{"id":139243,"date":"2025-11-18T05:26:11","date_gmt":"2025-11-18T05:26:11","guid":{"rendered":"https:\/\/www.newsbeep.com\/il\/139243\/"},"modified":"2025-11-18T05:26:11","modified_gmt":"2025-11-18T05:26:11","slug":"christies-opens-marquee-sales-with-double-header-sale-totaling-690-m","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/il\/139243\/","title":{"rendered":"Christie\u2019s Opens Marquee Sales With Double-Header Sale Totaling $690 M."},"content":{"rendered":"<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tOn Monday night, Christie\u2019s kicked off its fall marquee auctions with back-to-back auctions in a packed house full of collectors and advisers ready to bid. The sale, which saw at least a dozen lots spark bidding wars, brought in a combined $690 million with fees. That total was well above the pre-sale low estimate of $534.7 million, though it did come in just over 5 percent below the pre-sale high of $731.5 million.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe Robert and Patricia Ross Weiss sale, composed of 18 lots from the collection of the late former chairman of the supermarket chain Weis Markets, started the night with works spanning some of the 20th century\u2019s most important movements, from Cubism to Abstract Expressionism, including pieces by Pablo Picasso, Henri Matisse, Piet Mondrian, and Mark Rothko. The grouping offered on Monday was just a small, high-value amount of the Weiss material Christie\u2019s is selling this week, with <a href=\"https:\/\/www.artnews.com\/art-news\/market\/christies-robert-patricia-weis-collection-sale-1234750554\/\" rel=\"nofollow noopener\" target=\"_blank\">more than 60 additional lots<\/a> still to come across several more sales.<\/p>\n<p>\t\tRelated Articles<\/p>\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/11\/charles-stewart-at-the-breuer.png\" alt=\"Christie\u2019s Opens Marquee Sales With Double-Header Sale Totaling $690 M.\" data-lazy- data-lazy- height=\"\" width=\"\"\/><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe 62-lot 20th century sale that followed the Weis auction included more works by Matisse and Picasso, along with pieces by Alexander Calder, David Hockney, Marc Chagall, and Alberto Giacometti, albeit generally less important examples from those artists\u2019 oeuvres.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe night\u2019s combined total of $690 million on 79 lots was a 41 percent increase over the equivalent sale in May, which brought in <a href=\"https:\/\/www.artnews.com\/art-news\/market\/christies-riggio-modern-art-new-york-evening-auctions-2025-1234741965\/\" rel=\"nofollow noopener\" target=\"_blank\">$489 million<\/a> with fees from\u00a0the 20th century sale and a separate auction for works from the collection of Len and Louise Riggio.The equivalent double-header sale in November 2024 generated $486 million on 72 lots, 19 of which came from a single-owner sale of works from the collection of designer and philanthropist Mica Ertegun.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe sell-through rate for Monday\u2019s auctions was 97 percent by value and 96 percent by lot, according to Christie\u2019s. Only one lot was withdrawn\u2014Henri de Toulouse-Lautrec\u2019s Femme assise de profil vers la gauche (1890), at Lot 63\u2014but three failed to sell. Joan Mir\u00f3\u2019s Les flammes du soleil rendent hyst\u00e9rique la fleur du d\u00e9sert (1938) and Franz Kline\u2019s Placidia (1961) each received a handful of bids before stalling out at $7.5 million, leaeding auctioneer Adrien Meyer to declare both works passes. The 1933 Man Ray photograph Sade, Pas Termin\u00e9, 20 lots later, received two bids before Meyer pulled it.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tStill, there was a clear depth of bidding, with 16 lots hammering at or above their high estimates, often after long back-and-forths between Christie\u2019s specialists and active bidders in the room, patiently referred first by Meyer and, then for the final 20 lots, a bit more brusquely by senior specialist David Kleiweg de Zwaan.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tAdviser Ralph DeLuca (who is also Sotheby\u2019s vice chairman for popular culture), seated near the front of the room, was at the center of several of the longest bidding wars on behalf of a client, including a seven-minute contest between him, Christie\u2019s CEO Bonnie Brennan, and deputy chairman Conor Jordan for Henri Matisse\u2019s 1937 painting Figure et bouquet (T\u00eate ocre). The work from the Weis collection ended up going to Jordan\u2019s bidder for $32.3 million on a $27.5 million high estimate. (All prices are with buyer\u2019s premium unless otherwise noted.)<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/11\/LOT-3A_HENRI-MATISSE-Figure-et-bouquet-Tete-ocre-1.jpg\" alt=\"\" data-lazy- data-lazy- height=\"1384\" width=\"1024\"\/><\/p>\n<p>\t\t\t\t\tLot 3A, Henri Matisse\u2019s 1937 painting Figure et bouquet (Te\u0302te ocre). It sold for $32.3 million with fees.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tDeLuca got his revenge just a few lots later, beating out Alex Rotter, Christie\u2019s global president, for the Max Ernst chess sculpture Le roi jouant avec la reine (1944\/61) for $20.2 million on a $18 million high estimate. (For reference, <a href=\"https:\/\/www.christies.com\/en\/lot\/lot-6397131\" rel=\"nofollow noopener\" target=\"_blank\">another edition<\/a> of that work sold for $24.4 million at Christie\u2019s Paul Allen sale in 2022.)<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tHe also came away the victor on the most intense auction battle of the evening, for Marc Chagall\u2019s Le songe du Roi David (1966), from the collection of the Kawamura Memorial DIC Museum of Art. After sparring with Rotter, senior London-based specialist Michelle McMullan, and Cyanne Chutkow, deputy chairman of Impressionist and modern art, DeLuca won the work for $26.5 million with fees on a $12 million high estimate.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t\u201cThere was a lot of money waiting on the sidelines [before tonight]. More a lack of confidence than a lack of capital. Tonight I felt confidence has returned to art,\u201d DeLuca told ARTnews after the sale. DeLuca confirmed that the Ernst and the Chagall were purchased for clients. Of the Matisse, he said, \u201cCan\u2019t win them all!\u201d<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tRotter, for his part, seemed invigorated by Monday\u2019s activity. \u201cThis felt like what an auction should feel like,\u201d he told ARTnews after the sale. \u201cI feel the tide rising. The collections added a lot of depth. Some of the prices really came down and that resulted in engagement from collectors.\u201d<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/11\/LOT-25A_MARC-CHAGALL-Le-songe-du-Roi-David.jpg\" alt=\"\" data-lazy- data-lazy- height=\"771\" width=\"1024\"\/><\/p>\n<p>\t\t\t\t\tLot 25A, Marc Chagall\u2019s Le songe du Roi David (1966). It sold for $26.5 million with fees<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tWhile the bidding activity was no doubt encouraging, and made for a lively sale, 38 lots hammered squarely in their pre-sale range, often seeing spirited bidding right up until the low estimate threshold was reached. After that, the bidding petered out.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe final lot of the Weis sale, Mark Rothko\u2019s striking No. 31 (Yellow Stripe), from 1958, was a typical example. After bathing the audience in a red-orange light mimicking the painting, Meyer started the bidding at $34 million. Rotter, vice-chairman Katharine Arnold, and a Connecticut-based online bidder quickly pushed the bidding to the work\u2019s $50 million estimate. Rotter\u2019s buyer dropped out, and Meyer coaxed along the online bidder for a few more bids before Arnold sealed the deal at a hammer price of $53.5 million. While that was good for $62.2 million with fees, making the work the top one of the evening, the frenzy just moments earlier seemed to portend a more explosive result.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThere were also more than a handful of works hammering below estimate\u201421 in total, not including the works that failed to sell. Many of those works were by some of the most esteemed artists on offer, including Monet\u2019s Falaise des Petites-Dalles and Nymph\u00e9as (1881), Amedeo Modigliani\u2019s Nu assis (ca. 1908), Edgar Degas\u2019s La Coiffure (La Toilette), ca. 1892\u201395, J.M.W. Turner\u2019s Ehrenbreitstein, or The Bright Stone of Honour and the Tomb of Marceau, from Byron\u2019s \u2018Childe Harold\u2019s Pilgrimage\u2019, and Picasso\u2019s Le Baigneur and La Lecture (Marie-Th\u00e9r\u00e8se), from 1957 and 1932, respectively.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tEvan Beard, president of secondary market gallery Level &amp; Co., told ARTnews that the mixed results lie more with the estimates than the works themselves. \u201cA healthy, rational market,\u201d he said. \u201cEstimates that got pushed underperformed, and the great things flew. But it\u2019s not 2021, when everything flew.\u201d He described the environment as now being \u201cmore selective.\u201d<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe sale concluded with Picasso\u2019s M\u00e8re et enfant (1965) hammering for $100,000 over its low estimate at $4.1 million after half a dozen bids. With fees, the work came to $5 million, garnering a hearty round of cheers and claps, after a two-and-a-half hour sale that sustained bidding energy throughout.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tBefore the sale began, Christie\u2019s chairman and former CEO Guillaume Cerutti noted to ARTnews that the first sale of the week sets the tone. If that\u2019s the case, consider Monday a tentative step in the right direction\u2014the crowd was there and bidders were diving into the water. But, as Beard put it, this isn\u2019t 2021 anymore.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\t\u201cFor the first time in a while we have the quality we didn\u2019t have for a while,\u201d Cerutti said. \u201cThere have been good vibes all week.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"On Monday night, Christie\u2019s kicked off its fall marquee auctions with back-to-back auctions in a packed house full&hellip;\n","protected":false},"author":2,"featured_media":139244,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[86359,7123,146,85,46],"class_list":{"0":"post-139243","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-2025-fall-auction-sales","9":"tag-christies","10":"tag-entertainment","11":"tag-il","12":"tag-israel"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/139243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/comments?post=139243"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/139243\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media\/139244"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media?parent=139243"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/categories?post=139243"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/tags?post=139243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}