{"id":570038,"date":"2026-08-01T08:56:13","date_gmt":"2026-08-01T08:56:13","guid":{"rendered":"https:\/\/www.newsbeep.com\/il\/570038\/"},"modified":"2026-08-01T08:56:13","modified_gmt":"2026-08-01T08:56:13","slug":"designboom-radar-exhibitions-to-see-around-the-world-this-august","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/il\/570038\/","title":{"rendered":"designboom radar: exhibitions to see around the world this august"},"content":{"rendered":"

August exhibitions from DESIGNBOOM RADAR<\/p>\n

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This month\u2019s exhibition<\/a> roundup is full of projects that ask visitors to look again at the spaces and objects around them. A garden becomes a climate experiment, bomb-scarred architecture returns as a climbing wall, birds turn electric guitars into instruments, and familiar designs \u2014 from Pierre Paulin chairs to BMW Art Cars \u2014 are brought into new focus. Across museums and public sites, the most compelling shows make their ideas physical by working through light, sound, movement, and materials which already carry their own histories.<\/p>\n

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Some of the exhibitions highlighted in\u00a0earlier radars\u00a0<\/a>and listings on our\u00a0dedicated events guide<\/a>\u00a0remain on view, giving designboom readers more time to encounter them around the globe.<\/p>\n

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Precious Okoyomon: Among the flowers I learned to love, A Garden of decreation<\/p>\n

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Precious Okoyomon<\/a> has turned MoMA PS1<\/a>\u2019s courtyard into a living forest where plants, sculpture, and sound shift with the seasons. Titled Among the Flowers I Learned to Love: A Garden of Decreation, the installation brings cultivated and wild species into the same evolving landscape, alongside a giant teddy bear that visitors can enter and climb through. Conceived as a garden of continual making and unmaking, the work considers how public space might adapt to an increasingly unpredictable climate.<\/p>\n

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name: Precious Okoyomon, Among the flowers I learned to love, A Garden of decreation<\/a>
artist: Precious Okoyomon<\/a>
museum:\u00a0MoMA PS1<\/a>
location: New York, USA
dates: July 31st, 2026 \u2014 2028<\/p>\n

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Among the Flowers I Learned to Love: A Garden of Decreation is Okoyomon, Precious Okoyomon, MoMA PS1 | image \u00a9 John Kim<\/p>\n

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A Structure of Feeling: On a New Generation of Architects in China<\/p>\n

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A Structure of Feeling brings together twelve projects by nine independent Chinese architecture practices to examine how design is changing after decades of rapid urban expansion. At Aedes Architecture Forum<\/a>, a selection of physical models, films, photographs, and graphic works trace a generation working across existing city fabric, rural development, and smaller-scale forms of construction. Meanwhile, the shipping crates that carried the exhibition from China to Berlin become part of the display itself.<\/p>\n

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name: A Structure of Feeling: On a New Generation of Architects in China<\/a>
architects:\u00a0Atelier Alter Architects, Atelier X\u00dcK, genarchitects, line+ studio, DL Atelier, People\u2019s Architecture Office, Yanfei Architects, Studio QI Architects, BUZZ \/ B\u00fcro Ziyu Zhuang
museum: Aedes Architecture Forum<\/a>
location: Berlin, Germany
dates: July 4th \u2014 October 14th, 2026<\/p>\n

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Annoso \u00b7 Hill, Tengchong, Yunnan, CN, 2019. \u00a9 Jin Weiqi<\/p>\n

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Ana Mendieta<\/p>\n

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Tate Modern<\/a> brings together more than 120 works by Ana Mendieta, tracing how she used the body as a temporary mark within the landscape. Newly remastered films, early paintings, and late sculptures sit alongside the celebrated Silueta works, where earth, fire, water, and flowers carry the outline of the artist\u2019s form. Arranged through symbolic environments rather than a simple chronology, the exhibition gives spatial structure to a practice shaped by presence, disappearance, and the charged meeting of body and ground.<\/p>\n

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name: Ana Mendieta<\/a>
artist: Ana Mendieta<\/a>
museum: Tate Modern<\/a>
location: London, UK
dates: July 15th, 2026 \u2014 January 17th, 2027<\/p>\n

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Ana Mendieta Im\u00e1gen de Y\u00e1gul 1973 \u00a9 The Estate of Ana Mendieta Collection, LLC. licensed by Artist Rights Society (ARS), New York \/ DACS, 2026 \/ courtesy Marian Goodman Gallery and Alison Jacques, London<\/p>\n

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Dan Flavin: Simple Fluorescent Tubes<\/p>\n

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At the Venet Foundation in Le Muy, fluorescent tubes become architectural material in a focused survey of Dan Flavin\u2019s work from 1963 to 1990. Curated by Erik Verhagen, the exhibition traces how the American artist used commercially available light fixtures to draw across walls, occupy corners, and alter the color and scale of a room, turning an ordinary industrial object into a precise study of space and perception.<\/p>\n

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name: Dan Flavin: Simple Fluorescent Tubes
artist: Dan Flavin
museum: Venet Foundation<\/a>
location: Le Muy, France
dates: May 8th \u2014 October 3rd, 2026<\/p>\n

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Dan Flavin, untitled (to Lucie Rie, master potter), 1990, Pink blue, yellow and green fluorescent light, 183 x 41 x 62 cm \u00a9 Archives Bernar Venet<\/p>\n

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Georg Baselitz<\/p>\n

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Sehwa Museum of Art surveys six decades of Georg Baselitz through 46 paintings, sculptures, and drawings, moving from the recurring figures of his early work to portraits of Elke, the self-referential Remix series, and his late Gold Paintings. Fractured bodies, eagles, and inverted figures run through the exhibition, tracing how Baselitz repeatedly dismantled and revisited his own imagery to keep painting physically and psychologically unsettled.<\/p>\n

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name: Georg Baselitz<\/a>
artist: Georg Baselitz
museum: Sehwa Museum of Art<\/a>
location: Seoul, South Korea
dates: August 13th \u2014 December 27th, 2026<\/p>\n

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1965, 2024, Bronze patinated, 342.6 x 92.5 x 90 cm \u00a9 Georg Baselitz 2026<\/p>\n

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Speaking Stones<\/p>\n

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At Tallinn\u2019s Adamson-Eric Museum, Speaking Stones examines stone as material, artifact, and carrier of memory, placing medieval fragments and historic carving alongside contemporary art. Pavel Rotts\u2019 Climbing a Memory (read more here<\/a>) sharpens this premise through colorful resin holds cast from the city\u2019s war-damaged architecture, turning craters and broken ornaments into a surface the body can read through touch and movement. Set among centuries of stonework, the installation brings overlooked urban wounds back into view while asking what fragments can preserve after the structures around them disappear.<\/p>\n

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name: Speaking Stones
museum: Adamson-Eric Museum<\/a>
location: Tallinn, Estonia
dates: June 19th \u2014 November 22nd, 2026<\/p>\n