{"id":36920,"date":"2025-09-25T10:51:07","date_gmt":"2025-09-25T10:51:07","guid":{"rendered":"https:\/\/www.newsbeep.com\/il\/36920\/"},"modified":"2025-09-25T10:51:07","modified_gmt":"2025-09-25T10:51:07","slug":"max-mara-spring-2026-ready-to-wear-runway-fashion-show-collection-review","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/il\/36920\/","title":{"rendered":"Max Mara Spring 2026 Ready to Wear Runway, Fashion Show &#038; Collection Review"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile many British designers are referencing Marie Antoinette, renewed interest in the French queen fanned by <a data-id=\"1237921237\" data-type=\"post\" href=\"https:\/\/wwd.com\/footwear-news\/shoe-industry-news\/manolo-blahnik-sponsor-marie-antoinette-victoria-albert-show-1237921237\/\" rel=\"nofollow noopener\" target=\"_blank\">the big V&amp;A exhibition<\/a> now on in London, Ian Griffiths selected another 18th-century court figure, Madame de Pompadour, a renowned patron and proponent of Rococo style, as an influence for his latest Max Mara collection.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWe\u2019re not creating a BBC costume drama,\u201d Griffiths stressed right off the bat. \u201cWe\u2019re creating modern fashion for modern women and for every look that bears a trace of Rococo, there\u2019s a look that\u2019s completely the opposite.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe show opened with a sleeveless trench dress with puffs of frou-frou at the shoulders, followed by a sleek pantsuit, cueing up Griffiths interplay between the 1780s and the 1980s.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhen organza petals or frilled fabric garlands accumulated on hips or shoulders, it was sometimes hard to tell if the designer was referencing Rococo or David Bowie\u2019s Pierrot costume for his \u201cScary Monsters\u201d album art, which figured on the mood board backstage alongside portraits of Madame de Pompadour. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe collection celebrates her as if she were a contemporary woman,\u201d Griffiths stressed. \u201cComplete modernity and chic are our aims in this collection.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIt is doubtful that Madame de Pompadour did enough crunches or Pilates classes to wear the cropped knits and jackets that dominated this collection, which exalted the taut abs of the models.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThis was a skimpy and lowkey sexy collection, with plenty of bare shoulders, bare backs, bare legs, and harness-like black elastics bifurcating waists or hoisting halter-neck tailoring.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThere were surprisingly few coats, the backbone of this Italian brand, though the cropped trenches are bound to be popular, as well as all the slim suiting. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tGiven all the beige and camel, and with only a few ghostly floral and undersea prints to break the monotony, it\u2019s clear where this collection landed in the maximalism-versus-minimalism divide playing out on Milan runways. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBut back to Griffith\u2019s mood board, which also included a black-and-white photo of himself wearing an glossy, big-shouldered getup that could slot into <a href=\"https:\/\/wwd.com\/fashion-news\/fashion-scoops\/design-museum-blitz-club-exhibition-1237799451\/\" data-type=\"post\" data-id=\"1237799451\" rel=\"nofollow noopener\" target=\"_blank\">another current London exhibition<\/a>: \u201cBlitz: The Club That Shaped the 80s.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIt\u2019s the first outfit I ever made for myself to go clubbing in,\u201d Griffiths said. \u201cI used lining material and ran it up on my mother\u2019s sewing machine.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLo and behold there were two fabric petals at the shoulder \u2013 a touch of frou-frou that would make Madame Pompidou, or Bowie, proud.  <\/p>\n","protected":false},"excerpt":{"rendered":"While many British designers are referencing Marie Antoinette, renewed interest in the French queen fanned by the 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