{"id":577532,"date":"2026-08-07T12:16:13","date_gmt":"2026-08-07T12:16:13","guid":{"rendered":"https:\/\/www.newsbeep.com\/il\/577532\/"},"modified":"2026-08-07T12:16:13","modified_gmt":"2026-08-07T12:16:13","slug":"k-pops-toughest-stage-comes-after-debut","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/il\/577532\/","title":{"rendered":"K-pop\u2019s toughest stage comes after debut"},"content":{"rendered":"<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">SEOUL \u2013 Two K-pop acts have been making headlines in Korea this summer, and their stories are both triumphs of tenacity.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Girl group Rescene finally topped a music chart with Love Attack, a song that had gone largely unnoticed for two years.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Ateez, a group long celebrated abroad but overlooked at home, cracked South Korea\u2019s own charts for the first time with its new single Bad \u2013 eight years into their career.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Such reversals of fortune look glamorous from the outside. But they remain the exception, not the rule.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Even what the K-pop industry calls a \u201csmall-label miracle\u201d surfaces only occasionally. <a href=\"https:\/\/www.straitstimes.com\/life\/entertainment\/k-pop-girl-group-kiss-of-life-defends-strangling-choreography-in-new-music-video?ref=inline-article\" rel=\"noopener nofollow\" class=\"gap-x-04 items-center inline text-primary-60 select-auto\" aria-label=\"link\" target=\"_blank\" data-testid=\"custom-link\">Kiss of Life<\/a>, launched in 2023 by the little-known S2 Entertainment, broke into a Billboard sub-chart and won their first South Korean music show trophy the following year with Sticky.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Yet for every such story, the odds of just being able to debut are shrinking. The number of trainees at South Korean entertainment agencies fell 38.3 per cent in just two years, from 1,895 in 2020 to 1,170 by the end of 2022, with the decline particularly acute among male trainees.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Even debuting under a major label no longer guarantees success. Only a handful of recent rookies from Hybe, SM Entertainment, JYP Entertainment and YG Entertainment have made their mark.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\"><a href=\"https:\/\/www.straitstimes.com\/life\/le-sserafim-illit-katseye-collaboration-finds-global-success-beyond-fandoms?ref=inline-article\" rel=\"noopener nofollow\" class=\"gap-x-04 items-center inline text-primary-60 select-auto\" aria-label=\"link\" target=\"_blank\" data-testid=\"custom-link\">Illit, under Hybe\u2019s Source Music<\/a>, sold 200,000 copies of their debut album in two days; SM\u2019s Hearts2Hearts topped a music show just 16 days after debut and won a rookie award within four months; and Big Hit Music\u2019s Cortis debuted at No. 15 on the Billboard 200, the second-highest debut album ranking for a K-pop act excluding project groups.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Meanwhile, JYP Entertainment\u2019s Kick Flip and Hybe-affiliated Pledis Entertainment\u2019s TWS are struggling to find a foothold despite their major label backing. The difference is that big agencies can afford to give a struggling act a second album; small ones rarely can.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Behind these numbers lies an unforgiving financial structure. Debuting a single group can cost 3 billion won (S$2.7 million) to 5 billion won, with fourth- and fifth-generation groups often requiring more than 10 billion won to turn a profit when ongoing costs after debut are factored in.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Recouping that investment can take three years or more, meaning agencies often have just two to three years to make a profit within a standard seven-year exclusive contract.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">In practice, a company\u2019s \u201cinvestment\u201d becomes the idols\u2019 debt. Earnings first go toward paying that back, and after members are \u201csettled\u201d, profits are typically split evenly, with the agency taking 50 per cent.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">If that settlement never comes, idols can end up performing without pay for years. In March, boy group The Boyz filed an injunction against their agency One Hundred Label to suspend their exclusive contract over unpaid settlements; singers Lee Mu-jin, Exo-CBX, Bibi and Lee Seung-gi followed with contract termination notices, all citing billions of won in unpaid dues.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Aware of this widening gap, the Ministry of Culture, Sports and Tourism in July selected 10 small and mid-sized agencies, including Rescene\u2019s label, for a new programme supporting overseas expansion \u2013 offering up to 300 million won per group annually for up to three years.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">The scale of this risk is backed by data. A paper by Sungshin Women\u2019s University professor Kim Jung-sub, released on July 30, analysed all 1,182 idol groups that have debuted in the 30 years since H.O.T. in 1996.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">It found the average group survives just 4.12 years \u2013 barely 59 per cent of a standard seven-year contract \u2013 and that roughly 45 per cent of all groups leave the market within their first three years. Just 1.61 per cent ever became million-sellers.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Yet, Kim notes that idol groups\u2019 three-year survival rate of 55.03 per cent actually exceeds the 41.5 per cent survival rate of ordinary South Korean small businesses over the same period \u2013 suggesting the industry\u2019s reputation for risk may be somewhat overstated.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Rescene\u2019s comeback, Ateez\u2019s belated domestic breakthrough and Kiss of Life\u2019s rare rise are not simply strokes of luck.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">They are also what a shrinking handful manage to pull off in an industry where neither a big label\u2019s backing nor a strong debut guarantees survival.<\/p>\n<p class=\"text-primary font-tertiary-body-baseline-regular\" data-testid=\"article-paragraph-annotation-test-id\">Behind the sparkle of a comeback stage, every idol\u2019s ordinary day is still a fight to stay in the game. THE KOREA HERALD\/ASIA NEWS NETWORK<\/p>\n","protected":false},"excerpt":{"rendered":"SEOUL \u2013 Two K-pop acts have been making headlines in Korea this summer, and their stories are both&hellip;\n","protected":false},"author":2,"featured_media":577533,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[146,85,46,409],"class_list":["post-577532","post","type-post","status-publish","format-standard","has-post-thumbnail","category-music","tag-entertainment","tag-il","tag-israel","tag-music"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/577532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/comments?post=577532"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/577532\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media\/577533"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media?parent=577532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/categories?post=577532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/tags?post=577532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}