{"id":277379,"date":"2026-02-06T15:25:09","date_gmt":"2026-02-06T15:25:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/il\/277379\/"},"modified":"2026-02-06T15:25:09","modified_gmt":"2026-02-06T15:25:09","slug":"art-basel-qatar-durer-portrait-debate-paula-modersohn-becker-and-edvard-munch-podcast-the-art-newspaper","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/il\/277379\/","title":{"rendered":"Art Basel Qatar, D\u00fcrer portrait debate, Paula Modersohn-Becker and Edvard Munch\u2014podcast &#8211; The Art Newspaper"},"content":{"rendered":"<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The first Art Basel Qatar art fair is now open in Qatar\u2019s capital, Doha, and The Art Newspaper\u2019s art market editor, Kabir Jhala, joins Ben Luke to discuss its impact, as well as reflecting on the wider artistic outlook in Qatar and the Middle East. <\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The author of a new catalogue raisonn\u00e9 of the work of Albrecht D\u00fcrer argues that a painting of the artist\u2019s father in the National Gallery in London, long thought to be a copy after D\u00fcrer\u2019s original, is in fact an autograph work. Our special correspondent in London, Martin Bailey, tells us about the arguments for and against its authenticity. <\/p>\n<p><img alt=\"\" loading=\"lazy\" width=\"644\" height=\"826.8641975308642\" decoding=\"async\" data-nimg=\"1\" style=\"color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' viewBox='0 0 644 826.8641975308642'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/jpeg;base64,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'\/%3E%3C\/svg%3E&quot;)\"  src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/02\/902def196d834f53dc952042f38b4d88b20d19e8-1782x2288.jpg\"\/><\/p>\n<p>After Albrecht D\u00fcrer, The Painter&#8217;s Father (1497) National Gallery, London<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">And this episode\u2019s Work of the Week is actually a pair of works. That is because there is a compelling double header opening at the Albertinum in Dresden this weekend: the exhibition Paula Modersohn-Becker and Edvard Munch: The Big Questions of Life. The show\u2019s co-curator Andreas Dehmer discusses Selbstbildnis mit Hand am Kinn (Self-Portrait with Hand on Chin, 1906) by Modersohn-Becker and Vampir (Vampire, 1895) by Munch with our digital editor, Alexander Morrison.<\/p>\n<p><img alt=\"\" loading=\"lazy\" width=\"644\" height=\"337.8794520547945\" decoding=\"async\" data-nimg=\"1\" style=\"color:transparent;height:auto;width:100%;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url(&quot;data:image\/svg+xml;charset=utf-8,%3Csvg xmlns='http:\/\/www.w3.org\/2000\/svg' viewBox='0 0 644 337.8794520547945'%3E%3Cfilter id='b' color-interpolation-filters='sRGB'%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3CfeColorMatrix values='1 0 0 0 0 0 1 0 0 0 0 0 1 0 0 0 0 0 100 -1' result='s'\/%3E%3CfeFlood x='0' y='0' width='100%25' height='100%25'\/%3E%3CfeComposite operator='out' in='s'\/%3E%3CfeComposite in2='SourceGraphic'\/%3E%3CfeGaussianBlur stdDeviation='20'\/%3E%3C\/filter%3E%3Cimage width='100%25' height='100%25' x='0' y='0' preserveAspectRatio='none' style='filter: url(%23b);' href='data:image\/png;base64,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'\/%3E%3C\/svg%3E&quot;)\"  src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/02\/04d3370811f4824fcc11af325a5516c43b27086b-1460x766.png\"\/><\/p>\n<p>Left: Paula Modersohn-Becker&#8217;s Selbstbildnis mit Hand am Kinn (1906\/07) and right: Edvard Munch&#8217;s Vampir (1895) Modersohn-Becker: \u00a9 Landesmuseum Hannover\/ARTOTHEK; Munch: \u00a9 Munchmuseet, Oslo<\/p>\n","protected":false},"excerpt":{"rendered":"The first Art Basel Qatar art fair is now open in Qatar\u2019s capital, Doha, and The Art Newspaper\u2019s&hellip;\n","protected":false},"author":2,"featured_media":277380,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[143082,61402,9224,69268,143083,146,6545,85,46,3987,125182,14143],"class_list":{"0":"post-277379","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-albertinum-museum","9":"tag-art-basel-qatar","10":"tag-art-market","11":"tag-dresden","12":"tag-edvard-munch","13":"tag-entertainment","14":"tag-exhibitions","15":"tag-il","16":"tag-israel","17":"tag-philadelphia","18":"tag-the-week-in-art","19":"tag-us-politics"},"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/277379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/comments?post=277379"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/277379\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media\/277380"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media?parent=277379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/categories?post=277379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/tags?post=277379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}