My questions led me to investigate exactly what \u201cSefer Kostopol\u201d was \u2013 and to learn that communities of survivors created over 1,000 such memorial books, called \u201cyizker bikher\u201d in Yiddish<\/a>.<\/p>\n Everyday life<\/p>\n After the Holocaust, Eastern European survivors and Jews who had left before the war created these memorial books to honor their destroyed towns and murdered loved ones. Devoted to their neighbors, these collaboratively written volumes were one way for survivors to reclaim their lives and memories.<\/p>\n Photos of school groups from Kalish, Poland, in \u2018The Kalish Book,\u2019 published by the Societies of Former Residents of Kalish and the Vicinity in 1968. Yizker bikher were created not only to document the destruction of the Nazi genocide, but also to preserve the everyday lives that came before it. The volumes insist that Jewish communities be remembered not solely as sites of death but as places where people lived, argued, worked and celebrated. In general, around two-thirds of a given volume is devoted to describing prewar life; the remaining third includes first-person accounts of the Nazi occupation of the town and a long list of the dead. <\/p>\n Each book had anywhere from 20 to 50, even 75, contributors, who wrote in a warm, colloquial style. The visuals, too, feel personal. Photos portray the particulars of prewar life, with images of sports teams, school groups, bustling market squares and busy, modern streets.<\/p>\n Another common feature are maps, almost always drawn and labeled from memory by a survivor: the details of the forests and the rivers, the nicknames that locals used for the streets and stories of the homes and shops.<\/p>\n Beyond the photographs and maps, most volumes contain sketches by amateur artists to convey information about life under Nazi occupation. Some include art by well-known artists at the time, like Arthur Szyk<\/a>, a Polish-Jewish illustrator and political cartoonist. There are also ephemera like posters, budgets, song lyrics, book covers, event flyers and elementary school report cards. <\/p>\n A map of Voyslavits, Poland, in \u2018Sefer zikaron Voyslavits,\u2019 published by the Former Residents of Voyslavits committee in 1970. Link in a chain<\/p>\n The earliest volume that I studied came from Volkovisk, Belarus, and was published in 1946, just a year after the liberation of Auschwitz<\/a>. It\u2019s hard to imagine survivors finding one another and putting books together so soon after the war. <\/p>\n The editors, publication committees and contributors, though, reached for a familiar model: the \u201cpinkes,\u201d the community register<\/a> found in every Eastern European Jewish town. These books contained everything from meeting minutes to school budgets and lists of political candidates.<\/p>\n Cover of \u2018Khurbn Volkovisk,\u2019 published by the Committee of Former Residents of Volkovisk in Eretz-Israel in 1946. Like the community registers, yizker bikher have a somewhat chaotic, idiosyncratic organization to them. Both were written by many hands, and they became treasured objects.<\/p>\n The relationship was so strong that many yizker bikher include the word \u201cpinkes\u201d in their title. In the introductions, some editors made explicit connections between the prewar pinkes and those created in the wake of the Holocaust. One of them was Eliezer Yerushalmi, who compiled the memorial book from Navaredok, Belarus<\/a>.<\/p>\n Each pinkes is a link in a timeless chain recording the history of Jewish communities, he wrote: \u201cThe present pinkes, the Navaredok pinkes, is here to tell the orphaned generation and the generations to come all that the community experienced from its very beginning hundreds of years ago to its terrible destruction.\u201d<\/p>\n The prospectus for \u2018Sefer zikaron le-kehilat Wielun,\u2019 a memorial book that was ultimately published in 1974. Just like Jewish communities in Eastern Europe were interconnected, so too were survivor communities in places like the United States, Canada, Israel and Argentina. Some yizker bikher committees relied on the same editors and adopted features of other memorial books<\/a>, making the process easier.<\/p>\n The first step was for members of the book committee to circulate a prospectus to their fellow survivors to explain the memorial project. A prospectus for the \u201cWielun Memorial Book,\u201d commemorating a community in Poland, was circulated in 1961, 10 years before the volume was published. The editor wrote that, <\/p>\n The Wielun memorial book must be a reflection of a former home, which was so brutally destroyed and erased. In the book of remembrance, all moments, events, adventures, and experiences need to be expressed. Different facts, good deeds, memories, figures, and types. Let nothing be forgotten: days of sadness, days of joy, and hope for a better tomorrow.<\/p>\n That goal \u2013 \u201clet nothing be forgotten\u201d \u2013 sits at the very heart of each memorial book.<\/p>\n How they lived<\/p>\n Despite this, yizker bikher were mostly overlooked by scholars for many years. Perhaps this was because they defy easy categories: They are too nostalgic to be histories and too historical to be literature. They are too secular to be religious and too religious to be secular. And the range of visual material complicates things even further \u2013 for example, they aren\u2019t photo albums per se, but they certainly include hundreds of photographs.<\/p>\n Survivor communities have published more than 1,000 yizker bikher. In the past few years, however, there has been a surge of academic and popular interest<\/a>. Scholars are exploring the books and the archives that created them<\/a> to learn more about all aspects of prewar Jewish life. They have also used yizker bikher to understand the intimate nature of the violence wrought by the Nazis and their local collaborators, and the beautiful, profound ways survivors found to honor their loved ones.<\/p>\n![\"Three](\"https:\/\/www.newsbeep.com\/il\/wp-content\/uploads\/2026\/10\/file-20261019-50-g1rzn3.jpg\")
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\n Tim Hawk, Rowan University<\/p>\n