{"id":154533,"date":"2025-11-26T21:06:08","date_gmt":"2025-11-26T21:06:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/il\/154533\/"},"modified":"2025-11-26T21:06:08","modified_gmt":"2025-11-26T21:06:08","slug":"diane-lima-to-curate-panorama-da-arte-brasileira-industry-moves","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/il\/154533\/","title":{"rendered":"Diane Lima to Curate Panorama da Arte Brasileira: Industry Moves"},"content":{"rendered":"<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tEditor\u2019s Note:\u00a0This story originally appeared in\u00a0<a href=\"https:\/\/www.artnews.com\/t\/on-balance\/\" rel=\"nofollow noopener\" target=\"_blank\">On Balance<\/a>,\u00a0the ARTnews\u00a0newsletter about the art market and beyond.\u00a0<a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/cloud.email.artnews.com\/artnews-signup\/\">Sign up here<\/a>\u00a0to receive it every Wednesday.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tHappy Wednesday! Here\u2019s a round-up of who\u2019s moving and shaking in the art trade this week.<\/p>\n<p>\t\tIndustry Moves\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tMarianne Boesky Gallery Now Represents Aubrey Levinthal:\u00a0The gallery, which is working in collaboration with Edinburgh\u2019s Ingleby and Berlin\u2019s Haverkampf Leistenschneider, will feature the Philadelphia-born painter\u2019s work at Art Basel Miami Beach ahead of her debut solo exhibition in spring 2027.<\/p>\n<p>\t\tRelated Articles<\/p>\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/11\/1764191168_206_nizoaustin.jpg\" alt=\"The Din\u00e9\/Tlingit artist Nizhonniya Austin will be included in Tara Down's NADA Miami presentation next month and have a solo exhibition in New York in 2026.\" data-lazy- data-lazy- height=\"\" width=\"\"\/><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tChanel Opens Contemporary Art Library in Shanghai:\u00a0The French luxury brand has\u00a0<a href=\"https:\/\/www.artnews.com\/art-news\/news\/chanel-power-station-of-art-contemporary-art-public-library-1234763509\/\" rel=\"nofollow noopener\" target=\"_blank\">unveiled<\/a>\u00a0Espace Gabrielle Chanel, an 18,000-square-foot library at the Power Station of Art\u2014China\u2019s first public library devoted to contemporary art.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tMennour to Represents Brooklin A. Soumahoro:\u00a0The gallery will present a new painting by the Paris-born, Los Angeles\u2013based artist in its Art Basel Miami Beach presentation in December.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tDiane Lima to Curate 39th Panorama da Arte Brasileira at MAM S\u00e3o Paulo:\u00a0The 2026 edition of the biennial, titled \u201cDepois que tudo foi dito\u201d (After It\u2019s All Said), will explore Brazil\u2019s racialized aesthetic regimes and challenge conventional readings of Brazilian art history.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tManagement Gallery Adds Alva Stux and Charlie Utz to Leadership Team:\u00a0Stux, formerly a director at Lehmann Maupin, joins as partner; Utz, most recently at Perrotin New York, comes on as director.<\/p>\n<p>\t\tBig Number: 16.1 M.\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThat\u2019s the\u00a0<a href=\"https:\/\/www.artnews.com\/art-news\/market\/rare-royal-blue-sapphire-necklace-sells-christies-hong-kong-1234763538\/\" rel=\"nofollow noopener\" target=\"_blank\">sale price,\u00a0<\/a>\u00a0in dollars, for a rare sapphire necklace known as the \u201cRoyal Blue,\u201d which sold at Christie\u2019s Hong Kong this week. The headline lot of the auction house\u2019s \u201cMagnificent Jewels\u201d sale, the necklace features 16 Kashmir sapphires totaling 104.61 carats, including a 13.37-carat center stone. The sale follows another major jewelry moment just weeks earlier, when Christie\u2019s Geneva sold art collector Rachel Lambert \u201cBunny\u201d Mellon\u2019s famed blue diamond pendant\u2014the Mellon Blue\u2014for $25 million.<\/p>\n<p>\t\tRead This\t<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tGallerist Marc Straus\u2019s proactively titled\u00a0<a href=\"https:\/\/hyperallergic.com\/1058944\/art-market-reporters-are-getting-it-all-wrong\/\" rel=\"nofollow noopener\" target=\"_blank\">recent op-ed<\/a>\u00a0in\u00a0Hyperallergic\u00a0\u2014\u201cArt Market Reporters Are Getting It All Wrong\u201d\u2014begins by assuring readers that my reporting is \u201cfactually accurate,\u201d before scolding me and my market-watching colleagues for looking at \u201conly a restricted subset of data.\u201d This is a genteel way of saying: Don\u2019t trust the numbers, trust my vibe. Yet his corrective amounts to a handful of anecdotes that, paradoxically, reinforce the very point he thinks he\u2019s refuting. Straus insists the market is \u201cfar worse\u201d than writers like me suggest, then presents evidence of \u2026 a market behaving rationally for the first time in half a decade. Speculators have evaporated (good). Primary prices are cooling (necessary). New collectors are learning to look. Seasoned collectors are returning. In any other industry, this would be called stabilization. <\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">\n\tThe one thing he doesn\u2019t mention\u2014the most important macro factor shaping the economy of the last decade\u2014is that interest rates were held artificially low for nearly 14 years. A wise man recently told me that when capital is mis-priced, asset classes are mis-priced. The ultra-wealthy were essentially being handed free money. So they spent it. The frenzy of 2019\u201322 was built on that mirage. Straus wants to call the patient terminal while describing the symptoms of recovery. What he mistakes for collapse is simply the end of the pandemic-era sugar high\u2014and the reemergence of a market behaving like a market, not a casino.\u00a0\u2014Daniel Cassady, Art Business Reporter<\/p>\n","protected":false},"excerpt":{"rendered":"Editor\u2019s Note:\u00a0This story originally appeared in\u00a0On Balance,\u00a0the ARTnews\u00a0newsletter about the art market and beyond.\u00a0Sign up here\u00a0to receive it&hellip;\n","protected":false},"author":2,"featured_media":154534,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[146,85,20952,46],"class_list":{"0":"post-154533","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-entertainment","9":"tag-il","10":"tag-industry-moves","11":"tag-israel"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/154533","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/comments?post=154533"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/154533\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media\/154534"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media?parent=154533"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/categories?post=154533"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/tags?post=154533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}