{"id":292344,"date":"2026-02-15T09:17:08","date_gmt":"2026-02-15T09:17:08","guid":{"rendered":"https:\/\/www.newsbeep.com\/il\/292344\/"},"modified":"2026-02-15T09:17:08","modified_gmt":"2026-02-15T09:17:08","slug":"why-hong-kong-new-wave-director-allen-fongs-father-and-son-and-ah-ying-are-true-gems","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/il\/292344\/","title":{"rendered":"Why Hong Kong New Wave director Allen Fong\u2019s \u2018Father and Son\u2019 and \u2018Ah Ying\u2019 are true gems"},"content":{"rendered":"<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">Hong Kong New Wave director Allen Fong Yuk-ping transitioned from television to filmmaking later than his contemporaries, but his neo-realist social dramas did prove immediately successful.<\/p>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">He won best film and best director at the inaugural Hong Kong Film Awards in 1982 for his debut feature, Father and Son, and repeated the double for his next film, Ah Ying, two years later. He won best director again in 1987 for his third effort, Just Like Weather.<\/p>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">Here, we take a deep dive into Fong\u2019s first two neo-realist masterpieces.<\/p>\n<p>Father and Son (1981)Noted for its realism, Fong\u2019s debut documents growing up in working-class Hong Kong from the 1960s to the 80s. While the story of a movie-obsessed boy and his father occasionally recalls <a target=\"_self\" class=\"e1yy41x40 ef9u0v01 css-1ankfgb ecgc78b0\" href=\"https:\/\/www.scmp.com\/magazines\/post-magazine\/arts-music\/article\/2142298\/giuseppe-tornatores-cinema-paradiso-explores?module=inline&amp;pgtype=article\" title=\"\" data-qa=\"BaseLink-renderAnchor-StyledAnchor\" rel=\"nofollow noopener\">Cinema Paradiso<\/a>, this is no feel-good drama.<\/p>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">Instead, Father and Son documents the hardships of the time and takes Confucian patriarchalism as the main theme of its narrative: about a father solely focused on his son\u2019s future, sacrificing the aspirations of his two daughters to ensure the boy\u2019s success.<\/p>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">Veteran Shih Lei plays Law San-muk, an office worker bypassed for promotion because of his poor education. Determined that his young son Kar-hing (played by newcomers Li Yu-tien as a child and Cheung Yu-ngor as a teenager) avoids the same unfulfilled fate, he pushes him to get a degree. However, Kar-hing prefers films to studying and is expelled five times.<\/p>\n<p><img decoding=\"async\" alt=\"Cheung Yu-ngor (left) and Shih Lei in a still from Father and Son (1981).\" data-qa=\"BaseImage-handleRenderImage-StyledImage\" class=\"e1gf69pb2 css-6ikqhs e445x7d0\" loading=\"lazy\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/02\/5e5dafcc-6bd9-4fa4-b5ca-d653f557d901_e1242838.jpg\" title=\"Cheung Yu-ngor (left) and Shih Lei in a still from Father and Son (1981).\"\/>Cheung Yu-ngor (left) and Shih Lei in a still from Father and Son (1981).<\/p>\n<p datatype=\"p\" data-qa=\"Component-Component\" class=\"e8zc9q40 css-1c6uqr6 ec74h0k1\">As the boy gets older, the father becomes desperate. He hatches a plan to send Kar-hing to a \u201clow-ranking\u201d university in the US, and forces his eldest daughter to marry someone affluent enough to pay her brother\u2019s tuition fees. He also stops his intelligent younger daughter from going to college and makes her take a job as a nurse to help out with the family\u2019s finances.<\/p>\n","protected":false},"excerpt":{"rendered":"Hong Kong New Wave director Allen Fong Yuk-ping transitioned from television to filmmaking later than his contemporaries, but&hellip;\n","protected":false},"author":2,"featured_media":292345,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[148624,148623,148627,148631,146,79810,148632,3448,148626,148635,148625,85,46,148629,148633,148628,148634,93951,14857,148630],"class_list":["post-292344","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-ah-ying","tag-allen-fong","tag-allen-fong-yuk-ping","tag-below-the-lion-rock","tag-entertainment","tag-father-and-son","tag-film-culture-centre-of-hong-kong","tag-hong-kong","tag-hong-kong-cinema","tag-hong-kong-film-awards","tag-hong-kong-new-wave","tag-il","tag-israel","tag-law-kar","tag-paul-fonoroff","tag-peter-wang-zhengfang","tag-portland-street","tag-rthk","tag-scmp","tag-shih-lei"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/292344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/comments?post=292344"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/292344\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media\/292345"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media?parent=292344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/categories?post=292344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/tags?post=292344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}