{"id":214755,"date":"2026-01-01T10:56:09","date_gmt":"2026-01-01T10:56:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/il\/214755\/"},"modified":"2026-01-01T10:56:09","modified_gmt":"2026-01-01T10:56:09","slug":"8-movies-where-the-two-best-scenes-are-the-start-and-the-ending","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/il\/214755\/","title":{"rendered":"8 Movies Where the Two Best Scenes Are the Start and the Ending"},"content":{"rendered":"<p>It\u2019s easy to point out <a href=\"https:\/\/collider.com\/movie-endings-best-ranked\/\" target=\"_blank\" rel=\"nofollow noopener\">movies with amazing endings<\/a>, because obviously <a href=\"https:\/\/collider.com\/tag\/movie\/casablanca\/\" target=\"_blank\" rel=\"nofollow noopener\">Casablanca<\/a>, <a href=\"https:\/\/collider.com\/tag\/cinema-paradiso\/\" target=\"_blank\" rel=\"nofollow noopener\">Cinema Paradiso<\/a>, and <a href=\"https:\/\/collider.com\/tag\/the-shawshank-redemption\/\" target=\"_blank\" rel=\"nofollow noopener\">The Shawshank Redemption<\/a> all end fantastically, but the ways those movies begin? That\u2019s a little harder to recall. And it\u2019s not a flaw or anything, because once you do remember how they start, you realize they kicked off in perfectly fine ways, but you remember the endings a whole lot more, and you probably remember a fair few scenes that took place between the start and the end more than the opening scenes, too.<\/p>\n<p>As for movies that get off to remarkable starts? <a href=\"https:\/\/collider.com\/tag\/the-lord-of-the-rings-the-fellowship-of-the-ring\/\" target=\"_blank\" rel=\"nofollow noopener\">The Lord of the Rings: The Fellowship of the Ring<\/a> does, and the ending to that movie is also amazing, but you couldn\u2019t rank both the opening and ending over the <a href=\"https:\/\/collider.com\/best-scene-every-peter-jackson-middle-earth-movie\/\" target=\"_blank\" rel=\"nofollow noopener\">Gandalf vs. the Balrog sequence<\/a>, right? Therein lies a further dilemma in picking out movies that have equally great beginnings and endings, and have those openings and endings stand out as the two best scenes in their respective movies. But that\u2019s what the following ranking is gonna try and do regardless, screw it, you know?<\/p>\n<p>            8 <\/p>\n<p>                            &#8216;Dawn of the Dead&#8217; (1978)<\/p>\n<p>        <img width=\"825\" height=\"413\" loading=\"lazy\" decoding=\"async\" alt=\"Dawn of the Dead - 1978\" data-img-url=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/01\/dawn-of-the-dead-1978.jpg\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/01\/dawn-of-the-dead-1978.jpg\"\/><br \/>\n        Image via\u00a0United Film Distribution Company<\/p>\n<p>Though it doesn\u2019t feel like a sequel to <a href=\"https:\/\/collider.com\/tag\/night-of-the-living-dead\/\" target=\"_blank\" rel=\"nofollow noopener\">Night of the Living Dead<\/a> in the traditional sense, <a href=\"https:\/\/collider.com\/tag\/dawn-of-the-dead\/\" target=\"_blank\" rel=\"nofollow noopener\">Dawn of the Dead<\/a> still manages to hit the ground running, partly thanks to that prior film laying out some of <a href=\"https:\/\/collider.com\/best-george-a-romero-masterpieces\/\" target=\"_blank\" rel=\"nofollow noopener\">how George A. Romero\u2019s zombies generally work<\/a>. There\u2019s a slightly slower build to that film, but Dawn of the Dead, on the other hand, just starts at what feels like an instantly relentless pace.<\/p>\n<p>And the opening is effective in throwing you into the whole thing, and then things slow down \u2013 and get a little breezier, even \u2013 for a good stretch of the movie, which involves several <a href=\"https:\/\/collider.com\/horror-movies-escalate-perfectly-ranked\/\" target=\"_blank\" rel=\"nofollow noopener\">characters trying to wait out the zombie outbreak<\/a> in a shopping mall. But humanity is going to humanity, and Dawn of the Dead goes a bit wild during its final act, topping the chaos and carnage seen in the opening sequence. Everything in between is also great, but both the start and the finish of this particular zombie flick stand out.<\/p>\n<p>            7 <\/p>\n<p>                            &#8216;The Cook, the Thief, His Wife &amp; Her Lover&#8217; (1989)<\/p>\n<p>        <img width=\"825\" height=\"413\" loading=\"lazy\" decoding=\"async\" alt=\"Georgina preparing to get revenge on Albert at the end of The Cook, the Thief, His Wife &amp; Her Lover (1989)\" data-img-url=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/01\/the-cook-the-thief-his-wife-her-lover-1989-3.jpg\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/01\/the-cook-the-thief-his-wife-her-lover-1989-3.jpg\"\/><br \/>\n        Georgina preparing to get revenge on Albert at the end of The Cook, the Thief, His Wife &amp; Her Lover (1989)Image via\u00a0Palace Pictures<\/p>\n<p>Fitting for <a href=\"https:\/\/collider.com\/most-controversial-arthouse-movies-ranked\/\" target=\"_blank\" rel=\"nofollow noopener\">something bold, controversial, and arthouse in nature<\/a>, <a href=\"https:\/\/collider.com\/tag\/the-cook-the-thief-his-wife-and-her-lover\/\" target=\"_blank\" rel=\"nofollow noopener\">The Cook, the Thief, His Wife &amp; Her Lover<\/a> starts in an alarming way, really laying bare how terrible the central antagonist is. It\u2019s stylish and bombastic on a visual\/musical front right from the get-go, the restaurant where most of the film takes place is well-established, and then you hate the titular thief (technically more of a gangster\/thug) straight away.<\/p>\n<p>Lots of stuff then <a href=\"https:\/\/collider.com\/arthouse-revenge-movies-best-ranked\/\" target=\"_blank\" rel=\"nofollow noopener\">transpires, including a whole cycle of revenge<\/a>, and it culminates in an ending that does feel inevitable, on one level, but proves surprising because of how far the much-needed ending goes. It exceeds the shocking stuff seen earlier in The Cook, the Thief, His Wife &amp; Her Lover, and is a big reason why the film is overall so hard to shake (in a mostly good way).<\/p>\n<p>            6 <\/p>\n<p>                            &#8216;All That Jazz&#8217; (1979)<\/p>\n<p>        <img width=\"825\" height=\"413\" loading=\"lazy\" decoding=\"async\" alt=\"Jessica Lange appears as an angel in the repeated dream sequences throughout Bob Fosse's 'All That Jazz'\" data-img-url=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/01\/jessica-lang-angelique-all-that-jazz.jpg\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/01\/jessica-lang-angelique-all-that-jazz.jpg\"\/><br \/>\n        Jessica Lange appears as an angel in the repeated dream sequences throughout Bob Fosse&#8217;s &#8216;All That Jazz&#8217;Image via Columbia Pictures<\/p>\n<p><a href=\"https:\/\/collider.com\/tag\/all-that-jazz\/\" target=\"_blank\" rel=\"nofollow noopener\">All That Jazz<\/a> starts off in a pretty chaotic way, and it\u2019s all a bit much when you first watch the movie. But it does have to be like that, since the main character\u2019s life is one that\u2019s dangerously jam-packed, and All That Jazz wants you to understand and feel how stretched thin he is initially, all the while making things more harrowing when more and more stuff keeps happening.<\/p>\n<p>Fosse establishes a certain rhythm and uneasiness right from the jump, and then things build to some sort of release by the end.<\/p>\n<p>It\u2019s a movie that Bob Fosse more or less made about himself, albeit without casting himself in the lead role or calling his protagonist Fob Bosse or something dumb like that, but it\u2019s essentially autobiographical. Fosse <a href=\"https:\/\/collider.com\/intense-movie-musicals-ranked\/\" target=\"_blank\" rel=\"nofollow noopener\">establishes a certain rhythm and uneasiness<\/a> right from the jump, and then things build to some sort of release (not quite catharsis, given how sad All That Jazz ends up being) by the end, with the finale of this being one of the best endings of any movie musical ever made.<\/p>\n<p>            5 <\/p>\n<p>                            &#8216;Babylon&#8217; (2022)<\/p>\n<p>        <img width=\"825\" height=\"413\" loading=\"lazy\" decoding=\"async\" alt=\"Babylon - 2022 (1)\" data-img-url=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/01\/babylon-2022-1.jpg\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/01\/babylon-2022-1.jpg\"\/><br \/>\n        Image via\u00a0Paramount Pictures<\/p>\n<p>It was tempting to put <a href=\"https:\/\/collider.com\/tag\/la-la-land\/\" target=\"_blank\" rel=\"nofollow noopener\">La La Land<\/a> here, since it&#8217;s got a memorable opening and an all-timer of an ending, but a couple of scenes in between probably exceed the opening sequence in quality. And then, to go over some more Damien Chazelle stuff, <a href=\"https:\/\/collider.com\/tag\/whiplash\/\" target=\"_blank\" rel=\"nofollow noopener\">Whiplash<\/a> has a good opening and an immense ending, but scenes between\u2026 yeah, same deal. You can\u2019t overlook the \u201cwere you rushing or dragging\u201d bit, nor the main character\u2019s frantic (and near-fatal) rush to get on stage in time, a bit over halfway through the film.<\/p>\n<p>So, then there\u2019s <a href=\"https:\/\/collider.com\/tag\/babylon\/\" target=\"_blank\" rel=\"nofollow noopener\">Babylon<\/a>. Good old Babylon. You could technically say the opening scene here is just an elephant pooping all over the camera, which is one hell of a way to establish the mood for the next three hours. But that elephant part leads to the extended opening sequence that\u2019s being counted here as the real opening, and <a href=\"https:\/\/collider.com\/best-movie-every-decade-last-100-years\/\" target=\"_blank\" rel=\"nofollow noopener\">that stretch of the film\u2019s incredible to behold<\/a>. The ending is also bold and quite beautiful, being bittersweet, but with more bitter, in contrast to La La Land\u2019s bittersweet ending, which probably accentuates the sweet.<\/p>\n<p>            4 <\/p>\n<p>                            &#8216;Police Story&#8217; (1985)<\/p>\n<p>        <img width=\"1650\" height=\"826\" loading=\"lazy\" decoding=\"async\" alt=\"Jackie Chan swinging from a pole above an explosion of sparks in Police Story.\" data-img-url=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/01\/policestory-entry.jpg\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/01\/policestory-entry.jpg\"\/><br \/>\n        Jackie Chan doing a wild stunt in Police Story &#8211; 1985Image via\u00a0Golden Harvest<\/p>\n<p>The case for <a href=\"https:\/\/collider.com\/tag\/movie\/police-story-1985\/\" target=\"_blank\" rel=\"nofollow noopener\">Police Story<\/a> opening and closing on a high note is pretty straightforward and easy to explain. There is an amazing action sequence that opens the film, and then there\u2019s an all-timer of an <a href=\"https:\/\/collider.com\/20th-century-action-scenes-best-ranked\/\" target=\"_blank\" rel=\"nofollow noopener\">action sequence in a shopping mall<\/a> that ends the film. It\u2019s worth watching just for those two parts of the film, because yeah, Police Story would still be good if it had those two bits and then nothing but a blank screen without sound for the remaining 70 to 80 minutes.<\/p>\n<p>It&#8217;s a movie that <a href=\"https:\/\/collider.com\/martial-arts-movies-perfect\/\" target=\"_blank\" rel=\"nofollow noopener\">sees Jackie Chan at his best<\/a>, so what more do you need? Well, maybe you&#8217;d want more comedy, if that\u2019s your thing, and Police Story is admittedly <a href=\"https:\/\/collider.com\/martial-arts-movies-with-multiple-great-fight-scenes\/\" target=\"_blank\" rel=\"nofollow noopener\">a bit more focused on action<\/a> than comedy, but still, what a blast (and it\u2019s not without some funnier slapstick kind of moments). If you&#8217;re somehow new to Jackie Chan, or his pre-Hollywood stuff, then Police Story is a great place to start.<\/p>\n<p>            3 <\/p>\n<p>                            &#8216;Sunset Boulevard&#8217; (1950)<\/p>\n<p>        <img width=\"825\" height=\"413\" loading=\"lazy\" decoding=\"async\" alt=\"Norma Desmond approaching the camera in Sunset-Boulevard.\" data-img-url=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/01\/sunset-boulevard-gloria-swanson.jpg\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/01\/sunset-boulevard-gloria-swanson.jpg\"\/><br \/>\n        Norma Desmond approaching the camera in Sunset-Boulevard.Image via Paramount Pictures<\/p>\n<p>It\u2019s usually a spoiler to say that the main character of a movie dies, but in <a href=\"https:\/\/collider.com\/tag\/sunset-boulevard\/\" target=\"_blank\" rel=\"nofollow noopener\">Sunset Boulevard<\/a>, the film opens with the narrator lying dead in a pool, and then the movie goes back in time to explain how he got there. It\u2019s far from the only film to do that (see also <a href=\"https:\/\/collider.com\/tag\/citizen-kane\/\" target=\"_blank\" rel=\"nofollow noopener\">Citizen Kane<\/a> and <a href=\"https:\/\/collider.com\/tag\/lawrence-of-arabia\/\" target=\"_blank\" rel=\"nofollow noopener\">Lawrence of Arabia<\/a>), but having the dead person still narrating the whole thing is kind of neat, and also instantly a bit eerie.<\/p>\n<p>Much of <a href=\"https:\/\/screenrant.com\/sunset-boulevard-movie-review\/\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Sunset Boulevard ends up being <\/a><a href=\"https:\/\/screenrant.com\/sunset-boulevard-movie-review\/\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">pretty eerie<\/a>, alongside <a href=\"https:\/\/collider.com\/most-perfectly-directed-movies-20th-century-ranked\/\" target=\"_blank\" rel=\"nofollow noopener\">darkly funny and appropriately dramatic<\/a> for a film about an actress from the silent era holding onto the past while being driven mad by a desire to mount a comeback. Sunset Boulevard does pay off the intriguing opening well, by the time all\u2019s said and done, and the whole final sequence here (even the final shot) is also phenomenal.<\/p>\n<p>            2 <\/p>\n<p>                            &#8216;Gangs of New York&#8217; (2002)<\/p>\n<p>Some people talk about <a href=\"https:\/\/collider.com\/tag\/gangs-of-new-york\/\" target=\"_blank\" rel=\"nofollow noopener\">Gangs of New York<\/a> like it\u2019s a sandwich where the two slices of bread are pretty great, but then all the filling is kind of rotten, except for the Daniel Day-Lewis-flavored sauce that\u2019s been added to the whole thing, because that actor has the sauce and stuff. Such people are being a little dramatic, because <a href=\"https:\/\/collider.com\/best-epic-crime-movies-ranked\/\" target=\"_blank\" rel=\"nofollow noopener\">parts of this epic gangster movie<\/a> get more hate than they deserve, but also, those same people almost have a point.<\/p>\n<p>The extended battle in the streets that opens Gangs of New York is excellent, <a href=\"https:\/\/collider.com\/greatest-gangster-movies-21st-century-ranked\/\" target=\"_blank\" rel=\"nofollow noopener\">establishing the tone and setting well<\/a>, all the while setting in motion <a href=\"https:\/\/collider.com\/best-epic-movies-about-revenge-ranked\/\" target=\"_blank\" rel=\"nofollow noopener\">the film\u2019s central revenge plot<\/a>. About 2.5 hours later, the climax isn\u2019t explosive in the ways you might expect, but it does all feel fitting and sufficiently surprising, <a href=\"https:\/\/collider.com\/best-movie-endings-21st-century-every-year\/\" target=\"_blank\" rel=\"nofollow noopener\">and then the very last scene<\/a> \u2013 with time jumping forward to show the ever-evolving New York City skyline \u2013 is a genuinely poetic note to end the whole thing on.<\/p>\n<p>            1 <\/p>\n<p>                            &#8216;The Empire Strikes Back&#8217; (1980)<\/p>\n<p>        <img width=\"825\" height=\"413\" loading=\"lazy\" decoding=\"async\" alt=\"C3PO, R2-D2, Luke, an Leia with their back to the camera looking at the galaxy in The Empire Strikes Back.'\" data-img-url=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/01\/shutterstock-editorial-5886288bg-1589897436.jpeg\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/01\/shutterstock-editorial-5886288bg-1589897436.jpeg\"\/><br \/>\n        The ending of &#8216;The Empire Strikes Back.&#8217;Image via Lucasfilm<\/p>\n<p>The first <a href=\"https:\/\/collider.com\/tag\/star-wars\/\" target=\"_blank\" rel=\"nofollow noopener\">Star Wars<\/a> film could probably go here, too, so consider that worthy of an honorable mention for having a fantastic opening scene that emphasizes the power of the Empire, and an all-around satisfying\/cathartic finale. But then there\u2019s <a href=\"https:\/\/collider.com\/tag\/star-wars-episode-v\/\" target=\"_blank\" rel=\"nofollow noopener\">The Empire Strikes Back<\/a>, which came out three years later and did everything even better than the first Star Wars, which is no small task considering how excellent that movie was.<\/p>\n<p>The Empire Strikes Back begins with what might well be <a href=\"https:\/\/collider.com\/best-star-wars-movie-masterpieces\/\" target=\"_blank\" rel=\"nofollow noopener\">the best battle of the Original Trilogy<\/a>, and if you&#8217;re a first-time viewer, you might worry how the filmmakers will top it. They don\u2019t, in terms of spectacle, but the conflict that plays out after the battle\u2019s over ends up being just as compelling because of how dramatic and morally complex (at least by space opera standards) it is. The ending is also the stuff of legends, for countless reasons, but <a href=\"https:\/\/collider.com\/best-movies-last-50-years-ranked\/\" target=\"_blank\" rel=\"nofollow noopener\">you know that already. Everyone knows that already<\/a>, probably even the three or four people on the planet who&#8217;ve somehow gone their whole lives, so far, without seeing The Empire Strikes Back. Poor folks, they&#8217;re really missing out. We should send this one out into space so life forms literally in galaxies far, far away can perhaps watch it as well.<\/p>\n","protected":false},"excerpt":{"rendered":"It\u2019s easy to point out movies with amazing endings, because obviously Casablanca, Cinema Paradiso, and The Shawshank Redemption&hellip;\n","protected":false},"author":2,"featured_media":214756,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[146,85,46,397],"class_list":["post-214755","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-entertainment","tag-il","tag-israel","tag-movies"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/214755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/comments?post=214755"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/214755\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media\/214756"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media?parent=214755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/categories?post=214755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/tags?post=214755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}