{"id":46930,"date":"2025-09-30T13:24:16","date_gmt":"2025-09-30T13:24:16","guid":{"rendered":"https:\/\/www.newsbeep.com\/il\/46930\/"},"modified":"2025-09-30T13:24:16","modified_gmt":"2025-09-30T13:24:16","slug":"the-14-best-book-covers-of-september-literary-hub","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/il\/46930\/","title":{"rendered":"The 14 Best Book Covers of September \u2039 Literary Hub"},"content":{"rendered":"<p>Another month of books, another month of book covers. This month, I noticed a lot of play with both text and texture, fresh collage forms, and two very different ways to use a record as inspiration. Here are my favorites from September:<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9781662601828\" class=\"external\" target=\"_blank\" rel=\"nofollow noopener\"><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"255867\" data-permalink=\"https:\/\/lithub.com\/lit-hubs-most-anticipated-books-of-2025-part-two\/91tkepdfscl-_uf10001000_ql80_\/\" data-orig-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/91TKEpDfScL._UF10001000_QL80_.jpg\" data-orig-size=\"667,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Melissa Lozada-Oliva, Beyond All Reasonable Doubt, Jesus Is Alive!: Stories\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Melissa Lozada-Oliva, &lt;em&gt;&lt;a href=&quot;https:\/\/bookshop.org\/a\/132\/9781662601828&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;Beyond All Reasonable Doubt, Jesus is Alive!&lt;\/a&gt;&lt;\/em&gt;; cover design by Lu\u00edsa Dias (Astra House, September 2)&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/06\/91TKEpDfScL._UF10001000_QL80_-200x300.jpg\" data-large-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/91TKEpDfScL._UF10001000_QL80_.jpg\" class=\"size-full wp-image-255867\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/91TKEpDfScL._UF10001000_QL80_.jpg\" alt=\"Melissa Lozada-Oliva, Beyond All Reasonable Doubt, Jesus Is Alive!: Stories\" width=\"667\" height=\"1000\"  \/><\/a> Melissa Lozada-Oliva, <a href=\"https:\/\/bookshop.org\/a\/132\/9781662601828\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external\">Beyond All Reasonable Doubt, Jesus is Alive!<\/a>; cover design by Lu\u00edsa Dias (Astra House, September 2)<\/p>\n<p>The tooth! (The blood!)<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9781668078969\" class=\"external\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"259835\" data-permalink=\"https:\/\/lithub.com\/understanding-my-mother-through-the-movies-she-made\/at-last-2\/\" data-orig-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/at-last.jpg\" data-orig-size=\"584,900\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"at last\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Marisa Silver, &lt;em&gt;&lt;a href=&quot;https:\/\/bookshop.org\/a\/132\/9781668078969&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;At Last&lt;\/a&gt;&lt;\/em&gt;; cover design by Lu\u00edsa Dias (Simon &amp; Schuster, September 2)&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/09\/at-last-195x300.jpg\" data-large-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/at-last.jpg\" class=\"size-full wp-image-259835\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/at-last.jpg\" alt=\"\" width=\"584\" height=\"900\"  \/><\/a> Marisa Silver, <a href=\"https:\/\/bookshop.org\/a\/132\/9781668078969\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external\">At Last<\/a>; cover design by Lu\u00edsa Dias (Simon &amp; Schuster, September 2)<\/p>\n<p>I\u2019m a sucker for halftone, but the juxtaposition of the two images\u2014one dark, one light\u2014under the Big Book Text is also working really well here.<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9780811238830\" class=\"external\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"256802\" data-permalink=\"https:\/\/lithub.com\/lit-hubs-most-anticipated-books-of-2025-part-two\/ravn-wax-child-rgb\/\" data-orig-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/07\/Ravn-WAX-CHILD-rgb-scaled.jpg\" data-orig-size=\"1660,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Ravn \u2013 WAX CHILD rgb\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Olga Ravn, tr. Martin Aitken, &lt;a class=&quot;external&quot; href=&quot;https:\/\/bookshop.org\/a\/132\/9780811238830&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;&lt;em&gt;The Wax Child&lt;\/em&gt;&lt;\/a&gt;; cover design by Paul Sahre (New Directions, September 2)&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/07\/Ravn-WAX-CHILD-rgb-195x300.jpg\" data-large-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/Ravn-WAX-CHILD-rgb-664x1024.jpg\" class=\"size-large wp-image-256802\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/Ravn-WAX-CHILD-rgb-664x1024.jpg\" alt=\"wax child\" width=\"664\" height=\"1024\"  \/><\/a> Olga Ravn, tr. Martin Aitken, <a class=\"external\" href=\"https:\/\/bookshop.org\/a\/132\/9780811238830\" target=\"_blank\" rel=\"noopener nofollow\">The Wax Child<\/a>; cover design by Paul Sahre (New Directions, September 2)<\/p>\n<p>Sometimes you just have to get everything out of the way of the artifact in question.<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9781566897358\" class=\"external\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"259078\" data-permalink=\"https:\/\/lithub.com\/helen-of-nowhere\/helen-of-nowhere-2\/\" data-orig-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/09\/helen-of-nowhere-scaled.jpg\" data-orig-size=\"1707,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"helen of nowhere\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Makenna Goodman, &lt;em&gt;&lt;a href=&quot;https:\/\/bookshop.org\/a\/132\/9781566897358&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;Helen of Nowhere&lt;\/a&gt;&lt;\/em&gt;; cover design by Sarah Schulte (Coffee House Press, September 9)&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/09\/helen-of-nowhere-200x300.jpg\" data-large-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/helen-of-nowhere-683x1024.jpg\" class=\"size-large wp-image-259078\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/helen-of-nowhere-683x1024.jpg\" alt=\"helen of nowhere\" width=\"683\" height=\"1024\"  \/><\/a> Makenna Goodman, <a href=\"https:\/\/bookshop.org\/a\/132\/9781566897358\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external\">Helen of Nowhere<\/a>; cover design by Sarah Schulte (Coffee House Press, September 9)<\/p>\n<p>A fresh approach to collage (and comic-book imagery).<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9780374609016\" class=\"external\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"259072\" data-permalink=\"https:\/\/lithub.com\/ripeness\/attachment\/9780374609016\/\" data-orig-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/09\/9780374609016.jpg\" data-orig-size=\"1650,2531\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"ripeness\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Sarah Moss, &lt;em&gt;&lt;a class=&quot;external&quot; href=&quot;https:\/\/bookshop.org\/a\/132\/9780374609016&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;Ripeness&lt;\/a&gt;&lt;\/em&gt;; cover art by Magali Cazo; cover design by Sara Wood (FSG, September 9)&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/09\/9780374609016-196x300.jpg\" data-large-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/9780374609016-668x1024.jpg\" class=\"size-large wp-image-259072\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/9780374609016-668x1024.jpg\" alt=\"ripeness\" width=\"668\" height=\"1024\"  \/><\/a> Sarah Moss, <a class=\"external\" href=\"https:\/\/bookshop.org\/a\/132\/9780374609016\" target=\"_blank\" rel=\"noopener nofollow\">Ripeness<\/a>; cover art by Magali Cazo; cover design by Sara Wood (FSG, September 9)<\/p>\n<p>I love how evocative, and weirdly uncomfortable, this art becomes when overlaid by the text.<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9780307267580\" class=\"external\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"255878\" data-permalink=\"https:\/\/lithub.com\/lit-hubs-most-anticipated-books-of-2025-part-two\/71tvwkqndal-_uf10001000_ql80_\/\" data-orig-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/71tvwKqNDAL._UF10001000_QL80_.jpg\" data-orig-size=\"666,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Natsuo Kirino, tr. Lisa Hofmann-Kuroda, Swallows\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Natsuo Kirino, tr. Lisa Hofmann-Kuroda, &lt;a class=&quot;external&quot; href=&quot;https:\/\/bookshop.org\/a\/132\/9780307267580&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;&lt;em&gt;Swallows&lt;\/em&gt;&lt;\/a&gt;; cover design by Tyler Comrie (Knopf, September 9)&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/06\/71tvwKqNDAL._UF10001000_QL80_-200x300.jpg\" data-large-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/71tvwKqNDAL._UF10001000_QL80_.jpg\" class=\"size-full wp-image-255878\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/71tvwKqNDAL._UF10001000_QL80_.jpg\" alt=\"Natsuo Kirino, tr. Lisa Hofmann-Kuroda, Swallows\" width=\"666\" height=\"1000\"  \/><\/a> Natsuo Kirino, tr. Lisa Hofmann-Kuroda, <a class=\"external\" href=\"https:\/\/bookshop.org\/a\/132\/9780307267580\" target=\"_blank\" rel=\"noopener nofollow\">Swallows<\/a>; cover design by Tyler Comrie (Knopf, September 9)<\/p>\n<p>Funny, and simple, and unlike anything else. For the record, I also love <a href=\"https:\/\/canongate.co.uk\/books\/5324-swallows\/\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external\">the UK cover<\/a>, by Jack Smyth.<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9781668070024\" class=\"external\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"260332\" data-permalink=\"https:\/\/lithub.com\/the-14-best-book-covers-of-september\/hot-wax-9781668070024_hr\/\" data-orig-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/09\/hot-wax-9781668070024_hr.jpg\" data-orig-size=\"1400,2125\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"hot-wax-9781668070024_hr\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;M. L. Rio, &lt;em&gt;&lt;a class=&quot;external&quot; href=&quot;https:\/\/bookshop.org\/a\/132\/9781668070024&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;Hot Wax&lt;\/a&gt;&lt;\/em&gt;; cover design by Ella Laytham (Simon &amp; Schuster, September 9)&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/09\/hot-wax-9781668070024_hr-198x300.jpg\" data-large-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/hot-wax-9781668070024_hr-675x1024.jpg\" class=\"size-large wp-image-260332\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/hot-wax-9781668070024_hr-675x1024.jpg\" alt=\"\" width=\"675\" height=\"1024\"  \/><\/a> M. L. Rio, <a class=\"external\" href=\"https:\/\/bookshop.org\/a\/132\/9781668070024\" target=\"_blank\" rel=\"noopener nofollow\">Hot Wax<\/a>; cover design by Ella Laytham (Simon &amp; Schuster, September 9)<\/p>\n<p>One of two book covers about records this month\u2014except that this one is really about the title, which becomes the illustration spectacularly.<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9781646222773\" class=\"external\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"255888\" data-permalink=\"https:\/\/lithub.com\/lit-hubs-most-anticipated-books-of-2025-part-two\/cover653275-large\/\" data-orig-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/cover653275-large.png\" data-orig-size=\"536,858\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Jordan Castro,\u00a0Muscle Man\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Jordan Castro, &lt;em&gt;&lt;a class=&quot;external&quot; href=&quot;https:\/\/bookshop.org\/a\/132\/9781646222773&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;Muscle Man&lt;\/a&gt;&lt;\/em&gt;; cover design by Nicole Caputo (Catapult, September 9)&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/06\/cover653275-large-187x300.png\" data-large-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/cover653275-large.png\" class=\"wp-image-255888 size-full\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/cover653275-large.png\" alt=\"Jordan Castro,\u00a0Muscle Man\" width=\"536\" height=\"858\"  \/><\/a> Jordan Castro, <a class=\"external\" href=\"https:\/\/bookshop.org\/a\/132\/9781646222773\" target=\"_blank\" rel=\"noopener nofollow\">Muscle Man<\/a>; cover design by Nicole Caputo (Catapult, September 9)<\/p>\n<p>Gorgeous and restrained; the kind of book cover that makes you want to pick it up without seeming like it\u2019s trying too hard.<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9780063318779\" class=\"external\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"255897\" data-permalink=\"https:\/\/lithub.com\/lit-hubs-most-anticipated-books-of-2025-part-two\/81vnbsmbbql-_uf10001000_ql80_\/\" data-orig-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/81VnBsmBBqL._UF10001000_QL80_.jpg\" data-orig-size=\"662,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Angela Flournoy,\u00a0The Wilderness\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Angela Flournoy, &lt;em&gt;&lt;a href=&quot;https:\/\/bookshop.org\/a\/132\/9780063318779&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;The Wilderness&lt;\/a&gt;&lt;\/em&gt;; cover art by Mickalene Thomas; cover design by Mumtaz Mustafa (Mariner Books, September 16)&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/06\/81VnBsmBBqL._UF10001000_QL80_-199x300.jpg\" data-large-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/81VnBsmBBqL._UF10001000_QL80_.jpg\" class=\"size-full wp-image-255897\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/81VnBsmBBqL._UF10001000_QL80_.jpg\" alt=\"Angela Flournoy,\u00a0The Wilderness\" width=\"662\" height=\"1000\"  \/><\/a> Angela Flournoy, <a href=\"https:\/\/bookshop.org\/a\/132\/9780063318779\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external\">The Wilderness<\/a>; cover art by Mickalene Thomas; cover design by Mumtaz Mustafa (Mariner Books, September 16)<\/p>\n<p>Perfect energy.<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9781953387943\" class=\"external\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"260333\" data-permalink=\"https:\/\/lithub.com\/the-14-best-book-covers-of-september\/81ruhogsxvl-_uf10001000_ql80_\/\" data-orig-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/81ruhogSxVL._UF10001000_QL80_.jpg\" data-orig-size=\"726,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Katharina Volckmer, &lt;a class=&quot;external&quot; href=&quot;https:\/\/bookshop.org\/a\/132\/9781953387943&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;&lt;em&gt;Calls May Be Recorded&lt;\/em&gt;&lt;\/a&gt;; cover design by Eric Obenauf (Two Dollar Radio, September 16)\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Katharina Volckmer, &lt;a class=&quot;external&quot; href=&quot;https:\/\/bookshop.org\/a\/132\/9781953387943&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;&lt;em&gt;Calls May Be Recorded&lt;\/em&gt;&lt;\/a&gt;; cover design by Eric Obenauf (Two Dollar Radio, September 16)&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/09\/81ruhogSxVL._UF10001000_QL80_-218x300.jpg\" data-large-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/81ruhogSxVL._UF10001000_QL80_.jpg\" class=\"size-full wp-image-260333\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/81ruhogSxVL._UF10001000_QL80_.jpg\" alt=\"\" width=\"726\" height=\"1000\"  \/><\/a> Katharina Volckmer, <a class=\"external\" href=\"https:\/\/bookshop.org\/a\/132\/9781953387943\" target=\"_blank\" rel=\"noopener nofollow\">Calls May Be Recorded<\/a>; cover design by Eric Obenauf (Two Dollar Radio, September 16)<\/p>\n<p>There have been a lot of these Bento-box-style covers in recent years, and honestly I usually like them; this one has a \u201970s energy that I find particularly endearing.<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9781538741115\" class=\"external\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"259199\" data-permalink=\"https:\/\/lithub.com\/samantha-schweblin-lydia-davis-angela-flournoy-21-new-books-out-today\/81nccew9e8l-_uf10001000_ql80_\/\" data-orig-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/81nccEW9e8L._UF10001000_QL80_.jpg\" data-orig-size=\"663,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Night People, Mark Ronson\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Mark Ronson, &lt;a class=&quot;external&quot; href=&quot;https:\/\/bookshop.org\/a\/132\/9781538741115&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;&lt;em&gt;Night People: How to Be a DJ in \u201990s New York City&lt;\/em&gt;&lt;\/a&gt;; cover design by Rodrigo Corral Studio (Grand Central, September 16)&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/09\/81nccEW9e8L._UF10001000_QL80_-199x300.jpg\" data-large-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/81nccEW9e8L._UF10001000_QL80_.jpg\" class=\"size-full wp-image-259199\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/81nccEW9e8L._UF10001000_QL80_.jpg\" alt=\"Night People, Mark Ronson\" width=\"663\" height=\"1000\"  \/><\/a> Mark Ronson, <a class=\"external\" href=\"https:\/\/bookshop.org\/a\/132\/9781538741115\" target=\"_blank\" rel=\"noopener nofollow\">Night People: How to Be a DJ in \u201990s New York City<\/a>; cover design by Rodrigo Corral Studio (Grand Central, September 16)<\/p>\n<p>The second solution for how to present a record (or at least a turntable0 on a book cover this month; also text-forward, but in an entirely different way.<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9780593701447\" class=\"external\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"259494\" data-permalink=\"https:\/\/lithub.com\/why-there-can-be-no-freedom-in-iran-without-freedom-for-women\/cover-for-the-sun-after-long-nights\/\" data-orig-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/09\/COVER-For-the-Sun-After-Long-Nights.jpg\" data-orig-size=\"825,1254\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"COVER For the Sun After Long Nights\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Fatemeh Jamalpour and Nilo Tabrizy, &lt;a class=&quot;external&quot; href=&quot;https:\/\/bookshop.org\/a\/132\/9780593701447&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;&lt;em&gt;For the Sun After Long Nights: The Story of Iran\u2019s Women-Led Uprising&lt;\/em&gt;&lt;\/a&gt;; cover design by Linda Huang; illustration by Laura Acquaviva (Pantheon, September 16)&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/09\/COVER-For-the-Sun-After-Long-Nights-197x300.jpg\" data-large-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/COVER-For-the-Sun-After-Long-Nights-674x1024.jpg\" class=\"size-large wp-image-259494\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/COVER-For-the-Sun-After-Long-Nights-674x1024.jpg\" alt=\"\" width=\"674\" height=\"1024\"  \/><\/a> Fatemeh Jamalpour and Nilo Tabrizy, <a class=\"external\" href=\"https:\/\/bookshop.org\/a\/132\/9780593701447\" target=\"_blank\" rel=\"noopener nofollow\">For the Sun After Long Nights: The Story of Iran\u2019s Women-Led Uprising<\/a>; cover design by Linda Huang; illustration by Laura Acquaviva (Pantheon, September 16)<\/p>\n<p>Loving the color story here.<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9780593718551\" class=\"external\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"255900\" data-permalink=\"https:\/\/lithub.com\/lit-hubs-most-anticipated-books-of-2025-part-two\/81658thcucl-_ac_uf10001000_ql80_\/\" data-orig-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/81658THcucL._AC_UF10001000_QL80_.jpg\" data-orig-size=\"662,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Patricia Lockwood, Will There Ever Be Another You\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Patricia Lockwood, &lt;a class=&quot;external&quot; href=&quot;https:\/\/bookshop.org\/a\/132\/9780593718551&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;&lt;em&gt;Will There Ever Be Another You&lt;\/em&gt;&lt;\/a&gt;; cover design by Lauren Peters-Collaer (Riverhead, September 23)&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/06\/81658THcucL._AC_UF10001000_QL80_-199x300.jpg\" data-large-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/81658THcucL._AC_UF10001000_QL80_.jpg\" class=\"size-full wp-image-255900\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/81658THcucL._AC_UF10001000_QL80_.jpg\" alt=\"Patricia Lockwood, Will There Ever Be Another You\" width=\"662\" height=\"1000\"  \/><\/a> Patricia Lockwood, <a class=\"external\" href=\"https:\/\/bookshop.org\/a\/132\/9780593718551\" target=\"_blank\" rel=\"noopener nofollow\">Will There Ever Be Another You<\/a>; cover design by Lauren Peters-Collaer (Riverhead, September 23)<\/p>\n<p>Deranged and irreverent and confrontational and a little silly, just like Lockwood\u2019s writing.<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9781250858245\" class=\"external\" target=\"_blank\" rel=\"nofollow noopener\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"259889\" data-permalink=\"https:\/\/lithub.com\/against-true-crime-sensationalism\/the-tragedy-of-true-crime\/\" data-orig-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/09\/the-tragedy-of-true-crime-scaled.jpg\" data-orig-size=\"1685,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"the tragedy of true crime\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;John J. Lennon, &lt;a class=&quot;external&quot; href=&quot;https:\/\/bookshop.org\/a\/132\/9781250858245&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;&lt;em&gt;The Tragedy of True Crime: Four Guilty Men and the Stories That Define Us&lt;\/em&gt;&lt;\/a&gt;; cover design by\u00a0Henry Sene Yee (Celadon, September 23)&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/2025\/09\/the-tragedy-of-true-crime-197x300.jpg\" data-large-file=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/the-tragedy-of-true-crime-674x1024.jpg\" class=\"size-large wp-image-259889\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/the-tragedy-of-true-crime-674x1024.jpg\" alt=\"\" width=\"674\" height=\"1024\"  \/><\/a> John J. Lennon, <a class=\"external\" href=\"https:\/\/bookshop.org\/a\/132\/9781250858245\" target=\"_blank\" rel=\"noopener nofollow\">The Tragedy of True Crime: Four Guilty Men and the Stories That Define Us<\/a>; cover design by\u00a0Henry Sene Yee (Celadon, September 23)<\/p>\n<p>I love the imposed frame, but I really love that it isn\u2019t symmetrical.<\/p>\n<p>\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/lithub.com\/author\/emily-temple\/\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2025\/09\/Emily-Temple_select_9612_NS1sm-100x100.jpg\" width=\"100\" height=\"100\"  alt=\"Emily Temple\" class=\"avatar avatar-100 wp-user-avatar wp-user-avatar-100 alignnone photo\"\/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Another month of books, another month of book covers. This month, I noticed a lot of play with&hellip;\n","protected":false},"author":2,"featured_media":46931,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[412,146,85,46],"class_list":["post-46930","post","type-post","status-publish","format-standard","has-post-thumbnail","category-books","tag-books","tag-entertainment","tag-il","tag-israel"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/46930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/comments?post=46930"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/46930\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media\/46931"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media?parent=46930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/categories?post=46930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/tags?post=46930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}