![\"Lisa](\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/03\/Lisa-1-1920x1080.webp.webp\")
<\/p>\nAt 29, Lisa has long outgrown the label of K-pop standout to become a global pop force in her own right. Born in Thailand and trained under YG Entertainment, her rise with BLACKPINK helped redefine the scale of international success for Korean acts.<\/p>\n
Yet it was her solo debut in 2021, led by the record-breaking singles Lalisa and Money, that cemented her presence beyond the group\u2019s orbit\u2014dominating charts, shattering YouTube records, and signaling a new chapter driven by her own artistic identity.<\/p>\n
What sets her apart is not just the precision of her dance or the charisma of her rap delivery, but the way her music bridges cultures with effortless confidence. Tracks like Money found viral life across platforms, while her performances turned minimal beats into global moments.<\/p>\n
Rockstar (2024)<\/p>\n
With \u201cRockstar,\u201d Lisa entered a new phase\u2014one defined by autonomy and reinvention. Released after establishing her own agency and signing new deals, the track reflects a shift in control over her artistic direction, signaling a more independent chapter in her career .<\/p>\n
The impact was immediate. The song debuted at No. 1 on the Billboard Global Excl. U.S. chart and became her highest-charting entry on the Hot 100, while also breaking streaming records for a non-Western artist in 2024 . More than just a hit, \u201cRockstar\u201d stands as a declaration\u2014proof that Lisa\u2019s trajectory is not only intact, but still accelerating.<\/p>\n
Lalisa (2021)<\/p>\n
As her official solo debut, \u201cLalisa\u201d carried the weight of expectation\u2014and responded with spectacle. The track blends hip-hop influences with Thai cultural elements, while its music video shattered records, including over 70 million views in its first 24 hours, the highest ever for a solo artist at the time .<\/p>\n
Yet beyond its scale, \u201cLalisa\u201d is fundamentally about identity. By centering her own name and heritage, Lisa framed her debut not just as a career move, but as a statement of self-definition. It set the tone for everything that followed: bold, personal, and globally conscious.<\/p>\n
Money (2021)<\/p>\n
Initially released as a B-side, \u201cMoney\u201d evolved into something far larger than expected. The track gained massive traction globally, fueled by viral trends and its stripped-down, bass-heavy production, eventually becoming one of her most recognizable songs.<\/p>\n
Its success lies in its simplicity. Rather than relying on elaborate composition, \u201cMoney\u201d builds its identity through rhythm and repetition, giving Lisa the space to command attention. That minimalism proved effective, helping the track achieve sustained chart presence and global recognition.<\/p>\n
SG (2021)<\/p>\n
In a track designed for global rotation, \u201cSG\u201d placed Lisa in a multilingual, cross-genre setting alongside some of the biggest names in pop and hip-hop. The song\u2019s reggaeton pulse and club-ready structure reflect a calculated attempt to bridge markets, reinforcing how K-pop artists were no longer confined to a single industry lane but actively shaping global trends.<\/p>\n
Beyond its commercial ambition, \u201cSG\u201d revealed Lisa\u2019s adaptability in collaborative environments. Rather than dominating the track, she blended into its international texture, adjusting her delivery to match a sound rooted far from Seoul. It\u2019s a reminder that her appeal isn\u2019t only built on center-stage charisma, but also on an ability to move fluidly across musical ecosystems.<\/p>\n
Kiss and Make Up (2018)<\/p>\n
Before her solo era, Lisa was already part of BLACKPINK\u2019s early push into Western markets, and \u201cKiss and Make Up\u201d became a key stepping stone. The collaboration with Dua Lipa leaned into polished electro-pop, offering a bilingual structure that felt organic rather than forced\u2014a rarity at the time.<\/p>\n
More importantly, the track functioned as a preview of what was to come. Lisa\u2019s presence within the song hinted at her future solo potential: controlled, stylish, and globally aware. In hindsight, it reads less like a one-off collaboration and more like an early chapter in a much larger international trajectory.<\/p>\n
<\/p>\n
Lisa of BLACKPINK performs at the Coachella Stage in 2023 (Source: Emma McIntyre\/Getty Images for Coachella)<\/p>\n
You Never Know (2020)<\/p>\n
Shifting away from spectacle, \u201cYou Never Know\u201d offered one of the most introspective moments in BLACKPINK\u2019s discography. Built on softer instrumentation, the track allowed Lisa to step outside her usual persona and into a more reflective space, addressing themes of pressure and perception.<\/p>\n
In that sense, the song plays a crucial role in understanding her artistic range. While her solo work often leans into confidence and bold imagery, \u201cYou Never Know\u201d reveals the tension behind that image\u2014suggesting that her evolution as a performer is as much internal as it is performative.<\/p>\n
Shut Down (2022)<\/p>\n
Anchored by a minimalist beat and a classical sample, \u201cShut Down\u201d thrives on restraint rather than excess. Lisa\u2019s delivery is sharp and economical, fitting perfectly within a track that feels deliberately stripped back compared to the group\u2019s earlier bombastic hits.<\/p>\n
What makes the song stand out is its attitude. Instead of chasing trends, it asserts control, presenting BLACKPINK\u2014and Lisa\u2014as artists aware of their own cultural weight. Her verses don\u2019t just follow the rhythm; they reinforce a narrative of dominance that had already been established globally.<\/p>\n
Kill This Love (2019)<\/p>\n
Few tracks capture BLACKPINK\u2019s explosive identity quite like \u201cKill This Love.\u201d With its marching-band energy and cinematic production, the song became a defining moment for the group\u2019s global expansion, placing them firmly in mainstream pop consciousness.<\/p>\n
Within that scale, Lisa\u2019s role is unmistakable. Her performance cuts through the dense production with clarity, emphasizing her precision as both rapper and performer. It\u2019s a track where scale and control coexist, and she operates comfortably at the center of both.<\/p>\n
Pink Venom (2022)<\/p>\n
Blending traditional Korean instrumentation with modern hip-hop elements, \u201cPink Venom\u201d represents BLACKPINK at their most sonically experimental. The contrast between eras and styles creates a layered listening experience, one that relies heavily on delivery to maintain cohesion.<\/p>\n
Lisa rises to that challenge with ease. Her sections inject rhythm and personality into the track, acting as a bridge between its contrasting elements. The result is a song that feels both rooted and forward-looking, with her performance anchoring its dual identity.<\/p>\n
How You Like That (2020)<\/p>\n
Released at a pivotal moment, \u201cHow You Like That\u201d marked a powerful return for BLACKPINK and quickly became a cultural reset. Its structure\u2014built on tension and explosive release\u2014mirrors the group\u2019s broader narrative of resilience and reinvention.<\/p>\n
Lisa\u2019s contribution is central to that dynamic. Her verses add bite to the track\u2019s defiant tone, reinforcing the song\u2019s message without overcomplicating its structure. It\u2019s a performance rooted in timing and presence, two qualities that would later define her solo work.<\/p>\n","protected":false},"excerpt":{"rendered":"At 29, Lisa has long outgrown the label of K-pop standout to become a global pop force in…\n","protected":false},"author":2,"featured_media":362050,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[146,85,46,409],"class_list":["post-362049","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-entertainment","tag-il","tag-israel","tag-music"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/362049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/comments?post=362049"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/362049\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media\/362050"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media?parent=362049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/categories?post=362049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/tags?post=362049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}