obviously amiss on \u201cInfinite\u201d that suggests the use of AI. Prodigy mispronounces Mariah Carey\u2019s name on \u201cPour the Henny\u201d, and he sounds rougher on \u201cClear Black Nights\u201d and \u201cMr. Magik\u201d, but at this point, I\u2019m nitpicking. What Alchemist and Havoc have done follows on from LL Cool J and Q-Tip\u2019s \u201cThe FORCE\u201d. This is just great Hip-Hop. The recent string of legacy acts releasing albums through Nas\u2019 Mass Appeal label has been a bit disappointing, at least to this writer, so having \u201cInfinite\u201d be a record I can play through, and do it repeatedly, feels like a pleasant surprise. I can\u2019t say the same for the Slick Rick, Raekwon or Ghostface records. It\u2019s clearly aimed at Mobb Deep fans, but it had no right to be good, let alone excellent. It\u2019s the best Mobb Deep album since \u201cMurda Muzik\u201d. <\/p>\n","protected":false},"excerpt":{"rendered":"With the arrival of a new Mobb Deep album, I found myself revisiting the Mobb\u2019s shinier, more expensive-sounding&hellip;\n","protected":false},"author":2,"featured_media":114606,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[146,85,46,409],"class_list":["post-114605","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-entertainment","tag-il","tag-israel","tag-music"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/114605","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/comments?post=114605"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/114605\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media\/114606"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media?parent=114605"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/categories?post=114605"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/tags?post=114605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}