{"id":625506,"date":"2026-09-24T02:10:09","date_gmt":"2026-09-24T02:10:09","guid":{"rendered":"https:\/\/www.newsbeep.com\/il\/625506\/"},"modified":"2026-09-24T02:10:09","modified_gmt":"2026-09-24T02:10:09","slug":"wpr-music-album-of-the-week-beethoven-and-the-italians","status":"publish","type":"post","link":"https:\/\/www.newsbeep.com\/il\/625506\/","title":{"rendered":"WPR Music Album of the Week: &#8216;Beethoven and the Italians&#8217;"},"content":{"rendered":"<p class=\"wp-block-paragraph\">In March of 1823, Ludwig van Beethoven sat down at his desk in Vienna not to compose a new piece, but to write a fan letter. The recipient was Luigi Cherubini, an Italian composer who had made his home in Paris since the 1780s, where he was a fixture on the city\u2019s opera scene. What occasioned the letter was Beethoven\u2019s own \u201cMissa Solemnis\u201d: he had just finished the work, and was looking for opportunities to have it performed abroad. But while he wrote a few composers and friends about this new mass that spring, to Cherubini, he added a personal message:<\/p>\n<p class=\"wp-block-paragraph\">\u201cTrue art is immortal; and the true artist finds full satisfaction and pleasure in the true and great creations of the mind. And so I too am enchanted every time I hear about one of your new compositions, and I am as interested in your works as I am in my own\u201d (<a href=\"https:\/\/www.harmoniamundi.com\/wp-content\/uploads\/2026\/05\/902443.45_booklet.pdf\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">source<\/a>).<\/p>\n<p class=\"wp-block-paragraph\">Beethoven and Cherubini weren\u2019t friends, but the two had met once before, in 1805, when Cherubini was in Vienna to premiere one of his operas. The meeting was brusque by all accounts, but this could have been due to some awkwardness on Beethoven\u2019s part: at that time, Beethoven was struggling to complete his own opera, \u201cFidelio,\u201d and he had been using Cherubini\u2019s 1797 opera \u201cM\u00e9d\u00e9e\u201d as one of his models. Years later, when asked who the greatest living composer was, Beethoven reportedly offered <a href=\"https:\/\/archive.org\/details\/beethovenimpress0000unse\/page\/44\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Cherubini\u2019s name<\/a>.\u00a0<\/p>\n<p>                            Understanding Wisconsin, Together.<\/p>\n<p class=\"gform_description\">WPR\u2019s \u201cWisconsin Today\u201d newsletter keeps you connected to the state you love without feeling overwhelmed. No paywall. No agenda. No corporate filter.<\/p>\n<p class=\"wp-block-paragraph\">This affection serves as the main jumping off point for this new album from conductor <a href=\"https:\/\/www.enricoonofri.it\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Enrico Onofri<\/a> and the <a href=\"https:\/\/www.m-k-o.eu\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Munich Chamber Orchestra<\/a>, which explores the parallels between Beethoven\u2019s symphonies and the works of his Italian contemporaries \u2014 and particularly the Italians who had been active in France. It presents fresh interpretations of Beethoven\u2019s Fifth, Sixth and Seventh symphonies alongside works by Cherubini, Gioachino Rossini and Gaspare Spontini.\u00a0<\/p>\n<p class=\"wp-block-paragraph\">On this three-disc set, Cherubini is represented by his only symphony, a work commissioned in 1815 by the same Royal Philharmonic Society in London that tried to commission Beethoven\u2019s Ninth. It also includes the overture to Cherubini\u2019s opera \u201cM\u00e9d\u00e9e,\u201d which had such a strong impact on Beethoven\u2019s music \u2014 and may have even been the source of a theme in his \u201cPathetique\u201d piano sonata:<\/p>\n<p class=\"wp-block-paragraph\">As the most popular composer in Europe in the 1820s, Rossini was an unavoidable topic of conversation, although Beethoven tried to avoid meeting Rossini when the Italian paid a visit to his home in 1822. On this occasion, the praise went the other direction, with Rossini professing his love for Beethoven\u2019s \u201cEroica\u201d Symphony No. 3. On this album, Onofri brings out the Beethovenian fire in Rossini\u2019s overture to his very last opera, \u201cWilliam Tell,\u201d which premiered in Paris in 1829:<\/p>\n<p class=\"wp-block-paragraph\">Gaspare Spontini was another in the long line of Italians who found success in Paris, moving there in 1805. But that success came to an end for Spontini with the 1819 premiere of his opera \u201cOlimpie,\u201d a vaguely monarchist work centering on the struggle to succeed Alexander the Great. Beethoven himself reportedly said the opera \u201c<a href=\"https:\/\/www.harmoniamundi.com\/wp-content\/uploads\/2026\/05\/902443.45_booklet.pdf\" type=\"link\" id=\"https:\/\/www.harmoniamundi.com\/wp-content\/uploads\/2026\/05\/902443.45_booklet.pdf\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">made a lot of noise<\/a>,\u201d thanks in no small part to its expanded brass section, but it also had a certain Beethovenian intensity to it, as the overture shows:\u00a0<\/p>\n<p class=\"wp-block-paragraph\">The Beethoven recordings on this album won\u2019t appeal to everyone\u2019s taste. These three symphonies became iconic during the romantic era, and the emotionally charged interpretations from that era, particularly of the Fifth, have held sway for more than a century. But Onofri tries to sweep all that away on this album, and place these symphonies within the same continuum as the Italian works from Beethoven\u2019s time. The results will seem brisk, but this is a valid way to hear Beethoven without the baggage of the intervening years:\u00a0<\/p>\n<p class=\"wp-block-paragraph\">The Munich Chamber Orchestra performs on modern instruments (mostly), but the lessons learned from the period instruments movement of the last half century are clearly in evidence. The orchestra also responds magnificently to the challenges of Onofri\u2019s interpretations. \u201cBeethoven and the Italians\u201d is out now on the <a href=\"https:\/\/www.harmoniamundi.com\/en\/albums\/beethoven-italians-symphonies-cherubini-rossini-spontini-munchener-kammerorchester-enrico-onofri\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Harmonia Mundi label<\/a>, and it\u2019s collected as a <a href=\"https:\/\/www.youtube.com\/watch?v=vs76ffzBpeo&amp;list=OLAK5uy_nO7Y32duLYrMpHvvTxQ_hfxsr2mlbquEw\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">playlist on YouTube<\/a>.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"In March of 1823, Ludwig van Beethoven sat down at his desk in Vienna not to compose a&hellip;\n","protected":false},"author":2,"featured_media":625507,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[146,85,46],"class_list":["post-625506","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-entertainment","tag-il","tag-israel"],"_links":{"self":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/625506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/comments?post=625506"}],"version-history":[{"count":0,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/posts\/625506\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media\/625507"}],"wp:attachment":[{"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/media?parent=625506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/categories?post=625506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsbeep.com\/il\/wp-json\/wp\/v2\/tags?post=625506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}