{"id":260031,"date":"2026-01-27T12:18:08","date_gmt":"2026-01-27T12:18:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/il\/260031\/"},"modified":"2026-01-27T12:18:08","modified_gmt":"2026-01-27T12:18:08","slug":"taylor-swifts-the-fate-of-ophelia-no-1-global-charts-sixth-week","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/il\/260031\/","title":{"rendered":"Taylor Swift\u2019s \u2018The Fate of Ophelia\u2019 No. 1, Global Charts, Sixth Week"},"content":{"rendered":"

\n\tTaylor Swift<\/a>\u2019s \u201cThe Fate of Ophelia\u201d tops both the Billboard Global 200<\/a> and Billboard Global Excl. U.S.<\/a> charts for a sixth week. The song holds atop each list, after debuting atop the tallies in October.<\/p>\n

\n\tPlus, Zara Larsson\u2019s \u201cLush Life,\u201d rejuvenated from 2015, hits the Global 200 top 10 and Dave and Tems\u2019 \u201cRaindance\u201d rises to the top 10 on Global Excl. U.S.<\/p>\n

\n\tThe Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.<\/p>\n

\n\tChart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts\u2019 calculations.<\/p>\n

\n\t\u201cThe Fate of Ophelia\u201d leads the Global 200 with 58 million streams and 12,000 sold worldwide in the week ending Jan. 22.<\/p>\n

\n\tThe entire Global 200\u2019s top five remains in place, with Djo\u2019s \u201cEnd of Beginning\u201d at No. 2, two weeks after it became the singer-songwriter and actor\u2019s first Global 200 No. 1<\/a>; HUNTR\/X\u2019s \u201cGolden\u201d at No. 3, after 18 weeks on top beginning last July; Bruno Mars\u2019 \u201cI Just Might\u201d at No. 4 in its second week on the chart; and Olivia Dean\u2019s \u201cMan I Need\u201d at No. 5, after reaching No. 3.<\/p>\n

\n\tZara Larsson earns her first Global 200 top 10, as \u201cLush Life\u201d leaps 11-8 led by 35 million streams worldwide. The Swedish artist released the song in June 2015; it hit the chart for the first time in December as it surged in viral activity. A week ago, it reached the top 10 on Global Excl. U.S., where this week it rises to No. 7. (\u201cU.S., catch up!,\u201d she teased\/commanded<\/a>.)<\/p>\n

\n\t\u201cThe Fate of Ophelia\u201d rules Global Excl. U.S. with 44.7 million streams and 5,000 sold outside the U.S.<\/p>\n

\n\t\u201cEnd of Beginning\u201d is steady at its No. 2 Global Excl. U.S. high; \u201cGolden\u201d keeps at No. 3 after a record 20 weeks at No. 1 since July; RAYE\u2019s \u201cWhere Is My Husband!\u201d has and holds a No. 5 best; and \u201cI Just Might\u201d drops 4-5 in its second week.<\/p>\n

\n\tElsewhere, Dave and Tems\u2019 \u201cRaindance\u201d climbs 12-8 on Global Excl. U.S., powered by 27.6 million streams beyond the U.S. The new No. 1<\/a> on the Official UK Singles Chart marks the second Global Excl. U.S. top 10 for Dave, from London, and the first for Tems, from Nigeria.<\/p>\n

\n\tThe Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Jan. 31, 2026) will update on Billboard.com tomorrow, Jan. 27. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard\u2019s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.<\/p>\n

\n\tLuminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.<\/p>\n

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